Louise Reay’s Chinese language comedy and a man bangs a nail into his penis

The Thoughts of Louise Reay – 喜剧演员和电视制片人

I missed a preview of Louise Reay’s show It’s Only Words a few weeks ago. Not that I would have understood it. Her show is billed as “the first ever stand-up show where the audience will literally have no idea what the person on stage is talking about.”

This is because her show is performed totally in Chinese for audiences who speak no Chinese.

“So,” I told her when we met, “you studied Chinese at university. That was very sensible of you, given they’re the rising world power.”

“It may sound sensible now,” she told me, “but it wasn’t at the time. I did it on a whim. My parents are hippyish and we were like a host family for foreign students. When I was like 16, a lot of my siblings had moved out so there were spare bedrooms and we filled them with foreign students.”

“How many siblings have you?” I asked.

“I’m one of four, but I have three step-siblings, so my parents have seven between them and, when each one left, we put like two foreign students in their bedroom until there was just me and my little brother left of the original siblings. We would have these big dinners with like 2 Chinese, 1 Swiss and 3 Mexicans. At one point, we had 4 Brazilians living with us who we couldn’t get rid of. They just kept inviting more people to live with them.

“It sounds terrible to say it today but, at that time, it always felt like the Chinese ones were the most alien. I was like 16 and going clubbing all the time and we had one Chinese girl who came to stay with us and she just read the Bible all the time. It felt weird.

“So I chose to study Chinese on a whim. I thought: Chinese people seem the weirdest to me. That will be the most fun. I can go to university in Beijing. It was as simple as that. It sounds so bad now, but I was only 17. About a year later, the Chinese economy took off and everyone said to me: What a wise decision you made. It was a complete whim.

Louise always tries to fit in with Chinese culture

“I was at university in Beijing for a year and later I went back to work there for another year. in business. All my colleagues were Chinese women and all my clients were middle-aged Chinese men and that’s why I came home. It was like just really weird?”

“When did you come back?” I asked.

“Quite a long time ago – like 2010 or 2011.”

“The first three times I went to Beijing,” I told her, “were 1984, 1985 and 1986.”

“Oh!” said Louise. “You’re so lucky! Deng Xiaoping! Cool! I went to Beijing again last December. There’s a cool TV series coming out on BBC this summer – The School That Turned Chinese – about a school in Surrey which gets Chinese teachers for a month and I was out there getting the Chinese teachers.”

“Your day job in TV is what?” I asked.

“Assistant producer. Freelance. I just fell into it about five years ago because I speak Chinese. I do all kinds of projects. I did a big economics series for BBC2 that came out in December. I do really random stuff. I’m an assistant producer, so I just run round after the middle-aged man. I came home from Beijing to avoid hanging out with middle-aged Chinese men and all I do now is run around after middle-aged British men. Apparently that’s my destiny. My first ever job in TV was in Zambia filming a documentary about middle-aged Chinese men who were entrepreneurs in the Copper Belt.”

Louise could not escape China in London’s Soho last week

“So,” I said, “you do live stand-up comedy AND these serious BBC2/BBC4 documentaries…”

“Yes,” said Louise. “I first did stand-up when I was 16. I stopped at 18 after a weird gig in Eastbourne. They had a racist joke competition led by the compere. Then a man in the audience said: If I hammer a nail into my penis, can I get free entry to this club night for the rest of the year? And they said: Yeah! Sure! and they ran around and got a stool and a hammer and a nail and he hammered it in.”

“We are talking here about hammering it into skin,” I checked, “not into the more solid bits?”

“I didn’t look,” said Louise. “But, an hour later, he stood up and said: If I hammer a second nail into my penis, can I get free drinks for the rest of the year? and the audience went Yeeaaaaahhhh!!!! and basically, like, at the end of the night, he was doing a wee into a basin and I went to wash my hands next to him and he turned to me and said: Oh, I really like your set. And wee was coming out of the different holes in his dick. So I thought: I can never do comedy again and I didn’t do stand-up for about six years after that.”

“I have to say,” I told Louise, “I would book him as an act… What have you just been working on recently?”

“Dude, we WILL be able to understand what you want…“

“It’s really random. There’s like a Harvard professor and he has a TV company in the UK so we were doing like a history of capitalism thing?”

“Why,” I asked, “are you doing this Brighton Fringe and Edinburgh Fringe show It’s Only Words in Chinese?”

“I’ve always been interested in communication. I made a documentary about a Chinese woman called Apple who lived in Croydon. She could not speak any English and she did not go outside except for once a week to go to the Chinese supermarket. She was so isolated because she didn’t speak the language. And I thought: Dude, if you go to an English language shop and try to buy something, we WILL be able to understand what you want.

“People have a real mental barrier about languages and the way we communicate. But just one look can mean so much. We communicate all the time. Look at my hands. I can’t stop them moving. There’s so much more than language going on. That’s what my show’s all about.”

“So,” I asked, “people sitting in the audience will able to understand what’s going on?”

“Yes. That’s the thing. It will prove that you can. There was a very spurious 1960s experiment which proved that only 7% of communication was verbal. So my whole show is an experiment in the 93%. If I did it in French, it wouldn’t work, because most people maybe understand enough.

“A really weird thing is that, depending on where you live, your face ages differently, because you use different muscles in your face depending on what language you’re speaking.

Louise Reay, a woman with experience, cleans a great wall

“I know a Western man who has lived in China for the past 40 years and he looks like a Chinese person now, because the muscles that he’s used from speaking Chinese every day… Like Chinese is very much in the front of your face, whereas European languages are much more throaty? The whole face changes, because you have some muscles that are not used and other muscles that are used a lot more. It’s like really nuts that you can age your face differently depending on what language you’re speaking each day. It’s mental.”

Return from North Korea to China, land of individual freedom & Keanu Reeves

Keanu Reeves’ new movie “Man of Tai Chi” shooting in Beijing

During the night, on the long train trip back to Beijing from Pyongyang, I mention that, since an accident in 1991 in which I was hit by a truck, I have not been able to read books. I can write books, but I cannot read them.

Our English travel agent guide tells me he was recently mugged in the street in Bristol. “They hit me on the back of the head with a baseball bat,” he told me. And roughed me up a bit at the front, too. I have had difficulty reading – and slight speech problems – since then. It’s very frightening when it affects your mind.”

I develop a slight toothache.

As soon as we crossed the bridge over the Yalu River which divides North Korea from China, two smiling strangers (everyone was smiling) separately observed to me how strange it was to feel that entering China was returning to ‘freedom’.

A woman I did not know said to me, smiling: “It’s like a weight has been lifted.”

Somewhere between a station signposted Tanggu and Tianjin city, I noticed there were satellite TV dishes on some of the old, single-storey peasant homes. Not Party buildings, not notable buildings, not in any way rich homes. And occasional clusters of buildings had solar panels on their roofs; possibly communal buildings; impossible to tell.

Then, for mile after mile after mile, a gigantic new elevated road/train track was being built. Make that plural. Over mile upon mile upon continuous mile, new highways, new tower blocks were being built. It is as if the country is building a new city like Milton Keynes every week or a new London Docklands nationwide every few days.

So very different to when I was last here in 1984, 1985 and 1986.

The irony with China is that, in the Cultural Revolution – the Chinese call it the ‘Ten Year Chaos’ – of 1966-1976, the Red Guards wanted to destroy the past, to start from the ‘now’ and build a new society. That now has happened. The irony is that it is not the future they envisaged; it is the future they feared.

Would this giant leap forward have been possible in a country without the unstoppable anti-democratic will and irresistible totalitarian power to push it through? Who knows? But it is an interesting thought/dilemma.

As we arrived at Beijing railway station, someone told me they had seen on BBC World TV that the North Korean satellite launched last week had exploded shortly after launch. Back in North Korea, of course, they will ‘know’ that Satellite 3 was a glorious success and will ‘know’ the giant leaps which their country makes continue to be the envy of the world.

If you live in a self-contained village isolated from all outside knowledge – or, indeed, in The Village in The Prisoner TV series – you know only what you know. There are no known unknowns, only unknown unknowns.

Living standards and social/technological advances are comparative. The North Koreans can see for themselves – they ‘know’ – that their society has advanced in leaps and bounds – from the electricity pylons of the 1980s to – now – mobile telephones and three satellites in space. And they have seen the tributes brought to their leaders by the admiring leaders of other countries.

China – with 7.5% growth per year – is living the advance a stagnant North Korea falsely believes it is making.

In the afternoon, in Beijing, I go into a Bank of China branch. It is in a suburb of the city. The door guard and staff look shocked that a Westerner has wandered into their branch.

I get a ticket to go to the cashier. A recorded message on the loudspeaker tells me when my number – Number 46 – is ready to be dealt with and which cashier to go to. The recorded message is in Chinese… then in English. Like the road signs, the metro signs and many shop signs. It is not just for my benefit. Each customer announcement is made in Chinese… then English.

At the cashier’s desk, facing me, is a little electronic device with three buttons marked in Chinese and in English. By pressing the appropriate button, unseen by the cashier, I can say if her service has been Satisfactory or Average or Dissatisfied.

Welcome to capitalism. Welcome to China 2012.

About half an hour later, near the Novotel and the New World Centre shopping complex, I pass a woman with one eye, begging. Welcome to capitalism. Welcome to China 2012.

Close to a nearby metro entrance, an old grey-haired woman is lying flat on her back, immobile, on the pavement. Beside her, by her head, a middle-aged man, possibly her son, kneels, rocking backwards and forwards, bobbing his head on the pavement, as if in silent Buddhist prayer. A large sheet of paper with Chinese lettering explains their situation. Passers-by drop Yuan notes into a box.

Welcome to China 2012.

At dusk, walking back to my own hotel from a metro station on one of Beijing’s busy, modern ring roads – a 45 minute walk – I see some movie trucks belonging to the China Film Group – dressing rooms, a director’s trailer, equipment vans.

Further along, down a side street, they are shooting second unit photography for a movie called Man of Tai Chi – actor Keanu Reeves’ directorial debut – in an area of grey, old-style, single-storey streets just a 15 second walk off the busy ring road.

In Pyongyang, the North Korean film studios had clearly been doing nothing. But they wanted – they liked – to pretend they have a thriving film industry.

In China, they do.

But they also block Facebook, Twitter and, indeed, this very blog you are reading.

Welcome to China 2012.

… CONTINUED HERE …

North Korea – George Orwell’s pyramid looms over the capital city Pyongyang

Big Brother really is watching over you

(A version of this piece was also published on the Indian news site WeSpeakNews and by the Huffington Post)

I left my Beijing hotel early this morning for a flight to North Korea and got caught in a traffic jam on one of the Chinese capital’s ring roads.

When I was in Beijing in 1984, the city had crowded streams of bicycles. Now it is all cars in wide multi-lane carriageways and flyovers in high-rise skyscraper surroundings which look like something from Fritz Lang’s Metropolis.

At Beijing Airport, we get on an ancient Tupolev aircraft – very noisy – staffed by ultra-neat North Korean air stewardesses, each in prim red jacket, white shirt and dark blue scarf – the colours of the national flag.

When I entered the aircraft’s cabin, there was an overwhelming smell of air freshener. About 45 minutes into the flight, it became obvious why. The smell of air freshener had disappeared and the natural odour of the aircraft had reasserted itself: a rather unsettling smell of petrol fumes. It is difficult to say which was more unsettling: the smell of petrol or the saccharine-drenched music coming out of the aircraft’s not-very-good speakers. It was like easy listening to Nelson Riddle music in a flying petrol station.

But the North Koreans were trying their best. And that is all anyone can do.

When I was in China in the mid-1980s, some of their new hotels were run as joint ventures with Swiss companies on ten-year contracts. At the end of that time, everything would to revert to the Chinese. So they had ten years learning what specific items and what standards were expected by Western tourists. The North Koreans, in self-imposed exile from the rest of the world for generations, have no idea what goes on beyond their borders and little idea of what travellers expect.

When our group arrived in Pyongyang (you can only travel to North Korea in supervised groups, only rarely as a supervised individual), the people who had paid extra for single rooms (including me) found that there were no single rooms available and we had all been bumped down to a less-good hotel. But the North Koreans were trying their best.

There are so many people in North Korea for the celebrations of the late Great Leader Kim Il-sung’s 100th birthday that, surreally, Pyongyang has a shortage of hotel rooms. The British tour company Regent Holidays, which normally takes only occasional single groups into the country currently has four groups in simultaneously for the celebrations; a Swedish company has brought a total of 200 people in several groups.

Each group allowed into the country has to have two North Korean ‘guides’ and a driver constantly with them. This is not only so that the untrusted foreigners are carefully supervised, watched and reported-on by the two guides, but so that each guide can keep a careful watch on the other guide. When I was here in 1986, it slowly became obvious that the bus driver out-ranked the two guides and was himself there to watch and report-on them.

North Korea is not a country where paranoia is under-stated.

But people are people. Insecure, internally modest. No-one chooses which country they are born into. People are people. There is nature v nurture but neither is 100% of anyone. People are people.

Our group of 16 individuals is supervised by two individual North Korean guides: one an experienced older man, the other a relatively inexperienced younger girl.

If the two guides and the driver all keeping a wary watch on each Western tourist and on each other seems oppressive, think of the individual psychology. With this level of paranoia, there is a personal insecurity which is occasionally visible in the eyes of the guides and most of the North Koreans we encounter (except, oddly, the driver). What if they do something wrong? What – even worse – if they do not do something wrong but someone higher than them in the paranoia chain mistakenly thinks that they have done something wrong? This is not a forgiving country. They have been at war with the Americans and the South Koreans since 1950.

The Korean War ended in 1953. But only in theory. In March 2010, a North Korean miniature submarine torpedoed and sank the South Korean ship Cheonan, killing 46 sailors. In November 2010, the North Korean army bombarded the South Korean island of Yeonpyeong with around 170 artillery shells, hitting both military and civilian targets, killing 4 people and injuring 19.

In George Orwell’s Nineteen Eighty-Four, one of the basic necessities of the state of Oceania is that it has to be constantly at war with one of the two other great super-states. A very real external threat is vital to hold the country together. Oceania and North Korea seem to be interchangeable in this respect.

In the fields of North Korea – glimpsed through bus windows on very uneven roads – people are rarely cultivating the barren-looking land. When they do, they almost never have mechanised help; they rarely even have oxen and hand ploughs. They seem to till the soil with their hands. Individuals sitting in brown earth fields.

This is not a 21st century state. This is not a 20th century state. This is like England under the rule of Richard III. We are talking here about medieval countryside scenes.

But, in the capital Pyongyang, the monuments have got even bigger than they were in 1986. Wide avenues, imposing monuments, monolithic buildings

There is a new road with unnecessarily massive monumental buildings for different sports. A giant basketball building. A giant table tennis building. A whole street of buildings for different sports. Gigantic buildings with massive car parks. In a city with very few cars.

There are new tower blocks of apartments. Everything looks stylish on the outside. Our decidedly underwhelming hotel has underfloor heating (which cannot be turned off) but currently has no hot running water.

The invisible building, as seen a few years ago

And, towering over everything, is a giant pyramidal building, massively out-of-proportion to everything else. It is an unfinished 1o5-storey hotel – the Ryugyong Hotel – which the North Koreans started to construct in 1987 – exactly 25 years ago – but never completed. It looks perfect on the outside but it is a showy facade, like a simile for North Korea itself.

The giant 330-metre tall building was due to open in 1989 with either 3,000 or 7,665 rooms (facts are variable in North Korea). For several years after it failed to open, North Korea denied the building existed, despite the fact it dominated the skyline. Now, 25 years after work started on the structure, it is the elephant in the room; never mentioned but ever present.

“It is an enormous pyramidal structure of glittering white concrete rising 300 metres into the air, containing over 3000 rooms above ground.”

That is not a description of the gigantic grey pyramidal would-be hotel which dominates the Pyongyang skyline.

It is George Orwell’s description of the Ministry of Truth in Nineteen Eighty-Four.

But it will do.

It will do.

Welcome to North Korea.

… CONTINUED HERE …

Beijing – An arrest in Tiananmen Square and an offer of exciting sex

The arrested men are led away by police in Tiananmen Square

(A version of this piece was also published by the Huffington Post)

I am still in Beijing.

During the night, I was talking to a girl at the top of a suburban street, telling her about the various Schneiders. There was Roy Schneider in Jaws; there was Romy Schneider sharing butter with Marlon Brando in Last Tango in Paris; and there is Dave Schneider, who I always think of as the bloke in the back window of the Eurostar train as it hurtles along in the climax of the first Mission Impossible movie.

The girl was very impressed and a friend of hers also came along to find out more about the various Schneiders.

Then I woke up.

It was a dream.

I later realised the two girls were wrong to be impressed. The Jaws film star was Roy Scheider not Roy Schneider. And it was Maria not Romy Schneider with the butter.

It was just a dream.

And this morning, as if still in a dream, it felt like I was home in London when a taxi driver took me on a 12-minute round trip in the opposite direction to where we were going, to increase his meter fare. It is what all cabbies must do the world over to foreigners in their city.

Eventually, we got to Tiananmen Square, where all access is guarded by soldiers/police at kiosks with X-ray machines. This is no big deal, really, as all Beijing’s metro stations have X-ray security machines too.

I say all access to Tiananmen Square is guarded by the efficient Chinese security system.

Except one.

I wandered unstopped and unchecked (carrying a bag) through the old Zhengyangmen (Qianmen) Gate behind Mao’s Mausoleum and wandered into the Square unstopped.

At the far end of the square, nearly opposite the Tiananmen Gate itself, men and women in red and yellow jackets offered to take photos of passers-by.

As I left the throng, four young men maybe in their late teens unfolded a large rectangular banner – red, with white Chinese letters. They smiled as I passed by. About 12-15 seconds later, there was the sharp bark of a voice.

One of the red and yellow jacketed ‘photographers’ – a particularly burly man – was shouting and, as I watched still walking away, he strode and tried to tear the banner from the four youths’ hands and scrunge it up, still yelling towards a police van about 50 feet away.

The banner had been up and visible for maybe 12 seconds. Almost no-one had seen it; perhaps only me. And I did not know what the Chinese writing said.

Four policemen strode across from their white van and marched the four young men away.

The four young men went quietly; they did not have to be held; they obviously knew it would happen like, I guess, maybe some lemmings know their jump off the cliff will not end well. But they still feel compelled towards the self-destructive act.

They strolled with the police towards the white van. The red and yellow jacketed man went back to being a photographer, accosting tourists to have their photo taken with Chairman Mao’s giant portrait on the Tiananmen Gate in the background.

To Westerners like me, this seems an example of the repressiveness of the Chinese regime. But to the Chinese themselves – obsessed with maintaining order and stability and horrified by the possibility of ‘chaos’, I suspect it could seem like benevolent paternalism.

The men and women standing and sitting around and watching what ordinary people do are, I suspect, not seen as oppressive Big Brothers but as protective brothers and sisters.

There are men (mostly men) sitting at the bottom of, it seems, all the escalators in the metro, just ‘watching’ in case an unfortunate accident happens.

Life has got much, much better for most people.

When I was here in 1984, I realised I was slightly (not much) taller than most people in the street. I got looks. But people did not notice my height, skin colour and different clothing if I walked at the same, slower pace that they did.

In 1984, the Beijingers walked slower than people did in London. Now, in 2012, they do not. Maybe I have slowed down (always a possibility) but I think they do walk faster. And they have taken advertising to their hearts.

It is everywhere. Including on the moving rubber handrails of the escalators in the metro.

And I was very impressed by a very inventive way of advertising on the walls inside the metro tunnels as the trains speed between stations.

As the train carriage speeds by through the dark tunnels, on the black walls are a series of pictures which appear to be one static image as seen from the fast-moving train. I guess it must be like a flick book. Your eyes see a lot of the same picture repeated and your brain sees one static picture. Occasionally the image changes. I have never seen anything like it, although someone later told me there is one of these ads in the Heathrow Express tunnel into London Airport.

Meanwhile, watching TV back in my 13th floor Beijing hotel, I continue to be amazed that BBC World’s TV reporter  is still allowed to remain inside North Korea. He contrasts what he is being shown by North Korean officials with the real North Korea glimpsed by the BBC cameraman through train and coach windows. Simply the phrases he uses in his reports – “Few outside would recognise this as prosperous” and “totalitarian control” would surely merit the North Koreans throwing him out?

Tomorrow, I fly to North Korea.

I left my iPhone and iPad back in London, knowing they would be confiscated at the border.

Ten days ahead of me with no news of the outside world.

What might happen?

When I was in Laos in 1989, I missed the fall of the Berlin Wall. The first I knew of it was coming back through Bangkok Airport and seeing a week-old issue of the Sunday Times with pictures on the front page of the Wall coming down.

But perhaps I have more personal worries.

This afternoon, eating a sweet, a slice from the back of one of my teeth – perhaps a quarter inch high – came out. It seems to be part of the real tooth, not a filling. A sticky sweet was the culprit.

Tonight, I went to the Novotel to e-mail my eternally-un-named friend and ask her to book me a dental appointment when I get back home.

As I walked up to the Novotel, three prostitutes offered to have sex with me. Well, presumably each of three prostitutes, not all three together. The youngest was wearing a white coat; the others were stylishly-dressed in black, merging into the darkness and with sadder eyes. The youngest was bubbly and effervescent: “Sex,” she said to me. “Exciting sex.”

When I came out of the hotel, after sending my e-mail, there were only two of the ladies of the night standing in the same place. The white-coated young girl was still there, giggling and smiling. “Sex?” she asked. “Exciting sex?”

I went to the metro, wondering what happened to the four young men in Tiananmen Square and what will happen to Bo Xilai and his wife. Will I miss a major news story while I am in North Korea?

Beijing – Waltzing in the headlights of a fast-coming future in the new Tokyo

The future is bright and dazzling in Beijing - the new Tokyo.

I am sitting in my hotel room on the 13th (top) floor of a 4-star hotel in Beijing.

I was in Beijing in 1984, 1985 and 1986.

My memory of Beijing in 1984 is of almost everyone wearing green or blue Mao suits – a uniformity of dull colours. The next year, some lighter pastel colours were creeping in and I stumbled on a fashion shoot by the lake in Beihai Park where the glamorous model was wearing a mini skirt.

Back then, I remember a rather dusty, occasionally misty city with Dickensian factory chimneys, streets swamped with tsunamis of bicycles and building sites each with hundreds of workers instead of machines. This was not – and is not – a country with a labour shortage.

Today, on the 45-60 minute drive to the city centre from the giant fuck-off-and-die airport (built for the 2008 Olympics), we passed through a new city with giant, often very well-designed buildings and loads of cars on busy four and five lane carriageways.

Then we hit Tiananmen Square with its new monument to distract and disguise where the demonstrators were in 1989. It now also has an apparently permanent visible police presence plus parked police cars and vans.

Once past Tiananmen Square, we hit the more crowded, narrow streets with jumbled shops and narrow, greyish, busy alleyways I remembered.

The TV in my hotel seems to cater mostly for Chinese, not English-speaking, businessmen – a not insignificant point. And the BBC World news channel is reporting that Sony has announced a whacking $6 billion loss.

The Japanese are on their way out.

The Chinese are on their way up.

More surprisingly, the BBC still has a TV reporter inside North Korea. Why has this man not been thrown out of the country? He is still telling and showing the truth about what life is like there. He was invited in to show the glorious start to the celebrations of the 100th birthday of the Great Leader Kim Il-sung – and to report on the ‘fact’ that the North Koreans’ upcoming rocket launch is to put a satellite into space, not to test an ICBM capable of carrying a nuclear warhead.

Fat chance. He is making it clear North Korea is a fantasy land of literally incredible facades.

The North Koreans have said their rocket will be launched “by 16th April”. As the late Kim Il-sung’s 100th birthday is on the 15th April, guessing which day it will actually be launched does not seem like, err, rocket science.

Back on the TV in Beijing, BBC World is reporting that someone called (as far as I can figure phonetically) Nee-lu-yang, disabled and on crutches after being beaten up by the police, has been sentenced to three years imprisonment – and her husband to two years – for “provoking trouble” by campaigning against the eviction of people from their homes to make way for new building developments by the Chinese authorities.

In China, rapid modernisation comes at a price which would be unacceptably high in the UK.

I took a walk out tonight and, over the course of an hour, I passed nine people walking their pet dogs. In the mid 1980s, a friend of mine went into Canton free market a meat-eater and came out a vegetarian: “It was the live dogs and cats and owls that did it,” she told me. “All in small cages, ready for eating. It was the owls that really got to me, with their big eyes staring out at me.”

Now dogs are kept by some as pets. The sign of an increasingly moneyed society and probably the sign of an increasingly something else society which I can’t put my finger on.

People were still doing that deep, throaty Chinese spitting in the street back in 1984.

Things have advanced at an amazing rate.

And yet… And yet…

There is still that protester disabled and on crutches after being beaten up by the police, sentenced to three years imprisonment for “provoking trouble”.

Some might argue that 2012 in China is more like Nineteen Eighty-Four than it was in 1984. But with a glittering veneer.

On my walk tonight, in a darkened open space about 20 feet from one of Beijing’s busy ring roads, I heard the faint sound of traditional Chinese music and saw about thirty people of various ages dancing in slow motion. Some were waltzing; some appeared to be practising slow-motion line-dancing.

Perhaps this is a new 2012 version of tai-chi.

In 1968, Country Joe and The Fish recorded a song called Waltzing in the Moonlight. In Beijing, they are waltzing in the headlights of a fast-coming future.

China is the new Japan… with Japan, like Atlantis, cut down to size by the Gods with a national catastrophe.

It only took water to overwhelm Atlantis.

Japan, a more advanced civilisation, had visited on it by the Gods the triple disaster of earthquake, tsunami and nuclear disaster. Japan has stumbled if not yet been humbled..

The road signs in Beijing – and many local shop signs – are in both Chinese and English. The government is preparing for and has already entered an international future.

And yet… And yet…

The girl in this 4-star hotel’s Business Centre not only does not speak English, she does not know how to print off text from the computer she supervises onto the printer sitting beside it.

And the BBC World channel reports that the wife of prominent Chinese politician Bo Xilai has been arrested on suspicion of killing a British businessman last year. No motive is given; the businessman seems to have been a friend of the anti-corruption Mr Bo and his wife; and the Chinese leadership is changing this year.

Now, presumably, Mr Bo has been knocked out of the running.

Don’t mess with the Chinese.

*****

Here is the sound of Country Joe and The Fish Waltzing in the Moonlight…

Chinese Communism and how it overlaps British Rail bureaucracy

Last night, I went to the Empire cinema in Leicester Square for the opening ceremony of this week’s China Image Film Festival in London – the biggest Chinese film festival in Europe.

The ceremonial side involved lengthy bouts of people explaining that everyone had worked very hard and how culturally important film was and encouraging rounds of applause for officials who stood up and waved to the audience. After 40 minutes, I whispered to the friend who was with me:

“This is like living under communism.”

There were the distinguished guests from various organising committees and some officials had flown in specially from Beijing but also present, inexplicably, were the former mayor of Redbridge in suburban London and the Chairman of South Cambridgeshire District Council, who gave a speech in which he said he had visited China, but never seen any Chinese films there, so he was grateful for this opportunity. The man standing by him who translated his speech into Chinese looked a bit surprised, as if he could not understand who this man was or why he was giving a speech.

I had some sympathy with the translator.

The former mayor of Redbridge gave no speech, which I thought was a pity, as I would have been interested to hear what he said.

The opening film of the Festival was Apart Together, which won the Silver Bear for Best Screenplay at last year’s Berlin Film Festival.

In one scene a couple, married for almost 50 years, decide to get divorced but discover that they cannot get divorced without first having a marriage certificate which they do not have because they got married shortly after the chaotic civil war between Mao Tse-tung’s Communists and Sun Yat-sen’s Kuomintang nationalists when official marriage certificates were the last thing on people’s minds.

So they have to get officially married in order to be officially divorced on the same day.

Communist bureaucracy, eh?

Phoaw!

How the almost entirely Chinese audience laughed!

No wonder they love Yes, Minister on TV in China!

After the ceremony and screening, I got a tube up to St Pancras station and leapt into the front carriage of a Capital Connect Thameslink train, just before it was due to set off.

On the seat opposite me was a small but expensive-looking pack of 15 computer CDs left behind by someone.

As I was sitting at the very front of the train, I jumped off and tried to give them to the train driver.

“I’m not allowed to accept any lost property,” he said apologetically. “You have to give it to the station staff – that bloke down there the other side of the barrier.”

It was an eight-carriage train. I looked at my watch. It was two minutes before the train was due to leave.

“I won’t have time to do it and get back on the train,” I told the driver. “And the station I am going to is unmanned at this time of night.”

“What you could do,” he told me, sympathetically, “is leave it on the seat and, if it’s still there at the end of the journey, I can collect it when I check the carriages.”

So I did that.

Whether anyone nicked the discs or whether they were still there when he checked the carriage I do not know.

I am a lover of the surreal but not of bureaucracy.

But rules is rules, eh? They’re there for a reason.