BBC TV has a track record for simply stealing ideas.
Kate Copstick, doyenne of UK comedy critics agrees: “They do have a bit of a rep for being sticky-fingered.”
I mentioned one case in passing in a 2013 blog in which the Beeb tried to rip-off an idea the late Malcolm Hardee and I had.
Which brings us to the current great rip-off scandal involving BBC Studios.
Monday 12th August sees a one-off event at the Edinburgh Fringe – An Audience with President Obonjo: in effect, a fake press conference by the original African comedy dictator. This should be quite an event. Fur will fly.
Everyone on the UK comedy scene seems fairly gobsmacked at the utterly blatant rip-off of Benjamin Bankole Bello’s widely-known, much admired and increasingly prestigious character President Obonjo – an African military dictator adrift in the UK – which he has been building on the UK comedy circuit for the last ten years…
The BBC have sold a non-broadcast pilot idea to E4 (part of Channel 4) featuring an African military dictator adrift in the UK but in what – on the basis of a trailer promoting it – appears to be a wildly racist lowest-common-denominator pile of steaming crap.
I am, perhaps, being too generous.
The general perception of the BBC (and, guilty by association) Channel 4 is that they are either
- blatant thieves or
- an amateurish shambles who don’t know anything about the live comedy industry…
When news of this rip-off first surfaced a few weeks ago, it seemed obvious that it was, indeed, a rip-off. But, as I blogged at the time, there was and is another – perhaps worse – possibility:
The (as it turned out) ironically-titled 2015 Fringe show
“If the BBC Studios Comedy team are not thieves, they are so utterly ignorant of their own area of entertainment that they should be sacked for utter laziness and for being incompetent wankers.”
When this scandal – for scandal it is – blew up, the BBC producer associated with the apparent rip-off, Ben Caudell, contacted Benjamin Bello for a meeting on 22nd July… presumably to try to smother criticism.
He was apparently a tad surprised when Benjamin turned up with the aforementioned Kate Copstick, the most revered and arguably most fearsome comedy critic in the UK. It is not irrelevant that Copstick trained as a lawyer.
So let us be generous and presume that the BBC did not wantonly steal the idea from Benjamin. Let us assume that they are simply incompetent.
At the meeting with Benjamin Bankole Bello (remember that exact name) and Copstick – speaking in his capacity as a member of the BBC Studios Comedy team – Ben Caudell claimed never to have known about the widely-known President Obonjo character before the scandal blew up – although ‘President Obonjo’ had been performing on the live circuit over the last ten years, had staged two well-reviewed Edinburgh Fringe shows and had had multiple contacts with the BBC over a period of years.
Ben Caudell also detailed how the BBC’s character of an African military dictator adrift in the UK had been developed separately from any knowledge of the existence of ‘President Obonjo’, an African military dictator adrift in the UK.
Interestingly, Copstick was later told by another BBC production person an entirely different story of how the BBC ‘innocently’ developed the entirely original character of an African military dictator adrift in the UK.
A load of bull (Photo by Christian Wiediger via UnSplash)
The cynical might observe that, if you are going to tell potential porkies, at least agree beforehand on the same story. At least one (or more) of these conflicting stories has to be bollocks.
Anyway… Ben Caudell said, in his own defence, at the meeting with Copstick and Benjamin Bello (ie in front of witnesses), that “I don’t have much to do with live comedy… They’re not nearly as important as they think they are”.
This might go some way to explain how a BBC producer or a bunch of BBC producers (I believe the collective noun is ‘a bullshit’ of BBC producers) could be totally and utterly ignorant of an act which had been playing the London and UK circuit for ten years – widely known – AND had staged two well-reviewed (4-star) Edinburgh Fringe shows AND had multiple contacts with BBC TV over several years specifically about the President Obonjo character (the BBC response at that time had been: “We like what you do”).
Let us be clear that the BBC rip-off character was (allegedly) thought-up by BBC producers, progressed after discussion and development with others to the top of BBC Studios Comedy tree without anyone realising there was a President Obonjo act. Allegedly.
President Obonjo had been twice in the BBC New Comedy Awards competition with videos submitted in 2012 and 2014. The character was considered for the BBC’s own Caroline Aherne Bursary Scheme in 2018 and President Obonjo sketches were submitted to BBC3 earlier this year.
Bear in mind that the BBC’s ‘Colonel Banjoko’ character was (allegedly) created by people who had never heard of Benjamin Bankolo Bello’s original character President Obonjo. There is a striking similarity in names going on there.
I had thought Ben Caudell might have gone for the My Sweet Lord defence in which George Harrison copied I think note-for-note Ronnie Mack’s country & western song He’s So Fine but said he had not consciously copied the song: it must have got into his subconscious after hearing it.
The increasingly prestigious President at the 2017 Fringe
But, no, Ben Caudell, speaking on behalf of BBC Studios, was not saying he or anyone else had seen or heard of Benjamin Bankolo Bello’s President Obonjo character when creating their Colonel Banjoko character.
They could have said they didn’t like ‘President Obonjo’ and had been inspired to create a ‘better’ and different character.
But no. The claim was that no-one at all at any point in the development and commissioning process had ever heard of or seen the President Obonjo character… (Reminder: the previous BBC response to viewing the President Obonjo character: “We like what you do”)
So Ben Caudell suggested:
“As a gesture of goodwill, we will use best endeavours to feature President Obonjo in some way in an episode of a potential future series. This would of course be subject to broadcaster and commissioner approval.”
So no real offer of anything.
As Copstick wisely says: “As soon as they say best endeavours, they’re really not interested.”
When pushed further, Ben Caudell suggested: “How about this: to demonstrate that we really do want to acknowledge President Obonjo, why don’t we – with your permission – do a video version of your poster idea in our pilot? We’re thinking of doing a VT explaining Colonel Banjoko’s rise and fall. A photo of President Obonjo could feature in that, as the Colonel’s predecessor. How does that sound?”
Worth remembering here that it is a non-broadcast pilot which would not be screened on-air.
Last week, Kate Copstick got in touch with Karl Warner, Controller of E4, pointing out that the proposed BBC/E4 series “with its curiously, closely similar spoof African dictator will destroy (Benjamin Bello’s) act, his career and his livelihood. We met with Ben Caudell, who is producing the pilot. He gave one version of how the character came to be, since when we have been assured by someone else of another version (completely different) of how the character came to be. He (Benjamin Bello) is looking at a ten year career disappearing. Should this show be allowed to go ahead he will have nowhere to go with his character… his career… his creation.”
Karl Warner replied: “We’re satisfied that there’s been no infringement of intellectual property by BBC Studios in this case.”
Note that Channel 4’s statutory public service remit includes that it should “be innovative and distinctive.”
I think a hollow laugh might be in order at this point.
Obviously, Copstick, I and Benjamin Bello have discussed the problem. This part of our discussion might be interesting, remembering that Copstick and I have a TV production background and Copstick trained as a lawyer:
President Obonjo and Copstick in Edinburgh
COPSTICK: Ben Caudell talked vaguely about the people upstairs. But, basically, anyone who has any power at the BBC doesn’t want to have anything to do with this and they’re just going to carry on. He can do nothing.
The men in suits will not react, because they are so sure they are more powerful than anybody and can just wait until it all goes away. Or they will mumble something about “best endeavours”.
There was a chance when we met him that he was actually vaguely decent and was thinking Well, maybe there’s something we can do that will keep everybody happy. But I don’t think that’s the case. I think he was just sent in there like a canary in the mine. They think it’s all going to go away.
I contacted a very prominent QC who specialises in Intellectual Property who says we have a reasonable case on several fronts. I asked to what extent could sections of the Universal Declaration of Human Rights, as taken on by the EU’s Human Rights legislation, be used in an Intellectual Property case where the victim has kind-of shot himself in the foot because he has previously sent off ideas to a company. And, as we know, ideas are not copyrightable.
JOHN: That’s the massive get-out clause for all broadcasters ripping-off people’s ideas.
COPSTICK: Yes. The fucker is that Benjamin sent the BBC ideas and one of them was not a chat show but, from what I’ve read of the Universal Declaration of Human Rights, your rights in your own Intellectual Property are your human rights, because your Intellectual Property is seen as an extension of yourself – especially where it’s something like a character. So, even though you are fucked under UK statute law, because you sent them ideas, there is the Human Rights angle.
JOHN: What did the QC say?
COPSTICK: He said: “That’s interesting”… Given than Benjamin has been doing this character and only this character for ten years, you could argue that it is his business… It is a business he has created and a business in which there is a lot of goodwill. It is a ‘brand’ and there is a lot of goodwill. So, by doing what BBC Studios and Channel 4 are doing, they are infringing the goodwill of the brand. Which is (a) true and (b) very monetisable.
JOHN: Well, I’m not worried about a court case. I would welcome the publicity!
COPSTICK: We will fight if necessary and the embarrassment factor for them would be at absolute maximum.
JOHN: And the QC would work pro bono…
JOHN: My angle is that, even if they didn’t rip it off intentionally – which stretches credulity a bit – the only alternative explanation is that they are incompetent idiots.
COPSTICK: They are worse than incompetent idiots. They are dangerous and damaging.
JOHN: …because they are knowingly going to destroy a career built-up over ten years…
COPSTICK: Yes. They are going to destroy a career AND… they don’t care!
JOHN: And, given that Ben Caudell is married to an actress, Diane Morgan, it’s shocking that he doesn’t care more about performers’ careers.
COPSTICK: They really don’t care and also, even if everything they say is true, then what does that say about the attitude of BBC Television Comedy to live comedy? Live comedy is only important to them as a place where they go to steal ideas.
Although Benjamin did not send them a format with the President in a talk show format, by putting AN Other President in the talk show, they have more or less stolen the character as long as there’s enough similarity between the two presidents. What they will do is change his back story.
BENJAMIN: I talked to an Intellectual Property lawyer too and one of the things that President Obonjo does is he is very prominent on social media including YouTube videos and he is talking in character.
JOHN: You are so prominent all over the place that it is inconceivable – unless the producers at the BBC are utterly incompetent and simply not even remotely doing their job properly – that they didn’t know you existed. The only way in which they could not know you existed was if they were totally inept.
If they claim that nobody developing or commissioning comedy at BBC TV or at Channel 4 had ever heard of you, it implies nobody at BBC TV Comedy or at Channel 4 Comedy knows or cares anything about live comedy over the last couple of years, let alone the last ten years.
President Obonjo’s 2019 Edinburgh Fringe show
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