Tag Archives: Ali Brice

Edinburgh Fringe Day 3: Female comic accused of blowing a male instrument

Juliette Burton: one too many female comics?

Juliette Burton shared an interesting flyering experience with me.

“Hi there,” she said to a man in the street today, “would you like to see my show The Butterfly Effect?”

“Oh, hmm,” he replied apologetically, “the thing is I’ve already booked to see TWO female comedians.”

“So,” Juliette asked him, “you can’t see three? You know female comedians are the same as male comedians just with vaginas, right?!”

“He seemed,” Juliette told me, “to shut down when I vagina-ed him, so I walked away.”

The World’s Best MC Award posters – What is the real scam?

What I have been noticing is that there seem to be a lot of posters around town for Nathan Cassidy’s World’s Best MC Award Grand Final. This is the show where I am supposedly one of the judges.

As mentioned in this blog a couple of weeks ago, it seems to me likely to be an attempt to win an increasingly prestigious Malcolm Hardee Cunning Stunt Award and I was convinced I will turn up to an empty room. But with all these posters, there is no way Nathan can avoid real punters turning up. So I do not know what the scam (if scam it is) can be.

The Fringe thrives on uncertainties.

The Edinburgh Students’ Union Dome at Potterrow is doomed

I was told today that the Potterrow Dome building is definitely being closed and replaced later this year. Well, presumably it might take a couple of years to rebuild, as such things tend to. It will remain a Student Union afterwards but what this means to the Pleasance Dome venue at next year’s Edinburgh Fringe, I know not and – hey! – I can’t be bothered to ask.

I only live in the Edinburgh bubble of Fringe shows which, at this early point, are having a slight problem of over-running. I was told that, earlier in the week, one of the Big Four venues had consecutive shows over-running to such an extent that they ended up an hour late and simply cancelled one performer’s entire show to catch up.

Kieron Nicholson – clever writer about dinosaur academia war

This morning, I saw Bone Wars, a cleverly-written show about dinosaur academia by Kieron Nicholson and Nicholas Cooke, with Michelle Wormleighton playing all the other parts, male, female and arguably other (i.e. God).

Am I the only person who never realised the logic – mentioned in Bone Wars – that, if God made Man in his own image, then God must share all Man’s many flaws?

Weird.

Which is a terrible link to the fact I had a double-dose of Weirdos at the Hive today.

Head Weirdo Adam Larter un-knowingly chose PR legend Mark Borkowski as a punter to get up onto the stage in his L’Art Nouveau show – something that could have severely damaged his future prospects if it had gone wrong. But, luckily, it may have the opposite effect.

Fellow Weirdo Ali Brice had a good audience for his Never-Ending Pencil show and was superb – pacing, audience control, improv, surrealism, serious sections, everything worked wonderfully.

Ali Brice (right) chats with Mark Dean Quinn

Ali told me before the show that, a couple of weeks ago, he had seen me in a street in Wood Green, London. But I have not been there for years; possibly not this century. A couple of hours later, Claire Smith (Scotsman critic and Malcolm Hardee Comedy Award judge) phoned me to say Come back and have a tea with me! as I had just walked past her in Bristo Square… Except I had been sitting in Finnegan’s Wake pub in a different part of town for the last 15 minutes or so.

So there must be someone roaming round London and Edinburgh looking like me.

He has my sympathy.

Belly Dancing in the Old Anatomy Theatre of the University of Edinburgh launched Death on The Fringe

Later I went to the launch of the annual Death on the Fringe, organised by Robert James Peacock, which showcases a range of Fringe shows to promote more open and supportive attitudes and behaviours to death, dying and bereavement in Scotland.

Always eclectic, it included belly-dancer Shantisha aka Miroslava Bronnikova, Scottish Comedian of the Year Rosco McClelland, chanteuse Woodstock Taylor and Pauline Goldsmith with a coffin.

Late night, I saw Andy Barr in Tropic of Admin on a desert island where the audience was involved in a place crash. I may have been hallucinating by this point.

Accusations against a woman blowing a didgeridoo

And, before that, I saw the ever-amiable and ever funny Martha McBrier’s show Balamory Doubtfire, in which the diminutive but plucky Glaswegian eventually plays a didgeridoo. Beforehand, she told me she was “a wee bit upset” because of an email she had received.

“This woman, “Martha explained, “emailed me on my website. She said I have subjugated an entire culture. She told me I am ignorant and that I should research culture and apparently women are not allowed to play the didgeridoo. It’s a men’s instrument.”

“So you are being racist AND sexist?” I asked.

“Apparently I’m being sexist and reverse racist.”

“What does ‘reverse racist’ mean?” I asked.

“I don’t know. But she quoted a rapper called Nas. As Nas said, she said, Respect.”

“Nas,” I admitted, “is a bit of a philosopher, isn’t he?”

“Women have been blowing on men’s objects”

“The thing is,” Martha told me, “women have been blowing on men’s objects for some time and no-one has complained before this.”

“Who is the offended woman?” I asked.

“It turns out she is a white sociology professor.”

“How,” I asked, “did you find that out? Did she tell you?”

“Well,” Martha told me, “I have people in the know and, by that, I mean people whose internet works in their flat in Edinburgh and they Googled her.”

“So she’s a highly-knowledgable professor?” I asked.

“Well,” Martha replied, “a didgeridoo is apparently called a yidaki and I’m a musician, so I’ll know that, obviously. But she spelled it wrong. She’s probably using the white reverse racist spelling. The thing is, I took up the didgeridoo on medical advice.”

“For your lungs?” I asked.

“Yes, to increase my peak flow and to reduce stress.”

“To increase your what?” I asked.

“My peak flow,” replied Martha.

“Ah,” I said.

“My flow has peaked,” Martha informed me, “but they want it even better. They told me the didgeridoo is commonly used to help sleep apnea, snoring, asthma.”

“But, if you play the didgeridoo in bed to help sleep apnea,” I suggested, “it’s not going to increase your partner’s happiness in bed.”

“Well,” said Martha, “I’ve had no complaints so far.”

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Edinburgh Fringe: suicide & drugs for breakfast, laughter & tears for comedy

So which, I hear you cry, Edinburgh Fringe shows did I see yesterday?

Pasta la vista - Ali Price

Pasta la vista – Ali Brice as his Fringe show alter ego Eric Meat

Ali Brice Presents: Eric Meat Has No Proof, Only Memories of Pasta
Everything you would expect from one of the absurdist Weirdos collective. Plus the chance to take a bite out of an apple.

Liz Fraser: Lifeshambles
Perfect example of a new Fringe genre: attractive, intelligent women (usually not circuit comedians) of around 40 impeccably performing shows about the arrival of their mid-life years.

The Gilded Balloon press show

The Gilded Balloon press show last night

Abigail Schamaun: Post-Coital Confessions
Does what it says on the label and is pitch-perfect. Sexy enough not to disappoint, presented to a mostly middle class audience without them being offended.

The Gilded Balloon Press Launch Show
30th anniversary taster of this year’s shows by arguably the Fringe’s most technically proficient venue. Standout comedy acts yesterday were both Irish – Al Porter and Aisling Bea.

No swinging cats in this shower

No swinging cats in this small shower room


So now today’s blog…

The flat where I am currently staying during the Edinburgh Fringe has no bath, only a cramped shower. This is a drawback for me, as I find it comforting to lie back in hot bathwater and wallow in grains of my own dirt. It is a bit like watching dust particles float in the air through shafts of sunlight – you are literally watching the world decay around you.

Yesterday morning’s shower was interrupted by a phone call from BBC Radio Wales at 10.10am asking me if I wanted to take part at 10.30am in a discussion on learning foreign languages. Well, that is not quite true. I missed the call and picked up an answerphone message at 10.45am, too late to take part in the show. The offer was a tad bizarre, as I speak no foreign languages of any kind. Apparently I was on their list because, a couple of years ago, I slagged-off the frankly unnecessary Welsh language on some BBC Radio Wales show.

Highly prestigious comedy critic Kate Copstick and I are sharing the flat this year. She, of course, is not phoned-up by the likes of BBC Radio Wales. She gets phoned up to do 4 minute interviews on Sky News. This morning, she was dragged out to the Royal Mile at 8.15am to be asked if Dicing With Dr Death was a suitable show for the Fringe.

Kate Copstick on Sky News this morning

Kate Copstick expressed her views on Sky News this morning

In the show – billed as comedy – Philip Nitschke of the controversial suicide advice group Exit talks about suicide. I blogged about the show back in January and February this year when comedian Mel Moon was to co-present it. She and Philip subsequently split over creative differences and she is now in her own show Sick Girl.

This morning on Sky News, Copstick said: “I think everyone ought to have the right to die. We have lots and lots of rights nowadays. I have the right to become a man tomorrow, more or less. But I don’t have the right to be assisted to end my life with dignity and without pain. And I think that’s something we should be talking about… This is comedy to help people. He’s not making fun of anything; he’s not making light of anything. He is putting his information in a more accessible place.”

Kate Copstick’s breakfast yesterday morning

Kate Copstick’s breakfast yesterday morning

Copstick came back to the flat in agony last night.

When I first heard she had the disease lupus, I thought it meant she turned into a wolf on a regular basis. Some of the acts she reviews may have suspected the same thing.

In fact, it is not. It just means she is in pain almost all of the time.

Yesterday was our first breakfast. I had toast. She had six tablets: she needs hyper-strong painkillers for her lupus.

Lewis Schaffer manages to promote one of his while still talking to Ivor Dembina

Lewis Schaffer (left) manages to promote one of his shows while continuing a conversation with Ivor Dembina

After this, yesterday morning, I bumped into comedian Lewis Schaffer in the Fringe Central building and then we both bumped into comedian Ivor Dembina. There is a lot of bumping in Edinburgh at this time of year. I will only repeat one sentence from the ensuing conversation – when Ivor Dembina said to Lewis Schaffer:

“The last thing I want is a lecture on ophthalmics from Lewis Schaffer.”

I think the quote gains from having no context.

Alex Dallas’ Edinburgh fringe flyer

Alex Dallas’ subtle Edinburgh Fringe flyer

Shortly afterwards, Canada-based comic Alex Dallas came and sat with us. Ivor asked for her first impression of Lewis Schaffer, whom she had never met before.

“He is a silver fox with dimples,” she said. “He’s a ladykiller.”

“Dimples?” I asked. “It’s like flying over Cambodia and seeing the bomb craters left by B-52 bombers in the Vietnam War.”

No-one laughed.

Charmian Hughes spots Alex Dallas

Charmian Hughes spots Alex Dallas yesterday

At this point, comedian Charmian Hughes arrived. Conversation soon turned (I did not introduce the subject) to late comedian Malcolm Hardee. Alex had memories, when she lived in London, of him paying her £40 after a performance, then asking her to loan him £20 to pay another comedian; Charmian said she had untold stories of her relationship with Malcolm in her current show When Comedy Was Alternative (The Laughs And Loves Of A She-Comic).

Before she moved to Canada in the 1990s, Alex had been in the female comedy group Sensible Footwear.

“There were,” she reminisced, “a whole lot of women’s troupes back in the 1980s. There were the Scarlet Harlots, the Frank Chickens, Spare Tyre, the Cunning Stunts…”

Alex Dallas with Ivor Dembina yesterday

Alex Dallas with her old(-ish) friend Ivor Dembina yesterday

“That,” said Charmian, “was the first workshop I ever went with. I had to go in a corner and be a rock for an hour. It was my first dramatic experience. It was the happiest hour I’ve ever had in my life.”

“The 1980s were good,” said Alex.

“That’s what my show is about,” said Charmian. “My tagline is now: Did I get off with you in the 1980s? Did I stalk you in the 1990s? If so, you are in my show.”

Lewis Schaffer and Ivor Dembina left. Then Alex Dallas and Charmian Hughes left. Just as I was about to leave, I got an e-mail from TV producer Danny Greenstone. It was headed: The Phantom Raspberry Blower. It read:


Danny Greenstone

Danny Greenstone – blowing phantom raspberries

Believe it or not (and I couldn’t blame you if it’s “not”) I have been asked to direct my first ever London West End stage play. It’s a staging of a radio performance of what was the last ever written – but unperformed – Goon Show. So it will be a bit like the way Round The Horne Revisited was staged.

The producers have launched a Kickstarter project to raise additional funds for the show – There’s absolutely no pressure and no obligation and no dead fish wrapped up in newspaper will turn up at your door… it’s an opportunity if you’d like it.

Kickstarting for extra funds Goon Show

The un-performed Goons show: Kickstarting for extra funds

If you wish to investigate further, here’s the link.

And there we have it. You, too, can be part of The Phantom Raspberry Blower Of Old London Town which opens its cloak at the St. James Studio Theatre in London on 30th October 2015.


Alice Fraser - a law unto herself

“…all the horrible things that had been happening in my life”

After reading this, I tried to leave Fringe Central again, but I was accosted by someone I did not recognise. It turned out to be Australian comic Alice Fraser, about whose preview show, Copstick raved in last weekend’s Grouchy Club Podcast. Alice had recognised me from the (occasionally videoed) Podcast.

“That show Copstick saw,” Alice told me, “was less of a try-out than she thought it was.”

When Copstick saw Alice’s Savage preview – the one she raved about – Alice had just flown from Australia with a 45-minute stopover in Singapore, got off the plane in London and virtually gone straight to perform the show in Shepherd’s Bush.

Alice Fraser: Copstick raved about the show

Alice Fraser: Copstick raved about the show she previewed…

“I was incredibly jet lagged,” Alice told me yesterday, “so the show was more of a mess than it would normally be, but all the bits were meant to be there. It was like doing it in a dream. The audience were mostly my friends from ten years ago. All these faces from my past, smiling dimly at me while I told them all the horrible things that had been happening in my life.”

Alice’s show has audiences both laughing and crying.

“You were here ten years ago?” I asked.

“I went to university here in 2007.”

“Which university?”

“Cambridge.”

“What did you study there?”

“English Literature. Rhetoric.”

“Specifically rhetoric?” I asked.

“Specifically rhetoric. I did a Masters.”

“What was your BA in?” I asked.

Alice’s show has had audiences both laughing and crying

Alice’s show has had audiences both laughing and crying

“My BA was at Sydney University in English and Law. I used to be a lawyer – I was in corporate real estate – and I quit it to become a comedian. The thing about Law is how do people believe that one thing is a crime and something else is not a crime? How do you make them really believe that?”

“You wanted to be a public speaker?” I asked.

“No. I was just interested in how people communicate and more how people get ideas.”

“What is Rhetoric?” I asked. “Just learning about Greek people and a few politicians?”

“Anything. Comedy is really interesting when it comes to rhetoric. You can break it down in incredibly nerdy ways if you want to. Comedy is persuasive speech in itself. You are persuading people (A) that you are funny and (B) that they should laugh at any given joke. Any joke is persuading you of a number of things both of the content of the joke and that the joke itself IS a joke and that it’s funny and worth laughing at.”

A street poster for Alice’s Savage show

A street poster for Alice’s Savage show

“So,” I said, “you are an ex-lawyer and you are interested in rhetoric and therefore you are very together and therefore you are not the normal sort of mad comedian.”

“I AM the mad comedian,” insisted Alice. “I’m just projecting a shield of togetherness.”

“And your show?” I asked.

“I don’t want easy answers. The show is about somebody offering me an easy answer and how infuriating I found it – to be offered an easy answer to an incredibly complicated situation.”

As I said, Alice’s show has audiences both laughing and crying. Copstick raved about it. I have not yet seen it. I am going to see it. It is titled Savage.

That’s life.

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