And why am I holding the man?
Well, that’s an interesting question. Thankyou for asking.
Sit down with a cup of hot chocolate and pay close attention.
Preparing for Edinburgh Fringe shows in August tends to start way back in December or January each year.
I am organising Malcolm Hardee Week in the final week of the Fringe – basically two debates, two spaghetti-juggling contests (anything to get noticed at the over-crowded Fringe!) and a two-hour variety show during which the three annual Malcolm Hardee Comedy Awards will be presented.
I am normally a shrinking wallflower where self-publicity is concerned but, because I am chairing the two Malcolm Hardee Debates and there are precious few other photo opportunities, I had some pictures taken, courtesy of lecturer Peter Cattrell, by photography students at St Martin’s College of Art (where, it turned out, no girl came from Greece, though they did have a thirst for knowledge).
I had brought along a giant dice box for no reason other than the fact it looked interesting. Student Cody Cai had brought along a pair of comedy spectacles and student Kerstin Diegel took a photo of me wearing the glasses and holding the box.
I remember thinking, “Oy! Oy! Malcolm Hardee could be Photoshopped into this, popping up out of the box!”
So now, dear reader, we have to take a time trip with wobbly special effects transitions back into the mists of last century – probably to the late 1990s, when the world was young and the Twin Towers still stood in New York…
London photographer David Tuck took some photos of comedian and club owner Malcolm Hardee, including an iconic one of Malcolm apparently doing shadow puppetry with his hands – you know the routine – you link your open hands together, flap them and it allegedly looks like a bird – except that the shadow on the wall behind Malcolm looks like a dog and, with the shadow of his arm included, it also looks like he has a giant penis rising out of his groin in the foreground… with a dog on the end of it.
David Tuck cannot remember exactly when the picture was taken, but it was a couple of weeks before Malcolm opened a short-lived comedy club in Harlesden, which would make it the late 1990s. Memories of Malcolm seldom come with exact dates.
David tells me: “The image Malcolm originally had in mind was that he would be doing a simple bird shape with his hands and a magnificent eagle would be the shadow image. This was before the days of Photoshop so, to get the image onto a piece of black and white photographic paper, I had to cut the image out of card and physically lay it on top of the picture during the darkroom process.
“My abilities with the scalpel weren’t exactly up to creating a photo-accurate eagle in full flight, so we talked about other possibilities and, when he mentioned a dog, I thought: Yeah, a dog I can do!
“I remember afterwards someone saying that it was funny because it appears to be coming out of Malcolm’s flies, like some sort of shadow penis. Just to set the record straight, that wasn’t the joke. I didn’t even notice until someone said it.”
From such random accidents do iconic photos come!
For anyone who knew Malcolm, it will come as no surprise that he never actually got round to paying David Tuck for the publicity photos he took and that this shadow puppet photo was used widely for years afterwards without David ever getting any money or even any credit for taking the photo.
When I used the photo on Malcolm’s website after he drowned in 2005, I found out David had taken it and have always tried to give him credit for it.
“I was in the middle of my second or possibly third mid-life crisis. (You lose count after a while) It could have been age-related or something to do with giving up smoking or both.”
He played around with the David Tuck photo of Malcolm and basically ‘cartoonised’ it.
I thought it was excellent and got Vinny Lewis to design a poster using this image for all subsequent Malcolm Hardee shows at the Fringe.
He added a coloured background to the cartoon and played with details.
So, when I got the St Martin’s photo back from Kerstin Diegel, I got Vinny to Photoshop the Malcolm shadow puppet image into the photo and the result is now available for The Scotsman or anyone else to publish to plug Malcolm Hardee Week at the Edinburgh Fringe.
‘Anybody else’ turned out to be Mensa Magazine who printed the image on the contents page of their July issue and, inside, to illustrate a piece on Malcolm Hardee Week.
I suspect it may be the first time Mensa Magazine has published a photo of a man displaying an apparent cartoon erection with a dog on the end of it. Their defence is clear – that even David Tuck and (possibly not even) Malcolm noticed that the shadow was of an erect penis.
It’s a funny old world.
You can see the photo here.
It was created by Kerstin Diegel, Cody Cai, David Tuck, Brian Damage and Vinny Lewis.
Nothing is ever simple.