Yesterday ended surreally with (after his show ended) a member of the audience asking marriage advice from Lewis Schaffer.
Earlier in the day, I had gone round to comedy critic Kate Copstick’s home to record our weekly Grouchy Club podcast. Sometimes we record this not just in audio but on video for YouTube and/or we stream it live on Periscope.
Yesterday… no visuals, because of her face.
“I woke up this morning,” she told me, “a horrible puce. Normally I don’t look in mirrors, ever. They crack, of course. Either that or there’s no reflection to see. But this time it was an horrific sight. Massively puffy. Eyes like currants in a dumpling. But a red dumpling.”
So no pictures of her from yesterday.
But we did, in the course of the 39 minute podcast, get round to discussing her job reviewing comedy shows for The Scotsman newspaper during the Edinburgh Fringe and to PR strategies for Fringe comedy shows…
There is a kind of firewall – which I think is tragic – of paid PRs who can all get to the editors, who can get to the journalists, who have a budget to take them out to lunch or whatever and who, in some cases, have the tenacity of a moray eel once it bites into your leg: it’s just not going to let go.
We’ve all been there.
And it’s hard… I always give out my personal email because I’m happy for anyone to contact me. A lot of reviewers don’t. But I find myself drifting off if I start reading one of these standard It’s all marvellous! – Whoa! – One of London’s top… No! You’re not. If people up here (in Edinburgh) haven’t really heard of you, you’re not one of London’s top anything.
I much prefer – as I’ve had – a few little emails saying: I’m bricking it, terrified, blah blah blah… That is much more likely to appeal. That shows the right attitude. It shows – No 1 – a respect for the Edinburgh Fringe, which is a monumental entity in the comedy industry now… and an acceptance that life – much less the Fringe – much less the press – owes you nothing at all. It is what you make of it.
So, if you’re an individual, some corny pro-forma press release with all the usual buzz words in it is not going to work. A direct e-mail – for me – is much more likely to work. Not a press release, just an e-mail.
Then, once you get up to Edinburgh, play your little heart out, paper your show, just get people in to see it. If you’re on the free Fringe, just try and get as many people in as possible. Because, if you are any good, every single one of these people is a human flyer and you are sending them out there. They are a talking, walking, smiling, reminiscing, sadly often joke-quoting flyer. And they will do you more good than bits of paper.
Much, much more in the online podcast, including Copstick’s e-mail address and one of 21 things you did not know about pornography.
See? Marketing is all about teasing.
Meanwhile, to round off this blog – which started with a humorous suggestion of Peter Buckley Hill giving advice to a comedian on how to develop a PR strategy at the Edinburgh Fringe…
In the continuing saga of one of the worst examples of Fringe PR in recent years, the Cowgatehead saga trundles on. New readers will have to refer to previous blogs, as I am not going to plough through the whole sorry mess of a background again.
Suffice it to say that I have been contacted by an act performing at the PBH Free Fringe “probably for the last time ever, because of the way the Cowgatehead debacle was handled”.
The latest e-mail received by this act from Peter Buckley Hill apparently ends with:
“Here’s to an excellent Free Fringe 2015. The more co-operation there is between shows, the more excellent it will be.”
The act tells me: “I find that kinda ironic.”