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Comedian Matt Roper’s addiction treatment gets upstaged by Chris Dangerfield’s continuing addiction

Matt Roper yesterday: concerned at Chris Dangerfield’s addiction tales

Matt Roper yesterday: concerned at Chris addiction tales

It was comedian Matt Roper’s own fault not mine. It really was.

He is trying to kick his nicotine habit in Totnes and he was up in London for a casting session on a film. So we decided to meet up for a chat about his Buddhist-like non-smoking treatment and there might be a blog in it for me. But the trouble was, before we met at Bar Italia in Soho, Matt had perhaps foolishly invited Chris Dangerfield to join us – he lives nearby.

Chris joined us briefly, then said he had to go off and do something, so Matt and I had time to start our chat.

“I’m organising my funeral on Thursday this week,” Matt told me.

“You mean the living wake you told me about a few weeks ago?” I asked.

“No,” said Matt. “I still might have a living wake before I go away to New York at the end of November.”

“New York?” I asked.

“A mate of mine is on Broadway,” Matt explained. “And (comedian) Rick Shapiro and his wife Tracey have invited me to Thanksgiving in New Jersey.”

“How is Rick?” I asked.

“He’s fine,” said Matt. “You know he was mis-diagnosed and mis-prescribed. He had a heart attack, he had amnesia and he fell in love with his bedside lamp.”

“Was it just an infatuation or was it the real thing?” I asked.

“I think it was probably an infatuation,” said Matt. “The shape of his lamp, you know…”

“It was a one light stand?” I asked.

“His vision was all gone,” said Matt, “and he was on a lot of medical drugs. It might have been an Anglepoise or something quite curvy. Basically, he was diagnosed with Parkinson’s Disease and he was mis-diagnosed in the months before and he was mis-medicated… But he’s getting stronger and more lucid.”

“So you were going to hold a living wake for yourself before you go out to the States,” I said, “but instead you’re now going to organise your own funeral?”

“No,” said Matt. “Not instead of. As well as. Death feels quite close to me. Both my parents died quite early and my health hasn’t been the best this past year. I’d rather everything is sorted out now and not a mess when…”

At this point, Chris Dangerfield returned.

“I’m talking about death,” Matt told him. “I’m organising my funeral.”

Chris laughed.

“I’m quite at peace with death,” mused Matt. “Obviously, I don’t want it to happen just yet, but there’s a guy who arranges alternative funerals in Totnes, so I’m going to put some money into an account and give him a music playlist and then it’s all sorted.”

“Where’s the logic in all that?” asked Chris Dangerfield. “Let other people pay for your funeral.”

“You’re looking surprisingly healthy,” I said to Chris. “Considering what’s happening in your life.”

Chris Dangerfield yesterday with abandoned police bike behind

Chris Dangerfield yesterday with police bike behind

“I’m a connoisseur of the poppy,” replied Chris, “by which I mean a victim of hideous and chronic addiction. My habit is China White. That’s what it’s called, but it’s actually from Vietnam. It doesn’t need any citric acid to break it down; it’ll break down in water. But the point is, I’ve been getting it on the Silk Road, the ‘deep web’, as we spoke about last time I saw you.

“I’m spoiled in a sort of suicidally-spoiled way. When I can’t get China White, I have to get street heroin and that’s what I just got and I have to put so much fucking in it’s like gravy by the end…”

“You still look well,” I said.

“I got rid of a glamour model’s veins intentionally as a cosmetic procedure,” said Chris. “She was talking to me about how citric acid damages veins. My arms have got none. They used to be like an adult male. Now I’m like a child. Citric damages your veins: they retract from the surface of the skin.

“So I told her that and she got me to do it so her skin would be smooth. I wouldn’t do that to anyone now. It’s damaging and unnecessary. But, at the time, I said Yeah, I’ll help you out. So, every day, I’d give her a citric injection and she lost all her veins. Mine, as you see, have gone.”

He showed us his smooth right arm.

“And you’ve lost the veins on the back of your hands,” I agreed.

“Yeah,” said Chris. “Look at your hands, John. Loads of veins visible. Mine have gone.”

“You can’t have lost your veins,” I said.

“They do. They do. They collapse,” said Chris. “They die. Sometimes they fall under and separate. Don’t make it a smack blog, John. We got better things to talk about than that, surely?”

“My thrombosis,” suggested Matt. “You’re on heroin and looking healthy. And I’m the one who’s on his death bed.”

“If you don’t have veins in your hand,” I asked Chris, “how does the blood get to your fingers?”

“Capillaries,” answered Chris, “which are smaller veins.”

“I was always shit at science,” I said.

“I’ve seen people stick needles under their fingernails,” said Chris. “What I went to, before I went to my groin, I…”

“Don’t forget this is being recorded,” I said.

“I don’t give a fuck,” said Chris. “What it is is, because you’re pulling more blood into the solution, it’ll congeal and… so what you do is snap the needle off and stick it up your bum. And, when there’s ten of you living in a squat in Bethnal Green and you’re all doing that 20 or 25 times a day and you’re not very clean about it and you meet a girl at Soho House…

“We’d all be in Soho House in lovely suits charming all these lovely women and saying Oh, come back to our house and when they came back to the squat in Bethnal Green… One of the rooms had no floorboards, because we’d burnt them all for heat, but the gaps were maybe 6 inches deep with poo-covered syringes.

“Do the maths. There were maybe ten of us there, on and off, doing maybe 20 a day – that’s 200 a day – nearly 1,500 a week for a couple of years. Multiply it by 52 or 104…”

“I think,” said Matt, “that Chris is a natural choice to lead Bethnal Green’s new tourism campaign.”

“I loved living there, though,” said Chris. “I really did. I loved it.”

“You told me,” I said, “that you’d tried to get off the smack recently but you’d failed.”

A bag of China White heroin

Is China White heroin equivalent to a packet of cigarettes?

“I had a friend the other day say to me I just don’t understand why you keep doing it and I said You smoke tobacco, yeah? and he said Yeah and I said Bronchitis, septicemia, cancer, your clothes stink, you stink, your teeth are yellow, your fingers are yellow, it costs you more than crack cocaine now. You wanna stop? He said Yeah, well... and I asked Well, why don’t you? It’s the same. There’s no real difference. There’s damage and how it affects your lifestyle, but the basic reality of being powerless over a substance – or behaviour – is the same. I would do anything to be clean. And, when I’m clean, I’d do anything to be using.”

“It’s a bit like being from New Zealand,” I suggested. “When New Zealanders are actually there, they want to leave and, when they’re away from it, they want to go back.”

“Over the last 25 years of using,” said Chris, “I’ve had a few clean years and they were the best years.”

“And now you make good money on your lock-picking business,” I prompted.

“With no financial investment,” said Chris, “just a good reputation and a mailing list, I can sell a product before I’ve bought it. So I send out to the mailing list… Say 500 people respond with a purchase… then the money’s in my account. The product arrives and I send it out. There’s only a 4-day turnaround. On this latest product, the profit after tax is about £25,000.”

“Is that actually true?” I asked.

“What do you mean Is it true??” Chris asked. “John, if I’m going to lie, it’s going to be better than I’ve earned some money – It’s going to be I STOLE some money. It’s easy to make money. I don’t understand people who can’t make money.

“I’ve a BBC TV documentary coming up. Essentially, I was walking round Soho trying to put forward responsible arguments about my lifestyle to a girl and her production team.”

“Your sexual lifestyle?” I asked.

“Yeah,” said Chris. “Well, some of it. Also Rupert Everett is interviewing me for Channel 4 in a couple of weeks. That’ll be fun. I thought I’d be clean by then. His autobiography’s amazing.”

“What’s he interviewing you about?” I asked.

“Same thing, probably. I’ll confess things and they give me some publicity. And I’m doing a BBC Radio 4 show for Hardeep Singh Kohli where he has dinner with people.”

“Are you performing at the Edinburgh Fringe next year?” I asked.

“Yeah.”

“What’s the show called?” I asked.

He told us.

Matt and I laughed out loud.

“I’ll only perform it three or four times before,” said Chris, “then the full run at the Fringe. They’ll never let me put that title in the Fringe Programme, though.”

“There won’t be a problem printing it in the Programme,” I said. “The words are OK.”

He then described the poster design.

“They may well,” I said, “hang you from a lamp post in Edinburgh.”

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What people forget nowadays is that London was black and had a nasty smell

St Pancras – once a featureless black shape of nothingness

In Remembrance of Things Past, Marcel Proust described how memories of his entire childhood came flooding back to him after he drank a spoonful of tea in which he had soaked a piece of madeleine cake. It was the smell and the taste which brought it all back.

“Suddenly the memory revealed itself,” he wrote. “The taste was of a little piece of madeleine which on Sunday mornings my Aunt Leonie used to give me, dipping it first in her own cup of tea. Immediately the old grey house on the street, where her room was, rose up like a stage set and the entire town, with its people and houses, gardens, church, and surroundings, taking shape and solidity, sprang into being from my cup of tea.”

In yesterday’s blog, I mentioned that my eternally-un-named friend had been cleaning the top of a very old bedside table. She used turpentine and methylated spirits. I had not smelled them for years when my mother used to clean things. It brought back the smell of Brasso cleaner throughout my early childhood. My mother liked to collect lots of brass ornaments which needed constant cleaning.

No, my entire childhood did not come flooding back to me. I have a notoriously shit memory.

And no, of course I have not actually read Proust’s À La Recherche du Temps Perdu. I am not that mad. It goes on forever and it is nearly 1.5 million words long.

I looked it up on Wikipedia.

Things get better, easier and faster.

But the smell of turps and meths did remind me that period feature films almost always get the details wrong.

I saw a film last night which was partly set in London at the start of the 1960s.

Like almost all period films, it got details wrong. For one thing, as always, the men’s hair was too long. Until after the Beatles became successful, British men wore military-type short haircuts.

And – again as per normal – they got the buildings wrong.

When I came down to London for the first time, I came from Aberdeen, which is known as “the granite city” because it was built of grey stone and, in my childhood, occasionally sparkled in the sunlight.

Buildings in central London back then were black and featureless, covered in a layer of black soot. When I walked along Whitehall for the first time, it was a canyon of black.

In the early 1960s, they were talking about knocking down St Pancras station because – well, they were talking about knocking down anything old then and it was just this black, rather soot-smelly old building.

You could not see the gloriously OTT Gothic detailing or the fact it was one of the maddest buildings in the world. You did not see the brickwork and the twiddly bits. You just saw dull black sooty shapes.

Edinburgh’s old town, viewed from Princes Street, was just a hill of smoking black shapes, like the clustered remnants of a big fire.

I remember, as a small kid, being in a cafe at Edinburgh’s Waverley railway station. They still  had steam trains back then. Like all railway cafes back then – like all cafes – it was filled with smoke. It was a dreich day. Almost everyone in the cafe was smoking cigarettes in the enclosed space. Outside, in the main station concourse, almost everyone was smoking and that pollution mixed with some of the steam and smoke from the trains. The stone walls were – of course – black. If you touched them, your fingertips became black because there really was a layer of soot on the walls.

Outside, throughout the city, chimneys were smoking on the roof of every house and any factories around the town were belching out smoke. It was only later that a technology was developed to blast the soot off buildings.

Life gets better. Mostly. Slowly. And with setbacks.

Though most of it still stinks like an early 1950s St Pancras station.

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