Death of The Ratman – UK cabaret’s Dark Knight and a British ‘Joe Exotic’

Ratman & Robin – Ken Edwards (left) and Dave Potts

What do you get if you combine the British tradition of sticking a ferret down your trousers and the Room 101 section of George Orwell’s dystopian novel 1984? You get – or got – the admirably OTT act Ratman and Robin.

I have only just found out that Ken Edwards died a couple of weeks ago on 9th January. He was 79.

He was better-known to connoisseurs of the bizarre as the ‘Ratman’ in Ratman & Robin.

Reporting his death, the German news website news.de called him “Britischer Joe Exotic” – “the British Joe Exotic“.

I auditioned Ratman & Robin back in 1987 for the Channel 4 TV show The Last Resort with Jonathan Ross. They and their rodent co-stars arrived in a Rentokil van.

 Alas the show’s producer was not enamoured of rat acts, especially when the rodent co-stars had a tendency to escape and run round the audition room. So the Jonathan Ross show sadly remained rat free.

Ken’s Ratman inspired David Walliams

Years later, in 2012, Ken also got turned down after an audition for Britain’s Got Talent in which he ate cockroaches out of a paper bag in front of the judges.

David Walliams later said his children’s book Ratburger – particularly the character Burt – was inspired by this audition. Walliams told the Irish Daily Mirror in 2017: ”I was slightly disappointed that he didn’t go through to the next round because he was such an amazing character.”

When I met them, both Ratman and Robin seemed very relaxed and amiable: just two blokes who had stumbled on an interesting sideline; much better than making matchstick models of the Eiffel Tower or breeding racing pigeons.

Ken was a man of many animal parts. As the Britain’s Got Talent audition showed, he could also turn his creative hand and mouth to eating live cockroaches.

Asked what the cockroaches tasted like, he once said: “They taste awful. I just cannot describe them. I just think of England and a pint… It’s like having an anaesthetic at the back of the throat.” (A result of the scent they let off to repel predators.)

He also (at least once) took part in a slug-eating competition to raise money for Hyde United football club and, over the years, he raised thousands of pounds for charity.

He reportedly contributed to a few un-named Hammer horror movies, where he would allegedly provide rats and the like for unspecified “crucial scenes”.

Ken  eating cockroaches for Britain’s Got Talent

In 1987, according to the Manchester Evening News, the RSCPA attempted to get the Ratman & Robin act banned “but were unsuccessful in their efforts”.

He found himself included in the 1988 Alternative Book of Records after he stuffed 47 rats down his, admittedly elasticated, trousers. And he earned a ‘proper’ Guinness World Record title in 2001 for the most cockroaches eaten – 36 – in one minute. He did this during an appearance on TV’s The Big Breakfast.

Ken had started his working life as a projectionist at the Hyde Hippodrome cinema before moving to the Ritz Cinema in Hyde, Greater Manchester.

By the age of 18, he had started acting on stage at venues including the Plaza, Stockport and the Theatre Royal, Hyde. He then bought a concertina and started touring concert halls across the North of England telling ‘mother-in-law jokes’ but (according to the DerbyshireLive website) “demand soon dried up”. Whether this was because the North of England comedy-goers of that time were early with political correctness or because he delivered the jokes badly is a matter for conjecture. 

After that, according to the Derby Telegraph, he spent around 15 years ‘prowling’ the sewers and cellars of Manchester, earning a living as a ratcatcher.

He looked after lions, emus, giraffes and, here, a tiger cub

In the 1960s and 1970s, he also spent time working as a zookeeper at Belle Vue Zoo, Manchester, looking after lions, tigers, emus, hippopotamuses and giraffes. He had joined the Board of Directors of the Belle Vue Circus in 1963.

One day, while working as a ratcatcher, he was asked to set traps at a glove factory in Stockport and met worker David Potts.

They became friends and, together, became Ratman & Robin. 

Ken was a late developer. His talent for carrying out bizarre stage acts was initially unveiled on the British TV show Over The Top when he was 39. After that, Ratman & Robin appeared on various TV shows throughout the 1980s including The Russell Harty Show though, sadly, not The Last Resort with Jonathan Ross.

Poster boys for eccentric rodent excesses

David Potts, his ‘Robin’, said Ken would often catch the vital co-stars of their act – the rats – in traps in Manchester’s sewers and then clean them up and look after them in his six garden sheds before using them in the act.

In 1985, Ken told reporters: “Our rats are really well treated… The rats are all caught from sewers, shampooed, deloused, and kept in special galvanised cages.”

David said Ken’s home “would often contain around 150 rats, a pet mink and even a Mexican coatimundi – a type of racoon”.

Not surprisingly, Ken became a bit of a local hero in Hyde.

Reminiscing on a local website in 2011… someone called ‘Tom’ remembered: “I once saw Ken walking a ring-tailed lemur on Great Norbury Street, near to the George pub.”

Ken, daughter Catherine and inevitable rats

Another contributor – ‘Westar Steve’ – added: “He used to live on Chapel Street and in his house he used to sleep in a coffin and he had two fangs put in his mouth instead of two normal teeth. Last time I saw him, he had a stall on the flea market on Ashton Market and he was living in a caravan near that Alexander Mill in Hyde”

His friends and family became used to his OTT behaviour and Ken said: “If I were to actually do something normal, THEN they would react!”

In 1988, he told the Liverpool Echo: “I put the rats down my trousers… It’s boring but the audience loves it.”

According to the Manchester Evening News: “One of Ratman & Robin’s most controversial acts revolved around a ‘Coffin of Blood’ performance, which involved Ken being handcuffed inside a Perspex coffin. Assistant David would inflict several wounds to his body and then introduce 30 wild rats into the coffin, while audiences watched in horror as they fed off his open wounds.”

Allegedly, he used to sleep in a coffin

Ken once said he loved to take himself “to the limits of disgust” with the act: “I just think of the money,” he told the Liverpool Echo in 1988. “I soon realised people love to be disgusted.”

He was unsurprisingly sometimes called an eccentric: “He loves offending people,” a friend said, “piercing pomposity and giving his audiences a belly laugh.”

His publicity card in 1990 proudly proclaimed the opinions of various journalists: 

“…a very complex man”

“…that strange man”

“…yuk”.

RIP Ratman. 

What life is like overlooking an alleyway near a Batman set in Vancouver, Canada

Today I got an email from Anna Smith, this blog’s occasional Canadian correspondent. The houseboat she lived on sank in Vancouver around Christmas/New Year and she was made homeless. Now she has an update:

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After a few small adventures, including nearly being expelled from a church shelter, I have now found a small apartment in ‘Railtown’, right beside the Port of Vancouver, where I hear seagulls and huge cranes.

After finding the place, I went for a walk around the area at night and I was surprised to learn that I had been transported to Gotham because, as I walked up a bridge over the railway line and looked down, the first thing I saw was a big sign reading:

GOTHAM CITY SHIPYARD

Below the towering cranes, people were standing about casting long shadows. 

Clouds of fog obscured some of the port buildings and then three cars side-by-side, one of then a Mustang, revved-up their engines and then took off, drove at high speed and then circled back to precisely where they had started. They waited there, with their lights on. Then a much larger black car followed the same route, but totally silently.  

They were filming a Batman series or movie.

I have not quite moved in to my new apartment yet: it requires a bit of cleaning and – horrors – FURNITURE !

That was one of the things I loved about living on my boat: whenever I passed by a furniture shop I had no covetous thoughts whatsoever…

However, there were a few OK pieces of furniture left behind at my new apartment and my new neighbour – a kind, curmudgeonly sort of guy – has loaned me a couple of fine wooden armchairs. He said that I would be doing him a favour by keeping the chairs for now and that he generally likes to keep to himself. 

I told him: “That’s perfect. That’s just how I am too!”

Although it’s just a few blocks down from notorious Hastings Street, the apartment is remarkably quiet. It is set back from the street, at the intersection of two alleyways.

There is no end of people using substances out there, usually crouched beside dumpsters or slumped in a doorway.

One sunny morning I saw an increasing number of young men sprawled out, with their knapsacks and foil and pipes, lolling peacefully enjoying their meth, as if at a bucolic picnic. Suddenly a large courier van turned into the alley and stopped. The men were oblivious and made no attempt to get up and I imagined the frustrated driver, probably wondering what to do next.

The apartment below has recently been renovated and all its contents dumped in front of the building – old shower curtains, rotting regular curtains, a queen size mattress and even a toilet, perched precariously near the front door.

One time I saw a man standing up on the queen size mattress, bouncing up and down enthusiastically like a small child. 

I don’t have all day to look out the window but, when I checked twenty minutes later, he was still bouncing. Then a black SUV pulled up and he ran to the passenger side. Then they both left. Drugs ?

One day the mattress just disappeared.

Later, two jolly-looking derelict men, wearing good but battered hats, both using canes, came tottering past.

One cried out with surprise: “Look, John! Your bed is gone! “

A few days later, some ragged-looking people moved the toilet off the front stoop and covered it with a soiled curtain. Some of the other rubbish had been organised somewhat. A pillow was placed neatly on a pallet and so on. 

I thought: “Good. At least we don’t have to look at the toilet.” 

Another day, a friend who was in the apartment taking-in the ever-changing cast of characters reported: “There’s a man in a kilt now”.  

I imagined some scrawny punk guy covered in tattoos but, when I looked, it was a beefy older man in full blue and white tartan regalia right down to his socks, marching along as if on his way to an event. 

Then the toilet had its blanket removed and two chubby drunks – a man and a woman – were hauling it away.

But it turned out they had just left it in the alleyway, behind the building.

The rubbish pile keeps shifting with orange needle caps, random socks and discarded clothing appearing and disappearing.

A tall wonky cedar tree and a Queen Elizabeth rose and a depleted strand of bamboo somehow rise up from the garbage pile. I read that the rose enjoys mulch, but it didn’t say anything about whether it likes shower curtains or socks.

Songbirds perch on the bamboo and flit in and out of the cedar tree.

In the daytime, crows stand at intervals atop the blue fence, waiting for an older Chinese lady who empties out a huge bag of peanuts for them every day. They noisily grab a peanut and fly back up on the fence or into the space inside it, which has big signs above it saying: FILM CREW AND SPECIAL EVENTS and NO DUMPING. 

Once in a while, the vacant space fills up with film crew cars, but I don’t think there have been any special events of late.

There is a constant din of dockside cranes loading and unloading container ships, mixed with the cries of seagulls, but there is little car traffic near the place and no crowds of people, as there are just a few blocks away at Main and Hastings.

I walked through there last week and it is as chaotic and raucous as ever, like a demented fairground, people selling anything and everything. There are a lot of dogs too and poo on the ground, clouds of dust and more and more people jammed together smoking methamphetamine or shooting up. 

In the middle of all this, they are also sitting on the pavement furiously crayoning in colouring books, which is supposed to be therapeutic, but to me it looks sad.

People are dressed either in rags or the latest streetwear fashion, in stuff I haven’t even seen in magazines – or in their pyjamas or in rags. There are an increasing number of fashionably dressed First Nations people, wearing clothing printed with their traditional or modern Coast Salish designs. I lusted after an innovative white jacket from Bella Coola that I saw a good looking young man wearing. He was walking very quickly though, so I couldn’t ask who made it.

A few nights ago I saw somebody on the corner who specialized in selling aluminum walking canes, which lay on the sidewalk, radiating out in a circle…They are a hot item, with so many people needing them around here. I wondered where they were stolen from. Or maybe they came from a care home.

A diabetic friend from the marina ended up in a care home in New Westminster and his daughter went to great trouble to get him a nice wheelchair, so he could explore his surroundings. He explored them so well that he discovered the room where they stored all the wheelchairs of people who had died.

So, the next time she went there, he was roaring around in a motorized chair and busy with a racket he had set up in the gazebo, buying cigarettes from street people in exchange for apple juice bottles he collected from the other inhabitants of the place.

There is a huge courthouse and jail that takes up an entire block of Main Street. I’ve noticed nice vehicles parked right in front – an expensive all matt black Japanese motorcycle one day, a bright red 1969 Thunderbird car the next. I can’t figure out who they belong to. Successful criminals? Or lawyers? Or maybe just people with nice cars who think outside the courthouse is the only safe place to park.

Meanwhile, back at my apartment, glancing out the window again, I was startled to see a large young Chinese man with a box-shaped camera on a tripod, pointing right at the back of the building. I wondered what he could be taking a photo of. All that was there was a grey stucco wall, two windows covered with rusty grates and some vague, not very interesting graffiti. 

He must have been an art student I figured, or maybe a hobby photographer from one of the trendy warehouse/condos closer to the waterfront. When I left the building, I saw that the toilet was still sitting out back. 

So THAT was what he was photographing! 

One more thing… 

Just as my friend and I were exciting the building yesterday, a couple of middle class guys were taking a shortcut through the alley. One of them pointed at the building (and at us) and said loudly: “I can’t believe people actually LIVE in that building!”

It is really quite nice inside though. 

Especially the view of the alley.

Anna says: “Here is a photo of what used to be a  snowball or maybe it was a snowman. Snow it goes.”

Eccentrics think differently – but maybe everyone else is out-of-step

(This blog was also published in the Huffington Post)

Someone somewhere sometime – well, it may have been Victoria Melody in Lincoln yesterday (more about her later) said: “We are only as interesting as the people we know”.

And I do try my best.

Yesterday I went to an Eccentrics Symposium at the University of Lincoln. Purely as an observer, you understand.

I went along with my chum mad inventor John Ward, whose yo-yo safety net (a hair net attached to the yo-yo-using person’s leg) once got a two-page spread in German magazine Stern when they were writing about serious conservation issues. John says:

“I have found that, if you keep a straight face, people will print anything. James Dyson will be remembered for inventing his vacuum cleaner; Frank Whittle will be remembered for inventing the jet engine; and I will be remembered for inventing the electric bra-warmer.”

(It was featured in the science pages of the Guardian.)

Interestingly each of the speakers claimed that he or she was not actually an eccentric himself or herself – except for John who had little alternative but to admit it, as he has featured in various academic books on eccentricity.

Anthony Schrag, the first speaker, grew up in Africa and was nicknamed ‘Wrinkle Blue Bum’ as a child because he liked to climb trees so much that he reminded his friends of local apes. He is an artist interested in the way people move. His CV says he focuses on “blowing things up, climbing on things and occasionally kidnapping people”.

Yesterday, he revealed he had discovered that, if you tightly wrap a boy in a blanket or similar covering and roll him down a hill, the boy cannot stop himself rolling. He also persuaded the audience to try the internet craze of ‘planking‘ – lying straight, across unlikely objects… though the President of the World Egg Throwing Federation (of whom more later) claimed that, on the internet, ‘planking’ has been replaced by the craze of doing a ‘Batman’ – hanging upside-down by your toes from unlikely objects.

John Plowman talked about his hats – he always wears one except when having a bath and having sex and buys them in London, New York, Chicago and – well – anywhere… mostly pork pie hats although, he admitted, this is rather odd as he is a vegetarian.  He seemed to have bought two non-pork pie hats because they have initials inside them; one of those two had his own initials inside them. He always carries an umbrella with him because he does not like his hats to get wet.

‘Project Pigeon’, an “art and education project which works with pigeons as a vehicle to bring people together”, did not send anyone along but they did send a video along which included shots of pigeons doing back flips. These are a specific type of pigeon and they have to be kept in quite small cages to prevent their tumbling getting out of control.

Unless I misunderstood, tumbling pigeon and ‘parlour rolling’ contests are held and this type of pigeon was specifically developed by a bus driver in Birmingham in the early 20th century by selective breeding. Quite how he chose pigeons with the appropriate genes I am uncertain. The Project Pigeon website claims that this particular type of pigeon is “the uniquely acrobatic Birmingham Roller, a type that originated in 1920 in Bordesley Green, Birmingham, after local fancier William Penson noticed one of his birds perform a backflip while in flight.”

It looks to me a bit like the pigeon is having a panic attack but, according to Project Pigeon, “today there are hundreds of Birmingham Roller clubs around the world and fiercely fought competitions to pick the birds that perform the most dramatic tumbling.”

The utterly fascinating Victoria Melody  as previously alluded to – “We are only as interesting as the people we know” – had actually spent about a year living with pigeon fanciers because she has a passion for other people’s passions. She said that, when she put an ad in a magazine saying she wanted to live with pigeon fanciers for a year, she got a lot of responses from much older single men living alone.

Yesterday, she screened a video taken by a tiny camera and transmitter which she had attached to a pigeon which then flew across Brighton; she says she received and recorded the pictures using a satellite dish on top of a car. The pigeon, alas, went AWOL.

An even briefer video of two pigeons playing ping pong was apparently shot by B.F.Skinner, the highly admirable man who later created the concept of a pigeon guided missile during World War Two: a concept which I feel the US military was short-sighted in rejecting.

But Victoria Melody’s passion for people’s passions stretches far wider than pigeon-fanciers. She spent a year immersed in the fascinating Northern Soul scene – centred round what she described as “the Motown Music that never made it into the charts”. It was a year, as she described it, of “being taught how to dance in people’s living rooms”.

Her latest cultural immersions have been dog shows (with her Basset hound Major Tom) and the world of beauty pageants, specifically preparing for next year’s Miss Galaxy 2012, where all contestants have to be married women.

Which brings us to Andy Dunlop, aforementioned President of the World Egg Throwing Federation, which was formed in 2006 though the sport started in 1322 in Swaton, Lincolnshire. Andy has managed to persuade the English Sports Council to recognise four of the five main egg throwing disciplines as legitimate sports. These are:

– two-person Throw and Catch, which consists of one catcher and one tosser.

– six or seven-person Static Relay (in which competitors pass eggs to each other by throwing them).

– individual Target Throwing, although Andy did not mention to the English Sports Council that, at the annual World Egg Throwing Championships, the target is the World Gravy Wrestling Champion – with extra points for hitting his groin.

– team Egg Trebuchet, a trebuchet being a large catapult-like siege engine which was employed by armies in the Middle Ages.

The English Sports Council, rather short-sightedly in both Andy’s and my opinion, refused to recognise as a legitimate sport (despite the obvious skill required) Russian Egg Roulette.

This involves guessing – sorry, skilfully choosing – which individual egg in a six-pack of eggs is raw as opposed to hard-boiled. Five are hard boiled; one is raw. Contestants, with handkerchiefs tied round their foreheads, as in the Vietnam movie The Deer Hunter, then smash the eggs on their foreheads to prove/disprove their choice. Obviously, the one who smashes a raw egg onto his or her forehead loses.

Victoria Melody attempted this with tragic results. Her hair was still sticky with raw egg 40 minutes later.

Egg Throwing is a fast-spreading sporting event. This year, the World Championships in Lincolnshire attracted TV crews from 26 TV stations worldwide. The Deputy Vice President of the World Egg Throwing Federation is former British Deputy Prime Minister John Prescott – or, at least, Andy Dunlop chose Mr Prescott’s non-refusal of the offer to be an acceptance. Likewise, he took actor George Clooney’s non-refusal to attend the World Egg Throwing Championships as an acceptance and got worldwide press publicity across the globe for George Clooney’s decision to turn up at the championships in Lancashire which, sadly, he did not.

But, as Andy says, “it cost nothing, got us worldwide publicity and was better than paying £60 to put an ad in the local paper”.

This is a major factor as important in general eccentricity as it is in egg-throwing.

A more serious point was made by Andy when he pointed out that it was only a few centuries ago when almost everyone believed the world was flat and that the planets all revolved around the Earth. People who thought the world was round and that the earth revolved around the Sun were seen as slightly mad eccentrics.

And who was right?

The minority.

The eccentrics.

The very highly talented and now slightly forgotten Anthony Newley

(A slightly revised version of this blog was published in the Huffington Post)

When I got back from the Edinburgh Fringe at the start of last week, the newly-released DVD collection of The Strange World of Gurney Slade was waiting for me – a TV series by the immensly talented Anthony Newley so obscure that even the word ‘cult’ cannot be attached to it, although its style allegedly influenced the young David Bowie.

When originally transmitted on ITV’s sole channel in 1960, the first two episodes were screened to general apathy at 8.35pm on (from memory) Friday nights, but were then quickly moved to the graveyard slot of 11.10pm.

The Strange World of Gurney Slade was far too strange and avant garde for the mass audience and did not quite have the right ingredients to be a cult for Guardian-reading trendies.

But strange and quirky it certainly is.

The Prisoner – which, when first transmitted in 1967/1968, received high levels not of apathy but of active dislike, became a lasting cult success – I suspect, partly because it was screened in the US so had a wider fan base… and partly because it was transmitted on ITV at 7.30pm peaktime on Sundays

But, The Strange World of Gurney Slade is weird even for a surreal neo-Brechtian fantasy. Even so, it was but a mild trial run for Tony Newley’s 1969 all-stops-pulled-out feature film jaw-dropper of a Fellini-esque fantasy Can Hieronymus Merkin Ever Forget Merchant Humppe and Find True Happiness?   

Newley – a creative all-rounder – singer, songwriter, actor, director, fantasist – will be remembered, if at all, as an idiosyncratic performer and writer of mainstream songs. But he should also be rated as a considerable experimental creator of visual fantasies.

I have blogged previously about my only encounter with Tony Newley – and it was a very favourable encounter. He impressed me as a person.

TV producer Danny Greenstone knew Newley peripherally through theatrical agent Jeremy Hicks, who had been the company stage manager for Newley’s West End musical The Good Old Bad Old Days and spent a year working with Newley at the Prince of Wales theatre in London.

In The Good Old Bad Old Days, Newley played the Devil and wore horns and a tail, the edge of which he used in the show to peel an apple. Before going on stage, he always took a swig from his ‘honey flask’. Danny Greenstone says:

“Lord only knows what formula was in there but it did contain honey as well. After taking a swig, he would stomp on stage, perform and stomp off again on cue. As he came off stage, he would reach for the honey flask again and, referring to the the bit of business or gag or song he had just performed, would mutter under his breath: ‘Masterly…. Masterly….’.

“During the interval, his favourite thing to do, with various members of the cast – but notably with Bill Kerr – would be to sit and watch videos of The Bilko Show, one of his very favourites.

“For the 50th performance of The Good Old Bad Old Days, he and his writing partner Leslie Bricusse wrote parody lyrics to fit all sixteen of the show’s songs for a celebration party held in the circle bar of the Prince of Wales for all the cast and crew. I have that recording. I also have a whole recording of the show from start to finish and it’s a crime that the original cast recording (once available on cassette and LP) has never been made available on CD.

“When my daughter Katy was about eight years old I took her to see Newley perform at the Dominion Theatre in London, where he was appearing as Ebeneezer in Bricusse’s musical adaptation of Scrooge!. I had rung him beforehand to say we were coming (we had front row seats) and asked if we could come round and see him after the show. It was New Year’s Eve.

“In typical Newley fashion he said: ‘No! Come round before… and then come round after…‘.

“We met him in his dressing room, which was lovingly adorned with posters from the films he’d appeared in and we spent a good half hour just chatting happily. He laughed his way through at least 28 of those 30 minutes while removing the scalp latex that covered his own hair during the show in which he had a long grey wig as Ebeneezer Scrooge. We both watched, transfixed, as he removed the makeup and prosthetics.

“He took Katy’s hand, kissed it, took her programme and wrote on it – with a silver gel pen – To Katy – you are very beautiful. I still have it. I don’t think it meant very much to an eight year old, but it meant the world to me.

“He told us of his plans to create a musical based on the life and career of Charles Chaplin. We wished him a very Happy New Year ahead and much success with everything.

“The Chaplin musical (co-written with Stanley Ralph Ross, an American who also wrote for the Batman series and the Monkees series on US TV, was doomed to never get onto Broadway or anywhere near the UK.

“The Chaplin estate denied Newley rights to portray the image of the Little Tramp character for reasons we can only guess at.

“And  three years later, after a fleeting appearance in BBC TV’s EastEnders and far more sumptuous but likewise fleeting appearances as The Bishop in BBC TV’s The Lakes, Tony Newley was dead.”