I went to Leicester yesterday to see Bob Slayer‘s new show, which is perhaps over-optimistically titled: Bob Slayer: Turning Over a New Leaf.
It did, of course, not live up to the title because the 60-minute show went on for 90 minutes but never actually started due to four disruptive drunks in the audience.
However, keeping to the billed or intended subject has never been one of Bob’s priorities, so it turned out to be one of the most entertaining shows I have seen recently.
You just can’t dislike a show which includes shutting one of the audience drunks in a hidden cupboard behind a mirror, insulting the Dave’s Leicester Comedy Festival judge who was in the room to rate the show and taking leave of absence from the stage to go watch a lady pee in the nearby toilet.
Strangely Bob Slayer, when sober and often even when not, is one of Britain’s most entrepreneurial comedians – something probably gained from his days as a rock band manager – and he has a couple of highly-original, laterally-thought-out but sadly as-yet-unprintable ideas for this year’s Edinburgh Fringe.
Another comedian with original ideas is my chum Janey Godley.
As I recently mentioned, she looked into live streaming her 2005 Edinburgh Fringe show from the original Underbelly building in Edinburgh. It was her daughter Ashley Storrie who came up with the idea, Janey told me when I was in bed with her (Janey) and Comedy Cafe Theatre owner Noel Faulkner a week ago.
“Ashley decided,” Janey told me, “that, if you can live-stream porn and people will pay for it, why can’t you use the porn pay-per-view platform for comedy?”
Alas, at that time, it proved technically impossible in the Underbelly’s original bizarre building. The next year, I think it was, she persuaded the Pleasance Dome venue to have a giant projected video screen promo for her Fringe show in their front window – something unheard-of at the time.
Last year, Janey’s live Twitter tale about a couple called Tim & Freya arguing on a Virgin train went viral and triggered media soul-searching about social media privacy. So she then turned it into a one-off performance as a short play at the Edinburgh Fringe (written by her daughter Ashley).
“Ashley wrote the ad and I get to interrupt her, which is what I get to do in the podcast,” Janey told me. “It’s the first time an ad for an independent podcast is going on commercial radio – and all because the listeners of my podcast donated enough money for us to make an advert.
“You know,” Janey told me, “now you can actually make payments with your phone. You can actually just bang your phone to pay – and that will revolutionise prostitution.”
“The other night,” Noel Faulkner added, “I saw an ad that said Text this number: £3 will buy a blanket for a kid. And I thought What’s three quid? and donated. The fact you could text the number made it easy.”
“In Glasgow,” said Janey, “we now have children who steal McDonalds’ sachets of tomato sauce and make a pot of soup with them because they’re so poor. We should get those two fucking lazy pandas out of Edinburgh Zoo and they’ll feed the kids. We need more original thinking.”
Then she carried on watching the act on stage.
The Comedy Cafe Theatre provides a large bed in the corner of its auditorium for acts to rest on while the shows progress across the room.