Kevin Bishop seems to be consolidating his showbiz career by overlapping comedy and ‘proper’ acting rather well, without getting any distracting Russell Brand front page coverage.
Channel 4’s Star Stories got him attention in 2006 and The Kevin Bishop Show got him even more profile in 2008-2009. But he had already paid his dues. He started his showbiz career in that by-now almost classic training ground of BBC TV kids’ series Grange Hill and his first movie role had been as Jim Hawkins in Muppet Treasure Island back in 1996, when he was only 16 years old.
This week, he started filming a new comedy movie May I Kill U? about the recent London riots and, two nights ago, I was at the first recording of his new BBC Radio series Les Kelly’s Britain, produced by Bill Dare and written by Bill Dare & Julian Dutton
The show was interesting for several reasons.
One interesting thing was that, during the recording, there were two heckles from the audience, which I hope stay in after the edit. I have to admit I have not seen that many radio recordings, but I think I can say that heckles are not that common and Kevin dealt with them so smoothly that I actually wondered if they had been set-up… though I think they were genuine.
Unusually, Kevin did not use a stand microphone. He had one of those little headset mikes with a thin strip coming down the cheek of the type that Madonna and other singers have so they can strut freely around the stage.
This allowed him to wander the stage and to come down into the audience while the other four performers used traditional stand mikes.
The show was notable for excellent casting of the four supporting actors and for two spot-on Scots accents from them, one of which got laughs from me and from the cast themselves just for the accent itself – it was a rather oily Gordon Brown accent – you had to be there.
The show’s producer/co-writer Bill Dare has a long pedigree in comedy – including The Mary Whitehouse Experience, Dead Ringers, The Now Show and ITV’s Spitting Image 1990-1993. He is also, to me rather startlingly, the son of actor Peter Jones who, to my generation, was star of The Rag Trade and, to a later generation, was the voice of The Book in the original BBC Radio version of The Hitchhiker’s Guide to the Galaxy.
There is a slight problem with Les Kelly’s Britain in that the basic comedy situation is that a show is being presented by a radio host who lacks self-awareness and Alan Partridge has explored and carved out that territory already.
So, although Les Kelly is a distinct character, it is a dodgy creative proposition.
The publicity says Les Kelly is like “the love child of Jeremy Kyle and Jeremy Clarkson” and “the natural heir to classic comic creations Alan Partridge, The Pub Landlord and Count Arthur Strong” which is fair enough, though the inclusion of Count Arthur Strong mystifies me.
The show sounds as if it might be slightly un-original but, in fact, that is misleading. The Les Kelly script, superbly delivered by all five performers when I saw it, has some genuinely wonderful surreal moments and occasional dark humour – it managed to fit in a joke about the wartime bombing of Dresden, though one of the re-takes at the end was, according to Bill Dare, “in case we need to cut the cancer joke”.
I hope they keep it in and that Les Kelly’s Britain prospers.