As I have very little time to write a blog today and as yesterday’s blog was about the ‘old’ ITV, here is an extract from comedy icon Malcolm Hardee’s increasingly prestigious autobiography I Stole Freddie Mercury’s Birthday Cake. It is about his participation in Martin Soan’s comedy group The Greatest Show On Legs and refers to OTT, the adult TV series produced by Chris Tarrant after his success with children’s series Tiswas.
At this time, I was working on the continuing Tiswas series.
Because ATV/Central messed-up and did not at first give the OTT team their own office, Tarrant squatted in our Tiswas office for around (if memory serves me) a month. I later worked on the LWT series Game For a Laugh, but not at this point.
This is Malcolm Hardee’s story…
The Greatest Show on Legs’ breakthrough was doing The Balloon Dance on ITV.
Dave ‘Bagpipes’ Brooks was supposed to be with The Greatest Show on Legs on the OTT pilot, but he’d buggered off to Cornwall. He’d had enough.
This was right in the middle of The Mad Show.
So, at about 6.30am one morning, I knocked-up Martin Potter who used to operate our tapes and he came out with us and did the pilot for OTT and the audition for Game For a Laugh.
We needed someone permanent and Martin Potter wasn’t interested, so we recruited Martin Clarke from Brighton, who’d been in a theatre group called Cliffhanger. He had quite a posh voice and looked a bit like Tony Blackburn, so we called him ‘Sir Ralph’.
We were invited to do The Balloon Dance first on Game For a Laugh but, when we got to the LWT studios, the producer wouldn’t let us do it naked. He said the show was for family viewing.
“But that’s how we do it,” I said. “That’s the whole humour of it.”
He sent researchers out to get smaller and smaller items of underwear – even going into sex shops to get us jockstraps. But we held out and said:
“We’re not doing it with our pants on”.
We partly held out because we knew that OTT also wanted us on ITV in a month’s time and they would let us do it naked. In the end, we did the Scottish sword dance on Game For a Laugh. We used the show’s co-presenter Matthew Kelly as the crossed swords. He had a broken leg at the time. So we kept our clothes on but terrorised Matthew Kelly in exchange.
A month later, we finally got naked on TV when we performed The Balloon Dance on OTT. (The video is on YouTube) That was in January 1981. It was one of the first programmes made by Central, who had taken over from ATV as the Birmingham ITV station.
OTT was meant to be the all new, very daring adult version of Chris Tarrant’s anarchic children’s show Tiswas. Alexei Sayle performed on it every week and still no-one understood his humour. Lenny Henry, Bob Carolgees and Helen Atkinson-Wood were the other OTT regulars.
On the first night we were there, the studio audience didn’t react very well to the over-all show but, when we came on, we set the place alight – figuratively speaking – and afterwards there was a furore in the press, which we wanted. Mary Whitehouse complained about it, which is always a good thing.
We got on very well with Chris Tarrant but, two or three years later, we did the Balloon Dance on another late-night TV show created by him (Saturday Stayback – there is a video not including Malcolm on YouTube). It was shot in a pub and he was desperate for ratings, because they hadn’t been very good. So he got us in to do the last show in the series.
Afterwards, there was a big end-of-series party for everyone and we weren’t invited to it. So our roadie saw a massive bottle of champagne – a Jeroboam – and nicked it. We were giving Helen Atkinson-Wood a lift because she also had to miss the party to get back to London. We all got in our Luton Transit and suddenly Chris Tarrant came running out, mad, shouting:
“You’ve had my champagne!”
“No we haven’t!” I lied.
“You have!” he yelled. “You’ll never work on TV again!”
At this, Helen Atkinson-Wood jumped out of the van because she didn’t want to be associated with us and the roadie drove us off back to London.
I have heard since that Chris Tarrant says this incident involved the pub having some silvery cutlery nicked which had sentimental value to the landlord. If anything else was nicked, it wasn’t us; we just nicked one bottle of champagne.
Anyway it all ended in tears. But our first appearance on OTT was our big breakthrough and afterwards it was all congratulations.
As a result of our TV success, we ended up with an agent, Louis Parker, who treated us like The Chippendales.
We went mainstream. We were doing hen nights and End of The Pier variety shows for two or three years – not the University shows that we had done before. Literally end-of-the-pier. Colwyn Bay and Blackpool we did. We were a novelty act doing a 15-20 minute show for what was then an enormous amount of money: about £500-£600 a show. But there were three of us to pay, plus a roadie.
While we were doing that, Rik Mayall and Ade Edmondson went on to TV success in The Young Ones.
Pete Richardson (who went on to direct The Comic Strip) was meant to have been in that: he was meant to have been the one that no-one knows. They wanted a macho-man figure as a counter-balance to the others and Pete was replaced by someone they recruited out of a casting agency.
The Young Ones garnered all the credit for being clever comedians, while we were literally performing a dumb show. Our success was short-term, lowbrow and mainstream.
We even performed at a TUC Conference in Blackpool where Neil Innes of the Bonzo Dogs got booed off for being sexist: he was singing a song about a woman with tits and they didn’t like him. But they liked The Greatest Show on Legs naked with balloons. Except that we didn’t use balloons: we used photos of Mrs Thatcher to cover our genitalia and, after we turned round, our penises were sticking out of her mouth.
They loved it.