How a comedy night out in London’s Soho led to what some might call this misanthropic anti-Japanese blog

I had been going to write a blog about American comic Lewis Schaffer’s show Free Until Famous which runs in Soho every Monday, Tuesday and Wednesday.

Almost as a joke, he started saying it was the longest-running solo comedy show in London’s West End. Then he realised that, in fact, it probably was.

He’s been performing it in various nightly configurations since October 2008. Initially, he played it Tuesdays and Wednesdays then, because too many people were turning up, he occasionally played it twice-nightly on Tuesdays and Wednesdays – at 8.00pm and 9.30pm. For the last few weeks, he’s been running it every Monday and Tuesday and Wednesday night at 8.00pm.

He successfully brought the model of Edinburgh’s Free Fringe to London. You don’t pay anything as you go into the venue but as you leave at the end, if you liked the show, you pay whatever you think it was worth.

Lewis tells me: “When I started, there were no free shows in London and now there are millions. What makes my show unique is that all the other shows are group shows with maybe one or two acts the punters will like and the rest not to their liking. I am akin to a single malt in a world of blends. If you like it, you love it; if you don’t you won’t; but the ones who like it…”

Whenever I have gone, his audience is always, eclectic and bizarrely international. Last Wednesday, that meant three Saudi women who were coming to his show for the third time. They don’t live in London but, every few months, when they are over here, they make a pilgrimage to Lewis’ comedy show. He doesn’t know why. I don’t know why. Even they probably don’t know why.

I asked Lewis about this after the show.

“They have told me directly We are fans!,” he said, bemused. “But they cover their faces after every joke! Maybe it’s the guilty pleasure of listening to dirty things from a double infidel – I’m an American AND I’m a Jew – plus maybe they find my Semitic look attractive, with my naturally dark hair.”

(Lewis tried not dying his hair the other week; I told him it really wasn’t a success.)

He always moans to me that it’s hard to get people in – moan moan moan these bloody Colonials – but, when I went last Wednesday night, it was a full house – it always is when I wander along – and Lewis was on unusually good form. Normally, he plays a blindingly good first half then loses confidence and tries to persuade the audience they’re not enjoying themselves as much as they think they are. Or he starts the show by saying he’s shit tonight but, by at least halfway through, he’s storming it. Last week, he stormed it for about 95% of the time though, of course, afterwards he was complaining to me that he hadn’t done very well.

Much like Lewis’ rollercoaster shows, it’s always worth any trip to Soho anytime because there are always unexpected and eccentric things happening. Last Wednesday, after the show, my friend and I had to plough through a crowded Brewer Street, which was being used for location shooting of some big-budget Bollywood movie. When I asked one of the crew who the star was, we were told:

“All I know is he’s a mega-star in Bollywood. Their equivalent of Brad Pitt and Tom Cruise combined. I don’t know who the fuck he is.”

O vanitas vanitatum. A good overview of superstardom.

Then, in a doorway, we passed two red-faced drunks sitting on a doorstep between a sex shop and a pub, clutching bottles, almost falling sideways as they slurred a drunken conversation with each other. As we passed, I only heard the words:

“Ave you ‘eard 50 Cent’s latest? It ain’t nowhere near as good as his last one.”

Drunks who follow 50 Cent and the latest music trends. Only in Soho.

So I WAS going to blog about all that but decided not to.

Perhaps I should have mentioned this earlier.

Anyway, during the show, Lewis made a joke about how people gave money to Japan following their triple disaster of earthquake, tsunami and nuclear ‘accident’. Remember we are talking here about a comic who, to my mind, has the best Holocaust joke(s) I have ever heard.

The audience reaction to Lewis’ Japanese joke was to gasp – possibly because it was a truth spoken openly for the first time – and then to laugh. I won’t tell the full joke as it’s one to be heard live on stage.

But there was a news item yesterday that the owners of the stricken Japanese nuclear power plant say it will take another 6-9 months to sort out the mess.

I have a friend who has worked at Oxfam for many years. So I’m not unsympathetic to disaster-hit countries. She was recently in a country even I had barely heard of.

But people in the UK donating aid and holding charity gigs to raise money to supply aid to Japan? Give me a break.

Japan has the third biggest economy in the world, after the US and China. It has a stronger economy that Germany, France and – in 6th place – the United Kingdom.

Haiti is largely ignored now. It is still an impoverished disaster area. And people have been donating money to Japan? That’s an example of people donating money to charity to make themselves feel better not to make a disastrous situation any better.

Countries in Africa and Asia where babies are routinely living for a few days or hours or being born dead because of the poverty are not as ‘sexy’ as Japan was for a few weeks because the TV pictures were not there on TV screens.

There were 62 tornado reports in North Carolina on Saturday. Communities across Oklahoma and the Carolinas have been devastated.

Do I feel sorry for people in those areas? Am I sad at the deaths? Yes.

Am I going to donate money to the world’s strongest economy to alleviate my own sadness and cheer myself up about the USA’s tragedy? No.

Will I donate money to children in certain parts of Africa? Yes.

If some tragedy occurs in Hampstead or Islington, I would not expect the good people of Haiti to have a whip-round or put on charity gigs to raise money to help.

The downside of being a dead celebrity: Liz Taylor, Charlie Drake, Rod Hull, Bob Hope & the Queen Mum

The Queen Mother was 101 years old when she died and she had cost the BBC a fortune by not dying earlier. Her death – codenamed ‘Blackbird’ at ITV where the Transmission Controllers had envelopes containing details of what to do when she did eventually die – was clearly going to be a big news story and her funeral a complicatedly large state event so, to my knowledge, the BBC ran a full rehearsal of her death and coverage of her funeral three times. It cost a fortune.

She must have been well-pissed off when Princess Diana died because everyone was unprepared. There were certainly no plans for Diana to have a big funeral because, at that point, she was not a member of the Royal Family and had no constitutional position. So, when the Royal Family were, in effect, forced by the press and – to my mind – surreal public opinion to give Diana a big fuck-me funeral, they used the plans for the Queen Mother’s funeral.

As a result, the Queen Mother’s funeral itself was a less big-scale anti-climax.

Dying can be difficult at the best of times, but pity the poor celebrity.

Elizabeth Taylor sadly mis-timed her death on Wednesday. On a normal slow news days, she could have expected to be the lead item on TV News bulletins. But it was Budget Day in the UK – economic pundits and bullshitting politicians stretched as far as the eye could see and there were expensive Outside Broadcast and studio links nationwide – plus there was lots of news coming in from Libya and still news report aftershocks from the earthquake-tsunami-nuclear story in Japan, where TV companies had, by now, flown expensive reporters into place and were paying for on-the-spot film crews.

So poor Elizabeth Taylor’s death did not quite get the level of coverage she could have otherwise expected.

This morning, TV scriptwriter Nigel Crowle pointed out to me two slightly bizarre angles to her death.

One was that one of her rivals for the key role in 1944 movie National Velvet – which made her a star – was future Baroness Shirley Williams.

Shirley was pipped at the post by Elizabeth and went on to found the Social Democrat Party while Liz went on to marry Richard Burton twice.

It’s unlikely that, if Shirley had got the role, she would have gone on to marry Richard Burton and Elizabeth would have founded the SDP, but stranger things have happened.

The other odd fact Nigel mentioned is that Elizabeth Taylor’s obituary in the New York Times was written by Mel Gussow who died six years ago.

This is no great surprise – Associated Press wrote the template for Britney Spears’ obituary in 2008.

What does surprise me is that British newspapers seem to have discovered a tone of reverence for Elizabeth Taylor which they never quite gave her in life. Something of a reverse on the situation for dead UK comedian Charlie Drake, who was much cherished during his life.

After his death, veteran TV producer Michael Hurll let rip about Charlie in an interview on the Chortle comedy industry website

Hurll worked with Charlie when he was a holiday camp redcoat: “He was a nasty man then,” Hurll said, “and he stayed a nasty man – a horrible, horrible man”.

Hurll, old enough not to care, went on to call Jerry Lewis (still alive) “a nasty piece of work” and Bob Hope (dead) “the nastiest man I’ve ever worked with”. As for Rod Hull: “He was the most miserable, nastiest man you ever met… Just a horrible, horrible man.”

Dying can be difficult at the best of times, but pity the poor celebrity facing the uncertainties of posthumous reviews.

I still retain memories of reading an Andy Warhol obituary (I can’t remember where) which ended with the climactic words: “He was a short man who wore a wig”.

Ex-gangster ’Mad’ Frank Fraser – not a man to meddle with in life – once told me over a cup of tea that he wasn’t “really frightened of anything but I’m a bit worried what they’ll say about me after I die.”

He seems a very nice chap. He offered me free dental work.

Just don’t ask me about Cilla Black…

Let me tell you a joke about Jade Goody, the Japanese earthquake/tsunami/nuke and the 9/11 attacks…

British so-called ‘reality star’ Jade Goody died two years ago on Tuesday. She’s gone and largely forgotten.

Can I tell you a joke about her being a racist? People reviled her before her death and said she was racist. And they made jokes about it.

She’s been dead for two years now, so I can certainly make jokes about her, can’t I? No-one can possibly say it’s ‘too soon’, can they?

This is about a blog I wrote a couple of days ago in which I mentioned a friend’s criticisms of Japan but, first, let me repeat an arguably sexist and allegedly true story about the playwright George Bernard Shaw. As is the way with such stories, it is not necessarily true; it has also been attributed to Winston Churchill, Mark Twain, W.C.Fields and even the philosopher Bertrand Russell.

Anyway…

The great man was at a dinner party with some very lah-di-dah people. Somehow, the conversation turned to slack sexual morals (in the George Bernard Shaw version, this was in the 1930s). He asked one of the ladies present:

“Madam, would you sleep with me for one million pounds?”

“Well, for a million pounds, Mr Shaw,” the lady replied, “perhaps I would.”

She and the other guests laughed.

The conversation turned to other topics and, later, George Bernard Shaw whispered to the lady: “Madam, would you sleep with me tonight if I gave you £10?”

“Mr Shaw!” replied the woman, deeply offended: “What sort of woman do you think I am?”

“Madam,” Shaw said, “we have established what sort of woman you are. We are merely haggling over the price.”

Which brings us back to the Japanese earthquake, tsunami and nuclear meltdown.

I wrote a blog in which I quoted the opinions of a friend of mine who had been to Japan last October. She was not impressed. Her image of an efficient, futuristic country were confounded.

In light of the still ongoing disasters and 10,000+ deaths in Japan, several people – mostly stand-up comics – found my initial blog and a follow-up blog in bad taste, although they were non-comedic blogs.

I know that one of the comics who found my non-comedic blog to be ‘too soon’ had, in fact, made jokes about the death of Jade Goody just a few days after her death from cancer.

I have no problem with that, but it does beg the question When is ‘too soon’ too soon? and why.

American comic Gilbert Gottfried was dropped last week as the voice of a giant US insurance company because he made jokes about the Japanese earthquake.

I don’t think him being dropped was unreasonable, as insurance companies should perhaps not be seen to make light of disasters. But the criticism was not that he made the jokes but that he had made the jokes ‘too soon’. He had similar problems when he made jokes ‘too soon’ about the 9/11 terrorist attacks (as seen in Paul Provenza and Penn Jillette’s comedy documentary The Aristocrats).

Why would a joke made a few days after the 9/11 attacks be any less in bad taste than exactly the same joke made ten years after the 9/11 attacks? Why – and when – would it become acceptable?

Why would a joke about Jade Goody be funny only two years after her death but be in bad taste two days or two weeks after her death? What could have changed to make the joke become acceptable?

If the argument is that someone who personally know Jade Goody or personally knew a victim of the 9/11 attacks could hear the joke and be hurt… then that argument holds just as strongly 2 days or 2 weeks or 20 years after the event. The emotional pain caused would, in all honesty, be much the same.

Surely if a joke is in unacceptably bad taste, then it is unacceptable, full stop.

So why would someone’s non-funny criticisms of Japan (correct or incorrect) be in bad taste – specifically because they are ‘too soon’ – a few days after an appalling triple disaster – earthquake/tsunami/nuclear problem? At what point would those same comments (correct or incorrect) become more acceptable?

I have genuinely never understood the concept of ‘too soon’.

If  joke is in bad taste, it is in bad taste. If an observation is unacceptable, it is unacceptable.

To return to George Bernard Shaw:

We have established what sort of observation we have here. We are merely haggling over the timing.

Why?

What’s all this ‘too soon’ shit about 9/11, about Jade Goody – or about Japan?

If it’s bad taste, it’s bad taste. But at some point, bad taste apparently becomes acceptable.

When?

Why it’s no surprise Japan is in a mess – and why their politicians wear blue boiler suits at press conferences

A friend of mine went to Japan last October.

When she came back, she sold all her shares in Japanese businesses.

Lucky her, as it turns out – after their earthquake, tsunami and nuclear meltdowns in the last five days.

But, of course, that is not why she took all her investments out of all Japan.

She wisely sold her shares last October because, having been there, she had lost all confidence in the country.

She had expected a vibrant, go-getting, futuristic country. But, when she travelled round the Far East, she found Japan was not that country. All her pre-conceptions of Japan she found fulfilled in South Korea.

Japan was a comparatively old-fashioned country with no noticeable efficiency in the workplace or in the infrastructure.

“They say the tower blocks are built to withstand earthquakes,” she told me last year. “But I wouldn’t trust them.”

She was shocked when she got on trains in the rush hour.

“All I saw,” she told me yesterday, “was a sea of ‘salarymen’ and they were all wearing cheap suits.”

“Where were all the secretaries?” I asked.

“I don’t know,” she said. “But the country is still sexist. It’s like some throwback to an earlier era. And I couldn’t get over the shabby suits.”

She went to Tokyo, Osaka and other Japanese cities and found the same everywhere: oceans of salarymen in cheap suits and people using old-fashioned brick-like mobile phones. No new technology visibly in use on the streets.

“I never saw an iPad the whole time I was in Japan,” she told me yesterday. “And the young people were not dressed smartly, they weren’t trendy and, it seemed to me, they weren’t very lively.”

It was, she said, a country that has lost its way, possibly through complacency.

The older generation seems mystified as to why the younger generation does not want to go abroad to see other cultures. And, apparently, the younger generation is not spending money the way, in all other industrial cultures, young people do.

It gave the impression of a country that did not look to the future and did not even particularly look to the distant past.

It was a country stuck in the closing years of the 20th century.

“I’m not surprised the nuclear reactors don’t seem to have been built particularly well,” my friend said to me yesterday.

What mystified me, though, was…

Why is it that, when Japanese politicians – the Prime Minister downwards – appear at press conferences on TV they are all wearing the same uniform light blue boiler suits? Very well-designed boiler suits, I admit. But they all look like they are going to service Toyota cars.

I like Toyota cars. I have one myself. They are very well serviced. But why are the politicians not wearing snazzy, expensive black business suits?

It’s like they are wearing Chinese Mao suits re-designed for the Japanese by someone in Milan.

Why?

So, before writing this blog, I asked another friend – she worked for a Japanese multinational in Tokyo and speaks fluent Japanese.

“Apparently,” she tells me, “the blue suits they are wearing are search and rescue overalls and are to bring the high and mighty down to the level of those on the ground and give the impression they, too, are part of the relief effort.”

Ye Gods! If David Cameron wore a search and rescue suit at a press conference after some major disaster, he would get crucified in the press for bullshit and spin.