Tag Archives: comedy humour

Comic Becky Fury, who married comic Arthur Smith, has won multiple Awards

Last year’s Edinburgh Fringe saw the last Malcolm Hardee Comedy Awards, but it is good to see former winners upholding Malcolm’s  penchant for creative inexactitude.

There is an admirable piece of not-altogether incorrect publicity on display in Edinburgh courtesy of Malcolm Hardee Award winner Becky Fury…

She won the Malcolm Hardee Cunning Stunt Award in 2016 for seeming to claim in her publicity she was a finalist for the main Last Minute Comedy Award in Edinburgh… In fact, she had been a finalist for a totally different award from a similarly-named but totally different Last Minute lot (a small club no-one had heard of). She also put her Fringe poster on the Tinder dating site on the basis that she would either get additional audience members or a steady supply of young men or both.

After the Fringe was over, a mate of Malcolm’s then saw her perform in a pub in South London and gave her something which he also called a Malcolm Hardee Award.

So, on her posters and flyers this, year, Becky is honestly, if misleadingly, claiming again (arguably truthfully) that she was a 2016 Last Minute Comedy Finalist while adding that she won two Malcolm Hardee Awards in 2016.

She also has, on her posters and flyers, laurels for winning – this year – the ‘Arthur Smiffy Award For Show That Is Probably Very Good But I Haven’t Seen Yet’.

This Arthur Smiffy (for which, read Arthur Smith) Award might or might not be true as she ‘married’ Arthur Smith in Cumbria this year as part of a comedy show. Note that she ‘married’ him not married him.

In publicity, punctuation can make all the difference.

It is good to see traditions being upheld.

I think Malcolm would have approved of all this.

After all, with Arthur Smith, he did once write a review of his own comedy show, submitted it to The Scotsman newspaper under the name of their esteemed comedy critic… and they published it.

Cunning Stunts are to be encouraged and cherished in Edinburgh and elsewhere in the show business.

Becky’s show is titled The Apocaloptimist.

And, strangely, Fury is her real name.

I think.

That’s what she says, anyway.

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When I went to bed with comic Janey Godley and club owner Noel Faulkner

Bob Slayer yesterday in Leicester - not changing his spots

Bob Slayer in Leicester yesterday – not turning over a new leaf

I went to Leicester yesterday to see Bob Slayer‘s new show, which is perhaps over-optimistically titled: Bob Slayer: Turning Over a New Leaf.

It did, of course, not live up to the title because the 60-minute show went on for 90 minutes but never actually started due to four disruptive drunks in the audience.

However, keeping to the billed or intended subject has never been one of Bob’s priorities, so it turned out to be one of the most entertaining shows I have seen recently.

You just can’t dislike a show which includes shutting one of the audience drunks in a hidden cupboard behind a mirror, insulting the Dave’s Leicester Comedy Festival judge who was in the room to rate the show and taking leave of absence from the stage to go watch a lady pee in the nearby toilet.

Strangely Bob Slayer, when sober and often even when not, is one of Britain’s most entrepreneurial comedians – something probably gained from his days as a rock band manager – and he has a couple of highly-original, laterally-thought-out but sadly as-yet-unprintable ideas for this year’s Edinburgh Fringe.

Another comedian with original ideas is my chum Janey Godley.

In 2004, she started blogging and, at its height, her blog was getting at least (I saw the figures) 500,000 hits per week worldwide. She has since been mostly seduced away from blogging by Tweeting.

As I recently mentioned, she looked into live streaming her 2005 Edinburgh Fringe show from the original Underbelly building in Edinburgh. It was her daughter Ashley Storrie who came up with the idea, Janey told me when I was in bed with her (Janey) and Comedy Cafe Theatre owner Noel Faulkner a week ago.

Noel Faulkner in bed with Janey Godley a week ago

Noel Faulkner in bed with Janey Godley at the Comedy Cafe

“Ashley decided,” Janey told me, “that, if you can live-stream porn and people will pay for it, why can’t you use the porn pay-per-view platform for comedy?”

Alas, at that time, it proved technically impossible in the Underbelly’s original bizarre building. The next year, I think it was, she persuaded the Pleasance Dome venue to have a giant projected video screen promo for her Fringe show in their front window – something unheard-of at the time.

Last year, Janey’s live Twitter tale about a couple called Tim & Freya arguing on a Virgin train went viral and triggered media soul-searching about social media privacy. So she then turned it into a one-off performance as a short play at the Edinburgh Fringe (written by her daughter Ashley).

And now, from tomorrow, she is running radio ads on Real Radio XS (formerly Rock Radio) for her weekly podcast with Ashley, which has been running since 2010.

“Ashley wrote the ad and I get to interrupt her, which is what I get to do in the podcast,” Janey told me. “It’s the first time an ad for an independent podcast is going on commercial radio – and all because the listeners of my podcast donated enough money for us to make an advert.

“You know,” Janey told me, “now you can actually make payments with your phone. You can actually just bang your phone to pay – and that will revolutionise prostitution.”

“The other night,” Noel Faulkner added, “I saw an ad that said Text this number: £3 will buy a blanket for a kid. And I thought What’s three quid? and donated. The fact you could text the number made it easy.”

“In Glasgow,” said Janey, “we now have children who steal McDonalds’ sachets of tomato sauce and make a pot of soup with them because they’re so poor. We should get those two fucking lazy pandas out of Edinburgh Zoo and they’ll feed the kids. We need more original thinking.”

Then she carried on watching the act on stage.

The Comedy Cafe Theatre provides a large bed in the corner of its auditorium for acts to rest on while the shows progress across the room.

Original thinking.

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