John Lennon, Aristotle Onassis and the famous ballerina who was a gun runner

“There’s nowt as queer as folk,” is a saying which perhaps doesn’t translate too well into American. In British English, it means there’s nothing more strange nor more interesting than people.

So bear with me, dear reader, as I tell this meandering tale of less than six degrees of separation, a Wagnerian concentration camp, John Lennon and hand grenades in Cricklewood, north west London.

In my erstwhile youth, while I was a student, I lived in a Hampstead house of bedsits. One of the other inhabitants was the late Martin Lickert who, at the time, was John Lennon’s chauffeur. He lived in a bedsit because he was rarely home and only needed an occasional single bed to be unconscious in at night. Although, one night, I had to swap beds with him as I had a double bed and he had to entertain a girl called Juliet. He later went on to become a poacher-turned-gamekeeper. Long after I knew him, he trained as a barrister and specialised in prosecuting drug cases for HM Customs & Excise.

His relevance, as far as this blog is concerned, is that he accidentally appeared in the little-seen and staggeringly weird Frank Zappa movie 200 Motels.

In that film, shot at Pinewood Studios, the part of ‘Jeff ‘was originally going to be played by the Mothers of Invention’s bass player Jeff Simmons who quit before filming. He was replaced in the movie by Wilfred Brambell, star of BBC TV’s Steptoe and Son and The Beatles’ A Hard Day’s Night, who walked off set in a rage after a few days and Frank Zappa said: “The next person who comes through that door gets the part!”

The next person who came through the door was Martin Lickert, by then Ringo Starr’s chauffeur, who had gone to buy some tissues for his drumming employer who had a “permanent cold”.

The co-director with Frank Zappa of 200 Motels was Tony Palmer, famed director of documentaries on classical composers who, last night, was talking about his career in a Westminster library. I was there.

It was an absolutely riveting series of anecdotes which lasted 90 minutes but it seemed like 20 minutes, so fascinating were Tony Palmer’s stories.

He has, to say the least, had an odd career ranging from directing Richard Burton, Vanessa Redgrave and Frank Zappa in feature films to large-scale documentaries on heavyweight classical composers and from making documentaries on Liberace, Hugh Hefner and Peter Sellers to Swinging Britain TV rock shows like Colour Me Pop, How It Is and the extraordinary feature-length 1968 documentary All My Loving, suggested to him by John Lennon and so controversial at the time that it was shelved by David Attenborough (then Controller of BBC2) who said it would only be screened over his dead body – Attenborough denies using these words, but Palmer has the memo.

All My Loving was eventually screened on BBC TV after the channel had officially closed down for the night. I saw it when it was transmitted and, even now, it is an extraordinarily OTT piece of film-making.

Tony Palmer’s film-making career is much like the composing career of Igor Stravinsky (whom Palmer introduced to John Lennon when The Beatles were at their height). Stravinsky saw Tchaikovsky conduct in the 19th century and was still composing when he died in 1971, after The Beatles had broken up. So there are fewer than even six degrees of separation between Tchaikovsky and Martin Lickert.

Palmer – who is currently preparing a documentary project with Richard Dawkins – has had an extraordinarily wide range of encounters from which to draw autobiographical anecdotes.

He directed Michael Palin and Terry Jones in Twice a Fortnight, one of the important precursors of Monty Python’s Flying Circus and he directed the 17-hour, 12-part 1977 TV series All You Need Is Love tracing the development of popular music. Again, that project was suggested to him by John Lennon and he discovered that, though The Beatles had never tried to copyright the title All You Need Is Love, it had been registered by a Hong Kong manufacturer of sexy clothing and a brothel in Amsterdam.

Palmer also advised director Stanley Kubrick on music for his last movie Eyes Wide Shut and has apparently endless anecdotes on the great creative artists of the 20th century.

Who knew that the cellist Rostropovich used to get paid in cash, would put the cash inside the cello which he then went and played on stage and bought refrigerators in bulk in the UK so he could send them back to the USSR and sell them at a vast profit?

I, for one, had never heard that the German composer Richard Wagner, Hitler’s favourite composer and much admired by the Nazis, actually had a grandson who ran a concentration camp towards the end of World War II.

Nor that, in the 1950s, ballerina Margot Fonteyn got paid in cash which she then took to a Cricklewood arms dealer to buy guns and grenades which were channeled though France to Panama where her dodgy politician husband was planning a coup.

It’s amazing that, by now, someone has not made a documentary about Tony Palmer.

I suppose the problem is ironic: that the perfect person to have done this would have been Tony Palmer.

Lower costs and corruption with the creation of a national UK police force?

The government reckons it can make large savings on the cost of policing by making cutbacks to “backroom” posts which will not affect the numbers of police on the streets. I have no idea if this is true or possible, but there obviously could be large savings to be made by cutting duplication of bureaucracy and by centralisation – all the more so if a National Police Force replaced the local police forces we currently have.

I understand the arguments against having a National Police Force – basically, that we don’t want  policing to be controlled by central government because there might then be a short, slippery slope to a police state.

But we already have the Special Branch, MI5, GCHQ, Echelon and god alone knows who else roaming the country observing us. The motorway cameras are linked centrally and the local police CCTV cameras can be linked-in. if someone tries to detonate a bomb in Haymarket in London, the perpetrators can be linked relatively quickly to an attack at Glasgow Airport and people can be arrested on a motorway in the north of England. All because the various national government, local government and police cameras around the country can be accessed centrally.

Yes, I know… this is all being done not by the government itself but by the independent police and/or possibly by the Special Branch and MI5 (in reality called the Security Service and, not surprisingly, never known by its initials).

But, let’s be real, this is the 21st century. Crime is not limited to national boundaries, let alone county boundaries. I really do not think (much as I’m sure they are loveable people) that the Dumfries & Galloway Police are really resourced to outwit a South American drug cartel with a turnover of billions of dollars per month.

There is also the corruption factor.

Larger bureaucracies, by and large, are less prone to corruption than local, smaller organisations. In my lifetime, there has been very little corruption at national government level in the UK. Some, but not a lot. Local government, of course, has always been prone to corruption because of old-boy networks. It’s a question of size. I am old enough to remember the much-admired T. Dan Smith scandal in North East England.

The UK is relatively large and it seems to have little national political corruption.

The Republic of Ireland is much smaller and seems to run almost entirely on corruption – the Charlie Haughey factor, I think – everybody knows everyone else. It’s amiable and admirably Irish, but widespread. Political corruption Scotland I know nothing about, but the size of the country’s population and its concentration in the central strip between Glasgow and Edinburgh doesn’t bode well.

Corruption in the current English police forces (according to the National Criminal Intelligence Service in 1998) has reached Third World levels though, to be honest, that’s no different to the 1960s when the Richardsons (always far more sophisticated than the Krays) were rumoured to have an Assistant Commissioner of the Metropolitan Police on their payroll. In 1966, the Metropolitan Police was so corrupt that Home Secretary Roy Jenkins, was reported to be thinking of replacing up to 70% of the Met’s CID with officers from Birmingham, Devon & Cornwall, Kent and Manchester… and, frankly, if he thought there were un-corrupt police in Manchester in the 1960s, he must have been taking some seriously strong illegal substances.

When Roberto Calvi of Banco Ambrosiano was found hanging under Blackfriars Bridge, there was a persistent rumour that one million pounds had been paid to someone in the City of London Police to obstruct, divert and stifle the investigation.

It always seemed to me that the bungled investigation of the Stephen Lawrence killing in 1993 – which resulted in the Met being officially labelled as “institutionally racist” had less to do with racism and more to do with corruption. In a pub, a Customs & Excise investigator working on a separate case saw the criminal father of one of the suspects hand over a bulging envelope to a police officer working on the Lawrence enquiry. To add surrealism to corruption, at that time the criminal father was wanted by the police but was living quite openly in South East England. I rather suspect some other brown envelopes may have found their way into other policemen’s hands.

At the moment, the Home Secretary oversees the Met; other police forces are overseen by local government committees. If the police forces in England were centralised into a single English Police Force – or, even better, if it were politically possible to create a single UK Police Force – there might be less blatant police corruption and the centralised bureaucracy would presumably be much cheaper because duplication would be cut.

On the other hand, of course, the bribes might just get bigger.