A month ago, I blogged about Irish comic Christian Talbot and his now 13-year-old daughter Kate who jointly won the increasingly prestigious Malcolm Hardee Cunning Stunt Award last year and who are both performing at the Edinburgh Fringe next month. Christian is currently doing previews.
“How’s your daughter?” I asked him.
“She’s now booked in for I think it’s two – might be three – dates for Comedy4Kids and Bob Slayer sent me a message:
“Hey! The good show you talked about on Fleming’s blog – Let’s do it on the bus! We have Grace the child (11) and Robin (3) who are both performing on the bus.”
Bob Slayer has a double decker bus – the BlundaBus – as one of his Edinburgh Fringe venues this year.
“I sent him dates when Kate was over,” Christian told me, “but then he didn’t reply. I think he’s got caught up touring with Electric Eel Shock (Bob’s Japanese rock band) and then with the BlundaBus. I must email him again and refresh his memory.”
“So are you encouraging Kate to be a comedian?” I asked.
“I don’t really want my daughter to be a comedian though, if she’s good, I’ll happily take the money. She’s interested in doing it and, if she wants to do it, then… It just really depends on whether she enjoys it. We’ll just have to see.
“She can write phenomenally well. Her teachers are just blown away by her writing. The only trouble is she gets distracted by doing that to the detriment of anything else – her maths, her languages and the other stuff. She just wants to read books and write stories. She did this thing for school where she had to describe what it was like to be a cliff.”
“A what?” I asked.
“A cliff. And she was talking about the weeds coming up out of it, like the dead fingers of sailors who had crashed against the rocks. I’m very proud of her. And some of her stuff’s quite dark.”
“Got her parents’ genes, then?” I asked.
“Gayle and myself went to Queen’s (University, Belfast) and we were the only two people to do the same degree. We both did English and Anthropology – social anthropology. Kind of learning about cultures. But I started off doing chemistry and physics and computer science and then I changed because I didn’t like it. I was good at chemistry; I just didn’t want to do it for the rest of my life.”
I told Christian: “I think my chemistry master emigrated to New Zealand because he couldn’t face teaching me any more. I always came last – except once when I came next-to-last in the class – and he wrote on my report: A fair try. He emigrated shortly afterwards. He probably thought his teaching career had peaked.”
“I remember,” said Christian, “going to the Head of Chemistry at university when I finished my first lot of exams and asked: Is this what it’s going to be like? Just doing titrations and bunsen burners and beakers and working in a lab? And he said: Yup, pretty much, unless you’re very lucky and you get into petrochemicals and work for somebody like Exxon or Esso or BP or Shell. That didn’t really appeal to me, so I changed courses.”
“Has your wife Gayle got any performance genes?” I asked.
“She did stand-up a couple of weeks ago in Belfast. She did a course on stand-up with a load of other new people and wrote a thing but she had no interest, really, in performing it. She enjoyed the writing and the creating part of it. So she got up and read it off the sheet. Her heart wasn’t really in it and I asked her: Do you want to do it again? She said: No. She just doesn’t have that need – that void – that comedians have… I have to get up and say something!
“Gayle doesn’t admire it particularly. She just thinks there’s something lacking in people who want to get up and show off and talk about themselves. She’s right, of course!”