The god-like comedian Ken Dodd is more mugger than con man + he got a standing ovation in Bournemouth

Morecambe and Wise were not famous.

Yes, they were justifiably famous in the UK. But go to some village in western China and ask them who Morecambe and Wise were.

M&W are and always were total unknowns except in the British Isles.

Fame is relative and mostly regional.

To save my life, I could not tell you who the world water ski champion is. But presumably he or she is a Big Name if you follow water skiing.

The world is full of champions, each famous in their own little world.

I see quite a lot of club comedy and what is still called alternative comedy. Some of the acts are called comedy stars; some may even think they are stars. Audiences even flock to and fill large venues to see some of these people who have appeared in TV panel shows.

But they are not big stars even in the UK. They are minor and transient cults with a few disciples. Admittedly they have more disciples than Jesus did when he started but, just because you can get more than twelve people to listen to you in a room above a pub in Camden Town, don’t start thinking you are more famous than the Son of God.

Unless you are known and regarded in awe by a random 50-year-old housewife in a bus queue in Leamington Spa, you are not famous in UK terms. If you can fill a big venue at the Edinburgh Fringe with 23 year old fans for 27 nights, you are not famous. You are a very minor cult.

Last night, I saw Ken Dodd’s show Happiness at The Pavilion Theatre in Bournemouth. Ken Dodd is unquestionably famous in the UK and the venue was filled with a well-heeled middle-of-the-road, middle class Middle England audience of the type TV commissioners mystifyingly ignore. This audience was the great TV-viewing audience en masse on a rare trip out to see a live show.

Upcoming shows at The Pavilion include The Gazza and Greavsie Show, Roy Chubby Brown, Joe Pasquale, Jethro and Jim Davidson. Never, never, never underestimate the Daily Mail. Their readers are the mass audience. Admittedly Dylan Moran and Russell Kane also have upcoming shows at The Pavilion, but the phrases “sore thumbs” and “stand out” spring to mind.

London-based American comedian Lewis Schaffer has a routine in which he says his ex-manager told him he will never become famous unless, like a currently ‘famous’ alternative comedian, he can be a true professional and tell the same jokes in every show and repeat each show exactly.

Last night, the first half of Ken Dodd’s 5-hour show proved the danger of being too experienced and too professional a performer if you are on a long tour.

There was an audibility problem.

This was partly because the sound system at The Pavilion was occasionally indistinct – certainly where I was sitting, centre right in the audience – and partly because Ken Dodd, after 55 years in showbiz and on his seemingly endless UK tour, has been doing the same routines and telling the same stories for too long. He came on stage and spoke what, for the first part of the show seemed to be a script which he had got so used to he didn’t actually perform it: he just threw the words out. He galloped and gabbled through the words and syllables with the result perhaps a quarter of what he was saying was indecipherable.

And this was an audience with possible inbuilt hearing problems where I half expected the colostomy bags to break during the show to create a tsunami that could have washed the entire population of Bournemouth into the English Channel.

When an established act, instead of saying “Ladies and gentlemen” says “lay-ge-me” and all the other words and phrases are gabbled and elided indistinctly in much the same way, he is not performing an act, he is going through the motions on autopilot. He has heard the jokes 1,000 times; the audience has not (well, not most of them).

His saving grace was an astonishing gag rate of perhaps one potential laugh every ten seconds. And the material is gold. You couldn’t go wrong with that material. But Doddy was getting laughs because the jokes (when heard) were good, not because of any technical skill in the delivery.

There are very few successful gag tellers in modern alternative comedy – Jimmy Carr, Milton Jones and Tim Vine are exceptions not the rule. Most successful alternative comedians nowadays tell stories: not necessarily funny stories, but stories told funny.

Ken Dodd mostly told gags in the first half and funny stories in the second half (in which he found his feet more). But it struck me that his slightly more old-fashioned (or let’s say traditional) approach was very similar to inexperienced circuit comics today.

He told stories as if they were gags, with token links between each story, but with no over-all arc. If he told ten stories, the first and second might have a token link and the seventh and eighth might have a token link, but there was no over-all progression, no shape, no thread to the stories. So the over-all effect was like getting beaten round the head with gags by a mugger for five hours, not drawn into a personal fantasy world by a con man, which is what a stand-up comedian is.

It struck me Doddy’s unlinked gag structure was very like comics new to the current comedy circuit who have some material but can’t stitch it into a unitary act. They can do 10 or 15 or 20 minutes but are not yet capable of putting on a 60 minute Edinburgh Fringe show.

I suppose the transition from beating people into submission with barrages of gags rather than bringing them into your own personal world with smoothly-linked stories is a relatively recent development which Doddy has no need to embrace because he has so many gags and stories which he can throw at the audience from his years of experience.

Because he is so experienced and so good, I could not tell how much of the second half was scripted and how much he was just plucking and throwing in gags and stories from a mental storehouse.

One ad-lib which surely must have been planned and, indeed, ‘planted’ was a piece of banter with the audience in which Dodd asked a woman “How many children do you have?”

“Eight!” came the unexpected reply.

Dodd professed bewilderment at this and meandered for a couple of sentences about her husband, then asked:

“Have you sewn up the gap in his pyjamas yet?…. (pause)… You know what they say… A stitch in time saves…” (Immediate audience laughter – though strangely not as much as it deserved)

This cannot possibly have been an ad-lib. It had to have been planted in the audience because he feigned bewilderment at the initial reply of “Eight,” which he would not have done in the way that he did if it were not a lead-up to the punchline.

There were also glimpses of an unexpected (to me) Ken Dodd – a ventriloquist act with a Diddy Man doll that almost verged on being post-modernist and a sequence in which he was doing a series of very passable regional accents and which went into a whole non-Ken-Dodd realm.

Small numbers of the audience left during the single interval – including the friend I went with, who had been exhausted by the first two and a half hours – she went paddling in the sea by the pier and then found a strange Greek Orthodox priest intoning his way through a Paschal Celebration in a small chapel watching by an old woman with a bell and an old man in a shabby grey suit. He had started at 10.00pm – about halfway through Doddy’s show – and was still intoning, watched by his two fans, at 15 minutes past midnight after Doddy’s show had ended and we went to see if he was still going strong.

Whether Christianity or Ken Dodd’s shows will last longer is a moot point, but they probably have the same fans.

At the end of Ken Dodd’s Happiness show, people rose from their seats to leave while still clapping and, partially blocked from leaving by other people possibly with mobility problems, this turned into a standing ovation and a sudden flutter of flashes as people with mobile phones snatched quick photos of the god-like Doddy on stage.

The standing ovation in both the stalls and the balcony was warm and heartfelt and passionate but perhaps was more for being a national institution than for the show itself.

It was an event as much as a show.

Much like Jesus preaching to the converted, in retrospect, it will be loved, treasured and much talked about and the Master’s fame will spread, though perhaps neither further nor wider nor to western China.

Dangerous holidays in quirky places

The most dangerous place I was ever on holiday was Bogota in Colombia in 1983, at a time when the Medellin and Cali drug cartels were on the rise. At that time, the presumption in Bogota was that any white Westerner speaking English was carrying large amounts of cash to use in major drug deals.

About an hour after arriving in the city, I was crossing a central road junction when I heard a slight scuffle behind me. My companion, walking about four steps behind had been mugged by two men.

“They held two knives at my throat, so I gave them my wallet,” he told me, slightly surprised. “It seemed like a good idea at the time.” It must have taken all of four seconds.

I remember, one Sunday morning, the two of us walking down a main street in the city – walking on the actual road, not the pavement, because it seemed safer to risk being hit by a car than walking close to narrow alleyways and shop doorways. It was less paranoia than common sense. A week or so later, in Lima, Peru, I got chatting to a young American in the bar of the Sheraton hotel.

“Yeah, Bogota is dangerous,” he agreed. He told me he visited the city quite often.

“What do you do?” I asked.

“I’m in the import/export business,” he told me.

“Ah,” I replied.

I like interesting places but not dangerous ones.

Yesterday I went to the Destinations holiday exhibition at Earls Court in London, courtesy of the wonderful travel company Regent Holidays. In 1979, I went with them to Albania, largely because I had read the country had no motorised traffic and was dotted with pillbox bunkers in case they got invaded by unspecified other nations. “Dotted with pillboxes” turned out to be an understatement. Albania had concrete pillboxes like a pointillist painting has dots – and they were white curved things which could be clearly seen from a distance (surely not a good idea for a pill-box).

Albania in 1979 was a restful country – said to be the poorest in Europe – and, indeed, it had virtually no motorised vehicles. Occasionally you might spot a military truck or a Mercedes-Benz limo belonging to the Party; other than that it was horse-drawn carts and people walking. It was ruled by the admirably OTT Marxist-Leninist dictator Enver Hoxha who was said to always carry a pistol on his hip and once shot a member of his government over a dinner argument.

Now that’s my kinda ruler!

You can imagine Boris Johnson, given a tiny bit more power, doing that sort of thing.

Albania in 1979 was the most eccentric place I had been until I wisely went to North Korea with Regent Holidays in 1985. I recommend the country highly. When I went, it was ruled by The Great Leader (that was his official title) Kim il-sung about whom I’m saying nothing as I might want to go back there sometime. All I will say is that I went in 1985 and 1985 was a year late for North Korea’s definitive year. It was illegal for individuals to own a radio: the simplest effective piece of state control over people’s thoughts I have ever heard of.

Regent Holidays specialised then and specialise now in unusual destinations and, during the Cold War, that often meant extreme Communist regimes. I do lament the passing of widespread hardline Communism because you were always safe travelling to communist countries and right wing dictatorships. If anyone messed with foreign-currency-carrying tourists in those countries, the perpetrators tended to end up being thrown in a cell and the key thrown away or being shot in a football stadium. This tended to minimise casual street muggings.

I went to a lot of Communist countries during the Cold War because I was sadly too late for all the truly great right wing dictatorships. The only right wing dictatorship I did visit was Paraguay under General Stroessner. He is reported to have been ousted in 1989 because his military chiefs feared he would be succeeded either by his son Freddie, a cocaine addict, or by his son Gustavo, “who was loathed for being a homosexual and a pilot”. Bigotry apparently ran deep in Paraguay.

People have always told me I should go to Cuba and maybe I should, but I never felt it was extreme or eccentric enough. Fidel Castro always seemed to me a decent sort-of chap though, like comedian Ken Dodd, he tended to drastically over-run on his allotted stage time. He (I mean Fidel, not Doddy) ousted a particularly nasty dictator in Batista; this understandably annoyed the American Mafia, in particular Lucky Luciano and Meyer Lansky – and it is never a good idea to annoy powerful chaps like them. The modern-day equivalent might be a pub singer annoying Simon Cowell.

Having gained power, Fidel did approach US American President Eisenhower for aid and a meeting and was rebuffed. So it always seemed to me that Fidel was a decent bloke and the Americans brought on their own heads what followed. I mean, honestly, chaps in Langley getting CIA operatives to try to kill Fidel with an exploding cigar or to discredit him by trying to make his hair fall out… well, it’s the basis for a good comedy movie and I admire the lateral thinking, but leave the poor man alone.

I prefer holidays in quirky countries with eccentric dictators and there are precious few at the moment.

I did go to Turkmenistan in 1995 because President Saparmurat Niyazov sounded doolally. Sadly, he wasn’t, at that time, eccentric enough for my taste, though he did go slightly more impressively barking a little later: re-naming months of the year after members of his family and officially replacing the Turkmen word for “bread” with the name of his mother.

I like countries in a state of flux which will have changed utterly in 20 years time. Where is there to go now? Chechnya? Ingushetia? I’m not that mad. Somalia? You’re joking.

At Earls Court yesterday, the most interesting stand by far was Hinterland Travel, who were selling holidays to Afghanistan – their brochure was sub-titled “Discerning Adventures” which I don’t think anyone could dispute.

Around 1989, a friend suggested we go on holiday to Afghanistan because, she claimed,  “it’ll be safer in a couple of years or so”. It never did get safer. At the time she suggested it, I read that commercial jets were landing at Kabul Airport by making very tight spiral descents in an attempt to confuse any in-coming heat-seeking surface-to-air missiles. There comes a point where “interesting” strays into “fucking dangerous” and, call me a wimp, but this was well over that line.

On 15th October this year, Hinterland Travel are offering a 14-day trip starting in Afghanistan costing £2,100. This adventure holiday for discerning travellers who are attracted to something slightly different from a Spanish beach holiday is called “The Retreat”. It starts in Kabul and aims to recreate the retreat of the British Army from Kabul to Jalalabad in 1842.

A note at the back of the leaflet says: “We do insist that you take out some form of insurance… principally health and repatriation cover while recognising that you will not be covered for Afghanistan re War and Terrorism.”

Suddenly Bogota in 1983 doesn’t seem so dangerous.