Tag Archives: edinburgh fringe

North Korea, President Obonjo and me on “If Comedians Ruled The World…”

Here’s a chat I had last night with Malcolm Hardee Comedy Award winning performer President Obonjo aka Benjamin Bankole Bello for his podcast If Comedians Ruled The World.

In the chat, I mention the Zircon satellite, which is incorrect. I think the satellite I should have mentioned was probably an ECHELON one.

I also mention the Pakistan Ambassador in Pyongyang and I think I mean the Indian Ambassador. It was a long time ago and I have a legendarily shit memory.

Anyway, we got through comedy, North Korea, Donald Trump, politics, dictators, propaganda, the US electoral system, the media and the Edinburgh Fringe, all in 45 minutes of fun, frivolity and totalitarian talk.

After viewing it, Sandra Smith – comedy industry uber-fan and observer of such details – commented: “Very active head action while speaking to the President.” She listed…

14 ear touches

9 spectacles

4 mouth

9 head

2 forehead

1 neck

3 eyes

2 nose

I wish she hadn’t mentioned all those. I’m a bit touchy…

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Sleepless nights, gushing waters and a new lockdown – My Weekly Diary No 41

… CONTINUED FROM DIARY No 40

SUNDAY 25th OCTOBER

In my last diary blog I mentioned that, as I am not seeing my NHS Kidney Man again until next February – and as the Ear, Nose & Throat and Calcium blokes he suggested are but mere possibilities in a bureaucratic future mist – I was thinking of seeing my Chinese herbal doctor. Pricey but value for money.

I asked my friend Lynn what she thought. She suggested I should pursue the two misty-futured NHS blokes to gee-up the bureaucracy and not go to Chinese doctor – or, at least, do both. Try the Chinese path AND certainly try to gee-up the NHS. But I can’t be bothered, NHS bureaucracy takes its own sweet time, even if it kills you.

MONDAY 26th OCTOBER

“Wrongly mistaken for anxiety or nervousness”

In my last blog, I also mentioned that my tendency to witter is sometimes – wrongly – mistaken for anxiety or nervousness whereas it is simply mindless wittering.

After reading this, comedy uber-fan Sandra Smith emailed me:


Re your blog and anxiety.
I can see how you could present as anxious, having seen a couple of videos of you being interviewed. Your speech speeds up without pause and you constantly fiddle with your ears. If the the interviewer is female, a slight self consciousness creeps in. You appear much more comfortable as the interviewer.


I replied:


Mmmm… Interestingly, I’m not nervous being interviewed. In fact, I always did badly in job interviews; I think because I never got nervous so came across as being over-casual and therefore potentially unreliable! I have never noticed the ear thing. Must stop that.


In fact, what I thought was: “If the the interviewer is female, a slight self consciousness creeps in”…  Oo-err. What’s that about? and Is that a good or a bad thing?

TUESDAY 27th OCTOBER

All this came after sticking out my tongue…

I saw my Chinese doctor at lunchtime. As always, he took my pulse and asked me to stick my tongue out at him. That’s Traditional Chinese Medicine for you.

I think the theory is that the tongue is the only internal organ which you can see externally and so its state – cracks in it etc – reflect the state of your body.

He thought my sleeping and dehydration problems are connected with my kidneys – in fact, in the 1990s, he said I would have kidney problems in the future.

I got a month’s worth of tablets and made an appointment to see him again on 24th November.

WEDNESDAY 28th OCTOBER

In yet another reference back to my previous blog, the NHS Track & Trace mobile phone app again sent me two too-fast-to-read notifications – A COVID alert followed by a message saying it signified nothing.

I also got a message from my eternally-un-named friend.

She told me she had been crossing a pedestrian bridge at Canary Wharf, looked down and saw a group of skimpily-clad people in a hot tub sailing by.

“The weather was dry but chilly,” she told me. “There was a little fire in a front funnel, so I guess that must have been heating the water inside the tub.”

I was left fairly speechless. So was she.

Not a normal sight in the waters of Canary Wharf, London, in the chilly late weeks of October…

THURSDAY 29th OCTOBER

I never used to remember any of my dreams until this recent calcium/kidney problem which has resulted in me waking up 8-12 times every night. So the world of dreams is new to me.

“…gushing water, tumbling down towards the platform…”

Last night, I dreamt that I was rushing to get on a plane at an airport and the escalator down to the departure platform – Yes, platform… It was a narrow platform like a railway platform with tracks on both sides – the escalator down to the departure platform was covered in gushing water, tumbling down towards the platform.

What on earth was that all about? 

FRIDAY 30th OCTOBER

This probably won’t be happening until 2022.

I had another disturbed night of waking up pretty much every hour with a totally dry mouth, my tongue almost sticking to the inside of my mouth… made more entertaining at one point by simultaneous hiccups and heartburn… That’s potentially an hour-long Edinburgh Fringe show there. I have seen worse.

Online, there was the news that the Edinburgh Fringe will probably not be back properly until 2022 (its 75th anniversary) as the COVID pandemic effects will still be screwing-up things next year.

SATURDAY 31st OCTOBER

Chris Dangerfield: “How much of what he said is printable?”

For a forthcoming blog, I had a Skype video chat with sometime comic, always controversial raconteur Chris Dangerfield, who now lives in Cambodia. How much of what he said is printable is something I will have to grapple with.

He told me I looked well.

Clearly he is not a reader of my blog.

Boris Johnson precipitated a surge of toilet roll buying…

Prime Minister Boris Johnson announced that, to try to slow the recent surge in coronavirus cases, England will go on a second total lockdown from next Thursday for a month (November 5th to December 2nd).

I thought it was probably bad PR for him to announce this on Hallowe’en, the precursor to the Day of The Dead… and to start the lockdown on Guy Fawkes’ Night, which is about blowing up Parliament.

When I went out to a supermarket later, it was obvious that, as in the previous lockdown, a sudden panic-buying of toilet rolls has started, which makes no sense – the coronavirus, as far as I am aware does not result in diarrhoea and there was/is not a shortage of toilet rolls. Come to that, there is a wide variety of alternatives to toilet rolls – kitchen rolls, newspapers and small furry woodland creatures.

The COVID-19 effect: devastation in the toilet roll section of Lidl supermarket, Borehamwood.

… CONTINUED HERE

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Samantha Hannah… A bad day in Australia and a trans-world romance

Next Up – it’s Samantha Hannah’s lockdown special show

Samantha Hannah got in touch with me in July to plug her newly online NextUp Comedy show – How To Find Happiness in a Year – it’s her 2019 Edinburgh Fringe show shot in her living room at home during the UK Coronavirus Lockdown with her partner as the sole member of the audience. NextUp had been going to film it on stage in front of a live audience until COVID-19 intervened.

But, when they saw her living room version, they snapped it up.

Hello. I thought. That’s interesting.

And also Samantha comes from Perth in Scotland. My mother was born in a village just outside Perth.

That’s interesting, I thought.

We met on 30th July in a pretty much deserted Covent Garden Piazza.

It was very interesting.

Three problems.

I have been lazy.

Lockdown Lethargy hit me.

And her back-story is so interesting, she is not getting much of a plug for her NextUp show here…


Samantha in a deserted Covent Garden…

SAMANTHA: I performed on the UK comedy circuit for about two years, about six nights a week. Then I gave up in 2009 for about seven years. Didn’t do any stand-up.

JOHN: You had always fancied being a stand-up?

SAMANTHA: Well, I studied Performing Arts at university then went more down a directing route – youth theatre, helping adults with learning difficulties… 

JOHN: Adults with learning difficulties? The comedy circuit…

SAMANTHA: (LAUGHS) No!

When I moved to London, I didn’t have the connections to do the work I’d done in Scotland, so I auditioned for A Christmas Carol at the Lion & Unicorn Theatre in Kentish Town and did that for several weeks, but I always loved writing comedy sketches. I was writing them and putting them on the British Comedy Guide forum… Someone saw one of the sketches online and asked to film it.

The sketch never got filmed, but the director of A Christmas Carol asked: “Who was that guy you were meeting?” 

“Oh,” I said, “he does comedy.”

“You do comedy? Why don’t you put on a show here for the next six weeks after this run finishes?”

“…a space to do whatever I wanted…”

So I was basically given a space above the theatre to do whatever I wanted… I got a few people together and put on a show that was about 3½ hours long with so many acts and so many intervals and Aaron Barschak did like a full hour of stand-up at the very end.

It was a most bizarre experience but, because I did it for about six weeks, I met lots of actors. I wanted to take the show to the Edinburgh Fringe, but everyone dropped out, so then I did a stand-up course to meet other people to write and perform with.

Then I realised: Oh! You can just do it on your own! You don’t have to rely on anybody and people won’t drop out!

That’s basically how I got into comedy.

JOHN: But then, after two years, you gave up for seven years. Why?

SAMANTHA: I think I just got burnt out by the circuit. I was doing some 20-minuters and getting paid, but I wasn’t enjoying it and didn’t know why I was doing it. It just wasn’t giving me any joy.

And also I met someone who was also in the industry – never do that. He was a promoter.

I gave up comedy; we broke up; my brother passed away and I just went travelling. I went to Australia for a year. I worked in ski-fields in the middle of nowhere, worked at Madame Tussauds in Sydney, making wax hands…

A very hand-some figure at Madame Tussaud’s in Sydney

JOHN: What qualifications do you need to make wax hands?

SAMANTHA: I have no idea. It was one of the hardest jobs I’ve had. I was just doing what came along. I worked on a cattle farm in Queensland…

JOHN: You rode horses?

SAMANTHA: I was given a horse by the owners and they said: “We trust this horse with our 3-year-old, so you will be fine.” 

One day I was mustering cattle and the horse was getting really unhappy. At one point, we went over mud and the horse really didn’t like it, started bucking and threw me off. I landed on my head on a rock – luckily I had a helmet on. The helmet got dented and, obviously, I was quite dazed and confused.

All the farmers around were saying: “You’ve gotta get back on the horse and teach it a lesson!”

But I couldn’t, so one of the other farmers, she jumped on the back of the horse and rode it off and gave it a telling-off.

Later that same day, we had to go into the bull pen, sorting out the cows and bulls…

Samantha’s animal encounters were unlike this (Photo: David Clode via UnSplash)

JOHN: This sounds like a bad idea.

SAMANTHA: I was told: “You’re alright. The bulls are not going to go for you. You’re fine.”

But this one bull just locked eyes on me and started charging towards me.

You know about ‘fight or flight’?

I did nothing. I was just staring at it and the farmer was looking at me like: Why is this girl not doing anything? And, at the last moment, as it got to me, it suddenly swerved out of the way. So it was fine.

When we got back to the farm that day, the mum took my dented helmet and was going to separate the sun visor from it… But, as she took it apart, she saw that, inside the helmet was a redback nest with a redback in it – a very poisonous spider – the Australian black widow. If I had been bitten by the spider, I probably wouldn’t have known because I was so dazed by hitting my head on the rock.

JOHN: An eventful day…

SAMANTHA: And then, a couple of days later, an eastern brown – one of the deadliest snakes in the world – came into the house and got behind the TV set.

JOHN: I’ve never really fancied going to Australia. New Zealand, yes.

SAMANTHA: My mother and father came over to visit me in Australia and wanted to go to New Zealand, so we went there. After they left, I stayed on and worked there in Queenstown – another ski resort – and lived in Glenorchy with an old man and an unrelated 7-year-old child. We watched Lord of the Rings. Then I decided to move up to Wellington and to write a show about trying to find a husband in a year.

I posted a Tinder profile…

…and I started to say Yes to EVERYone who replied. 

JOHN: New Zealand is a relatively small country.

SAMANTHA: Several times I ran out of matches. You could only do 100 every 12 hours.

JOHN: How many did you do? 400?

SAMANTHA: Oh, there were more than that! I went on a few dates. A few nice guys. And then, the day I got to Wellington, I was getting a bit sick of it. But the next morning, when I woke up, I’d had a Match with someone called Toby…

He was a New Zealander in London, doing his own experiment, trying to understand the algorithms and he thought he probably wanted to move back to New Zealand. He had thought: I’ll set it to New Zealand and see what happens. So he set it to Wellington.

He was in London, really near to where I used to live. And I was in Wellington, literally one stop away from where he used to go to university.

Samantha’s pic on Tinder. She liked melons.

We started Messaging. He was a data scientist. I asked if he could do an analytics report to see if we were a good match. He put all our messages into Excel and looked for commonly-used words and sentiments. I was going to use the results as part of my show.

JOHN: Were you a good match?

SAMANTHA: We had our first phone call when I was quite drunk and, when I woke up the next day, didn’t really remember it but, because he had Uber Eats for Wellington, he used it to send me breakfast. And that was it. He was clearly the person for me. I met his parents before I met him.

Six weeks after the first message, I flew back to the UK to meet him. I arrived about 05.00am in the morning after a 38-hour flight… and he wasn’t there.

Then he turned up with a bottle of Copella apple juice in hand, because I had kept telling him how much I liked Copella apple juice. And we decided: “Right! Let’s go on our first date!”

JOHN: How did you decide what sort of date it would be?

SAMANTHA: It was six o’clock in the morning. I needed food and to go to sleep. But it was still a bit nerve-wracking. Imagine if you flew 12,000 miles to meet someone and…

Anyway, it was fine and we had a week together, then he went back to New Zealand for Christmas and I went up to Scotland.

In the New Year, we dithered a bit, because he was thinking about going back to New Zealand, But then he broke his leg in a ski-ing accident in France.

JOHN: You arranged this?

SAMANTHA: I wasn’t there! But, when he came back to the UK, he was very ill. He had picked up a bug. I was nursing him back to health and we just decided, because he couldn’t run away with a broken leg, we would go for it.

“…I only did it for four days in Maggie’s Chamber…”

JOHN: And you wrote the show…

SAMANTHA: Yes. How to Find a Husband in a Year at the Edinburgh Fringe in 2018. I only did it for four days in Maggie’s Chamber at 11.00am in the morning. I wasn’t even in the Fringe Programme. Then my second show, in 2019, was How To Find Happiness in a Year.

JOHN: Which is your NextUp show… But the Rule of Three. There has to be a third How To show…Were you preparing it as your 2020 Edinburgh show before coronavirus hit?

SAMANTHA: Yes: How To Win At Life.

JOHN: Edinburgh in 2021?

SAMANTHA: I hope so.

All’s Well That Ends Well… The happy couple – Samantha Hannah and Toby – at home in London

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John Fleming’s Weekly Diary No 31 – Edinburgh cuts, digs, hugs and teeth

… CONTINUED FROM DIARY No 30

Machete Hetty demonstrates a fascinating narrative in her kitchen with her useful household utensils

SUNDAY 16th AUGUST

In the afternoon, I had tea with Machete Hetty in Leith. She had been going to stage her first Edinburgh Fringe show this year, but was outmanoeuvred by the coronavirus.

“You have never told me how you got your nickname ‘Machete’,” I said.

She told me.

I have told her to forget the show she had intended to stage this year and instead to stage this story at the Edinburgh Fringe next year – if the coronavirus allows.

It is a cracker of a narrative; she is a mesmeric natural storyteller; and, with the correct title, it would have them queueing round the block.

If I may be allowed to review the show before it has even been written, let alone staged, let me say: “Jesus Christ!”

Back in the old routine: Leith Walk dug up again, August 2020

Leith Walk is being dug up yet again for the tram extension. Clearly aiming to get commissioned as a long-running sitcom.

Edinburgh without the Fringe, not surprisingly, feels like Edinburgh off-season with just a few tourists (because of the coronavirus).

Just normal Edinburgh, in other words. There are always some tourists any time of year.

I have been coming to Edinburgh almost every single year since I was (literally) an embryo.

No overly-busy pavements this August; no Fringe show posters. So visually different.

Theatres have not had time to open. Cinemas, as in London, are open but look dead.

Bristo Square with the Teviot building across the emptiness

No Fringe events that I can see. (And I bought an Evening News yesterday – nothing.)

The Potterrow student shop and Dome in Bristo Square are closed (no students). The Teviot (the Gilded Balloon during the Fringe) was open but I didn’t go in. Bristo Square was empty save for a few skateboarders.

George Square was looking rural, green and tranquil.

Lots of people were sitting outside pubs and eateries last night, but they were locals or a dribble of tourists.

Lost Fringe advertising opportunities on the North Bridge…

The rebuilding of what was the St James Centre at the top of Leith Walk is STILL going on – this must have been going on for at least the last 3, maybe 4, years!

And the nearby North Bridge is being repaired. Apparently it fell down around 100 years and killed five people. I only repeat what I have been told. It has temporary wooden and plastic walls on both sides of the bridge ideal for Fringe posters (probably intentionally intended by the Council to get money in).

Because of COVID-19, I can hide missing teeth

MONDAY 17th AUGUST

I got home at 0130 after the flight from Edinburgh into London Gatwick. Very tired.

In the morning, I got a dental appointment – a cap had come off a dead tooth in Edinburgh on Saturday.

Rather than re-cap it, the dentist cut off the top and kept my plate (which I first got when I was about 16) until Wednesday. So I am now toothless at the front on the top.

It could be worse.

But, because of the coronavirus, I can justifiably wear a mask whenever I am out.

TUESDAY 18th AUGUST

In my local paper, the Borehamwood Times, columnist Paul Welsh wrote:


I was sad to read the death of 1960s pop star Wayne Fontana, who I saw in concert several times and who in later life was a character. I especially liked his 1967 hit Pamela Pamela.


Pamela Pamela was a hit in the Sixties. There is an online video of him performing it in 1985.

The phrase “who in later life was a character” drew my attention. I wanted to know more.

Apparently, according to Wikipedia, in 2005, he fought off bankruptcy but was arrested after police were called by bailiffs who went to his home in Glossop, Derbyshire. He poured petrol onto the bonnet of a bailiff’s car and set it alight with the bailiff still inside.

Wayne Fontana as Lady Justice (Photo: Rui Vieira/PA Wire)

He was remanded in custody on 25 May 2007. He later appeared at Derby Crown Court dressed as Lady Justice, complete with a sword, scales, crown, cape and dark glasses, and claiming “justice is blind”. He dismissed his lawyers.

On 10 November 2007, he was sentenced to 11 months for setting fire to the car but was released because he had already served the equivalent of the term, having been held under the Mental Health Act 1983.

Now THERE is a man I would have liked to meet.

Also the judge.

11 months sounds rather a light sentence for setting fire to a car with a person inside it… English justice at its most random.

Wayne Fontana’s group was called The Mindbenders.

Oh! The joy of having a full set of gnashers!

WEDNESDAY 19th AUGUST

I got my plate back from the dentist with the extra tooth on it. It fitted perfectly but was slightly uncomfortable. Well, my gums were not used to it.

I got a 49p McFlurry (ice cream) at the local McDonald’s. This is part of Chancellor ‘Dishy Rishi’ Sunak’s half price meals scheme Monday-Friday, to re-stimulate the UK economy after the economic shock of the coronavirus.

At Euston station, there was a loudspeaker announcement:

“Will Inspector Sands please go to the Control Room.”

I was sitting by an exit and looked around. None of the station staff seemed to be panicking. Nor running fast. I am still alive.

“Will Inspector Sands please go to the Control Room” means that there is a major incident in the building. They want to alert staff, but they don’t want to panic members of the public.

It comes, originally, from theatres, where sand was used to put out fires. It meant the building was on fire. But now it is used more generally in public buildings. Nowadays it is perhaps more likely to be a terrorist attack than a fire.

The announcement went round on a tape loop for about 2 minutes – a long time – then stopped. The only other time I have heard it was on a platform at Stratford station for maybe 20 seconds where, at the end, without explanation, it was followed by: “The test is now over”.

Adam Wilder, entrepreneurial big hitter and hugger

THURSDAY 20th AUGUST

At lunchtime, I chatted to Adam Wilder (formerly Adam Taffler) for a future blog.

He greeted me with a large hug.

A big hug.

A big, big hug.

Honestly! Theatrical types versus coronavirus distancing!

What on earth is one to do?

But NHS bureaucracy is even worse.

Bits of a terribly confusing time-travelling letter from the NHS

I got a letter today (20th August) from the Kidney Man sent to my GP with a cc to me.

It was a bit confusing at first until I realised it was written on 7th July, allegedly signed (no signature) and verified by the Kidney Man on 12th August and printed-out & sent to me on 17th August.

It referred to my medical symptoms and mentioned future treatment which is now in the past. I have received at least three  letters written after this one but sent before this one.

There is nothing like keeping up-to-date and this was etc etc etc…

The NHS is staffed by well-meaning, hard-working people, but all bureaucracies are incompetent and the larger the bureaucracy the larger the incompetence.

What would Archimedes have made of all this?

FRIDAY 21st AUGUST

It is a good thing Greece is known for its mathematical geniuses.

A local Greek restaurant is offering 15% off all food and drink Monday-Wednesday.

‘Dishy’ Rishi’s deal is 50% off food (but not alcoholic drink or spirits) Monday-Wednesday during August.

It would take Archimedes, Euclid and Pythagoras to figure out which offer is better value, taking alcoholic imbibement into account. As I don’t drink alcohol or spirits, the 15% deal would be worse than ‘Dishy’ Rishi’s deal.

A visual equivalent of trying to edit my words

SATURDAY 22nd AUGUST

On Thursday, I had a chat with performer Jo Burke for her upcoming series of online podcasts. I should perhaps have warned her that, although I am quite good interviewing people, I am appalling as an interviewee. I witter and wander off the subject. It sounds not too bad if you are talking to me but, combined with a speech pattern that elides words leaving no gaps, it is a nightmare – sometimes an impossibility – to edit. She discovered this today.

… CONTINUED HERE

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John Fleming’s Weekly Diary No 30 – Edinburgh minus the Fringe and a tooth

… CONTINUED FROM DIARY No 29

SUNDAY 9th AUGUST

In the age of coronavirus and no Edinburgh Fringe, hyphenate Peter Stanford – more than just a Henry VIII lookalike – has been far from quiet…


Peter Stanford performs his one-off 2020 non-Edinburgh Fringe show “Only 534 Miles Out”

Yesterday, I was in a theatre-above-a-pub with a gang of socially distancing people, some of whom I knew, but most of whom I didn’t. We were debating the Edinburgh Festival and Fringe, and whether anything would take place. So I jumped up to the stage, and announced to the crowd that I was about to give a performance on the Fringe, but socially distant – 534 miles distant to be precise.

I gave them a ten minute routine about why I hate Agatha Christie, with a few topical jokes about the Arts events which lockdown had prevented me doing or seeing this year and then asked if anyone else wanted to join my off-Fringe show. 

No-one did, so it was just me. 


Peter also shocked me by saying the famous movie line from Carry On Cleo – “Infamy, Infamy. They’ve all got it in for me” – was not written by scriptwriter Talbot Rothwell but nicked (with their permission) from a Frank Muir & Denis Norden BBC radio script for Take It From Here.

Which, indeed, it was.

I have still not recovered from the shock.

Homeless and faceless in a heatwave, 2020

MONDAY 10th AUGUST

I passed a homeless man asleep under an arch in the current heatwave in London.

I passed him by.

About half an hour later, I passed him again and this time I took a photograph of him on my phone.

I felt embarrassed that I took a picture of him.

Although without an identifiable face.

I still don’t know if it was a morally bad thing to do.

I suspect it was.

And to post it here.

… 34 questions asked before you give blood …

TUESDAY 11th AUGUST

I was supposed to be donating blood next Wednesday.

But, beforehand, they send you a long list of questions you have to say Yes on No to, including Since your last donation, have you had any hospital investigations, tests, operations or alternative therapies?

As I was in hospital for a week in May, I had to say Yes to this. I phoned up to check if this meant I could not give blood and, indeed it did.

So my blood donoring on 19th August is cancelled and I can’t give blood again until I am discharged as an outpatient by the Kidney Man. I am booked-in to see him on 19th October.

Inconsequential to you, perhaps; means more to me.

My apologies.

WEDNESDAY 12th AUGUST

I am going to have a few weeks of just blocking totally paranoid Facebook Friend posters and commenters. The coronavirus seems to have stimulated latent lunacy. Life is too short. Well, it is at my age. With Friends like these, I need enemas.

Sara Mason – once seen, never forgotten

THURSDAY 13th AUGUST

The standard of online scams and spam is falling. I got this today: a Comment by someone called ewidencja lokali na sprzedażon about my 2018 blog headlined Sara Mason: How will she follow-up her banned “Beginner’s Guide to Bondage”?

The comment read:


Actually still cannot quite assume that I could always be one of those studying the important tips found on your web blog. My family and I are truly thankful for your generosity and for offering me the chance to pursue my personal chosen profession path. Thank you for the important information I obtained from your blog.


This seemed an unlikely comment on Sara Mason: How will she follow-up her banned “Beginner’s Guide to Bondage”? All the moreso when I put ewidencja lokali na sprzedaż into Google Translate and it came up as Polish for “register of premises for sale”.

There is nothing like good marketing and that was nothing like… etc etc.


You can’t beat a good bit of symbolism in marketing…

FRIDAY 14th AUGUST

As a sign that my blog is read somewhere other than by my loyal reader in Guatemala, I received an email headed New council scheme in Hertsmere from a company called Yes Energy Solutions. They know about delivering good marketing… Their message read:


Hello John,

I came across your local blog and thought you may be interested in a scheme that is running in Hertsmere designed to help people on low incomes get central heating and gas connections for free.

We are managing the scheme on behalf of the council – the full press release can be found here – https://www.hertsmere.gov.uk/News/Articles/August-2020/Free-central-heating-available-for-those-in-fuel-poverty.aspx

Let me know if you would like any further information.

Many thanks,

Adam Lewis
Marketing Administrator
YES Energy Solutions


Full marks to Adam Lewis – and a gold star – for spotting that my blog is local and that I may be living in fuel poverty. Sadly, I already have radiators and gas central heating, but I have forwarded the info to my reader in Guatemala. So far, no comeback. He does not live in Hertsmere so is not immediately eligible, but he may have thoughts of moving here. Who knows what the future holds?

SATURDAY 15th AUGUST

I got an easyJet flight from Stansted to Edinburgh to see what the Edinburgh Fringe looked like without the Edinburgh Fringe. The flight was cheaper than either a train or an overnight National Express coach. Also the latter involved wearing a mask for about eleven hours each way. The easyJet flight involved a mask for about an hour each way. (The outward journey was 55 minutes.)

55 masked minutes for a different type of Edinburgh flyerer

National Express are very carefully socially distancing their masked passengers. To my surprise, the easyJet plane was totally full – as far as I could see, every seat was taken: three seats on both sides of the aisle. Packed like sardines.

After I arrived in Edinburgh (It would have seemed perverse to try this before I arrived), I walked up the Blackford Hill, as I do every year, to see the panorama.

Edinburgh from the Blackford Hill. It is worth the climb up… even at my increasingly advanced age.

This time, I felt my age. It was exhausting.

Halfway up, a group of seven teenagers were dancing to rave music on an mp3 player.

In town – a Saturday night – there were lots of 1960s long black fake eyelashes on Essex-type, skimpily-dressed teenage girls in teenage and twenties mixed-sex groups. Obviously, there was no social distancing in these groups of 5 or 7 or 10 yoofs, because they feel they are immune to the coronavirus.

I bought a packet of chocolate-covered ginger biscuits.

Very tasty, but I had a big falling-out with them on Saturday night in my Edinburgh hotel…

One of my teeth came out. A cap – a crown – on an already dead tooth.

I felt my age.

Again.

Argghh!!

A picture of me – sans teeth, sans eyes, sans good taste, sans, well, pretty much everything…

… CONTINUED HERE

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John Fleming’s Weekly Diary – No 29 – NHS chaos, online cults, PC linguistics

… CONTINUED FROM DIARY No 28

Ariane X – ex Ariane Sherine – the palindrome queen

SUNDAY 2nd AUGUST

In my last diary blog, I mentioned that Ariane Sherine (newly aka Ariane X) said she had discovered that, since finding a new man in her life and becoming happy, she has been unable to write songs.

Inevitably, of course, as soon as I posted that, she wrote another song for her upcoming album, released on the (if you are British not American) palindromic 12.02.2021.

This is part of it:

When you’ve no money left
No love or hope or friends
And your heart it is closed
And you think that it’s the end
And you’re praying to God
Yeah to come and save your soul
Well I’ll save you instead
Bring you in out of the cold

Also last time, I mentioned Charles Aznavour’s observation that, when people are happy, they are all happy in much the same but, when people are sad, there are varied, specific reasons why, so ‘sad’ is more inspiring and more interesting.

Erudite performer and man about town Peter Stanford pointed out that Aznavour had perhaps read the first sentence of Tolstoy’s Anna Karenin (or, on my Russian college course, Karenina):

“Happy families are all alike; every unhappy family is unhappy in its own way”

All I really remember about Anna Karenina is some bloke tapping the wheels of a train and maybe that was only in the movie.

MONDAY 3rd AUGUST

NHS confusion continues.

Last week, my face-to-face appointment with the Kidney Man was changed to a telephone consultation but, having experienced this twice before, I disbelieved it.

On Friday, I checked with the Kidney Man’s secretary and it was indeed a face-to-face appointment.

When I arrived at the hospital at lunchtime today, the two security men checking arrivals (no visitors are allowed because of the COVID-19 restrictions) directed me to Reception just inside the door.

It was the same man on Reception as before – last time he said the entire Nephrology department had moved to another hospital – so I ignored him and went straight to Outpatients reception.

They directed me to the appropriate Consultation section’s Reception. The nurse on that Reception tried to find my details but couldn’t. Then the actual Receptionist arrived.

She told me all the face-to-face appointments had finished; there were only phone ones now. The nurse told the receptionist: “There’s no John Fleming on the list. In fact, there is no list. It may have been thrown away by accident.”

The receptionist said: “I will ask the doctor if he will see you.”

He said Yes.

The Kidney Man knew he was supposed to be seeing me masked-face-to-masked-face.

Apparently this is a micrograph showing a renal core biopsy (Photograph by Nephron via Wikipedia)

He told me I’m still “a mystery”. Nothing showed up on the last blood test. He may send me to see an Ear Nose & Throat man in case that throws up any irregularities. He also has a colleague who is “interested in calcium” so he might want to see me. And they might try a kidney biopsy, though that is unlikely.

“What is a biopsy?” I asked. Does it involve cutting me open?”

“We just stick a needle in your back, under local anaesthetic,” he replied, “and take a little bit of kidney out.”

My next face-to-face appointment with the Kidney Man is in two months, unless something bad were to show up on the blood test.

He sent me down one floor for a blood test. “They may be closed,” he told me. “If they are, just phone the number on the sheet and make an appointment.”

The Phlebotomy (Blood Test to you and me) Department was open.

I left the hospital and went to the National Express office at Golders Green to see how much a two-day coach trip to Edinburgh on 15th/16th August would cost. I want to see what the Edinburgh Fringe is like without the Edinburgh Fringe… and to see comedian Arthur Smith do his annual midnight tour of Edinburgh.

It was £76 return by coach. Much, much cheaper than a railfare.

Nobel Prizewinning Irish politician John Hume

TUESDAY 4th AUGUST

Irish politician John Hume died yesterday. He won the 1998 Nobel Peace Prize for his work trying to bring peace in Northern Ireland.

A BBC commentator said that, the first time Hulme met the IRA leadership face-to-face, he (Hume) said it was like meeting a cult. They were genuinely shocked to find out people genuinely had different views to them. Before then, they had only talked to themselves and their supporters. Anyone outside that circle who disagreed were not seen as people with genuinely different opinions – they were seen as evil.

I immediately thought: Corbynistas… Brexit… almost anyone on Twitter… To hold any opinion different to what you and ALL your friends have is not valid because it is not possible. If you disagree, you must be total evil, must be silenced.

Just me on that one, then?

There was an explosion in Beirut today – around 150 dead and over 4,000 injured. It turned out to be not a bomb but fertiliser. Of the kind used in bombs. Shit happened.

I was going to book an airfare to Edinburgh, after searching cheap price comparison websites. The cheapest return was £65 via Easyjet – cheaper than a coach and a journey time of only 90 minutes as opposed to 10 or 11 hours in a face mask.

My eternally un-named friend suggested looking on the actual EasyJet website. She was right.

It was £65 on the cheap price comparison websites and £55.98p on the EasyJet site itself. (Same flights.)

Arthur Smith was scuppered and scunnered by coronavirus

WEDNESDAY 5th AUGUST

Arthur Smith cancelled his tour of Edinburgh because of the Scottish government’s COVID restrictions on outdoor events. Shit happens.

THURSDAY 6th AUGUST

I got a letter saying my next face-to-face hospital appointment with the Kidney Man is on 19th Ocober. Inevitably, a few days before this, I will get an erroneous text saying it has been changed to a telephone appointment.

Talk of dabbicals, gangbangs, carjacks, bums and fags… (Photograph by Dmitry Ratushny via UnSplash)

FRIDAY 7th AUGUST

I spent the afternoon with my eternally un-named friend.

At one point, an arrangement went wrong. She said: “It’s a dabbical.”

We both looked at each other. Neither of us knew what the word should have been. I suggested it was a reasonable-sounding word so should be in common use.

Later, I was in conversation with someone totally different and it came up in conversation that, in the US, she had been told the British word ‘gangbang’ means ‘carjack’ over there.

Later still, I looked it up online and, as far as I could find, on both sides of the Atlantic, gangbang = gangbang and carjack = carjack. A very odd misunderstanding.

I do always wonder, though, what would happen if an Eastender from London said to someone in Kansas: “I want to bum a fag”.

Late night: my eternally un-named friend phoned to say: “Debacle…”

The offensiveness of phral and bhrātṛ

SATURDAY 8th AUGUST

Continuing with linguistic problems, in the new ultra-PC, non-binary world, a performer posted the following on Facebook:


QUESTION: I’ve been working very hard on replacing gendered collective terms like “dudes” & “guys” with “folks” whenever I address groups. I occasionally slip up. But I’m trying.

I was convinced that “pal” was non-gendered but I’ve just looked it up and it isn’t.

Its etymology is:
First recorded in 1675–85; from English Romani: “brother, mate,” variant of continental Romani phral, ultimately from Sanskrit bhrātṛ “brother”.

Does anyone know a non-gendered equivalent, please?

I’ve just found out that by using “pal” with a trans friend (who calls me “pal”), I’ve been unintentionally mis-gendering her and I don’t want to.

“Alright, friend?” feels odd.

There must be a non-gendered equivalent? Surely?

That said I’m struggling to think of a feminine version and the lack of that might be the reason I assumed it was non-gendered.

It’s two things:

a) Does this have the capacity to hurt someone?

b) Is it easily within my gift to avoid even the potential of causing that hurt and it cost me nothing more than the tiniest bit of thought?

If the answers to both of those questions are “Yes” then I’d feel like an utter arsehole if I didn’t at least try.

It’s my job as a decent human being to try to make extremely minor and trivial accommodations to avoid the possibility of hurting someone.


I may be revealing myself as an utter arsehole here but – admirably caring and commendably sensitive though his aim is – I think if someone is linguistically sophisticated enough to be offended by the 17th century Romani or ancient Sanskrit roots of perfectly commonplace 21st century English words, then they are probably intellectually resilient enough to cope with being called “pal”… although, frankly, I would be wary of using the word without care in Glasgow (where “cunt” is a genuinely commonly-used conversational term of affection).

… CONTINUED HERE

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John’s Weekly Diary 21 – Bureaucracy, the NHS, a cough, a death, a long walk

… SORT-OF CONTINUED FROM DIARY No 20 …

I have been posting a diary supposedly about life in Britain during the coronavirus pandemic – focussing on the everyday amid the historic.

But it took a sidetrack when, instead of COVID-19, I developed some unknown kidney infection or damage or/and calcium imbalance and/or… well… something. No-one has yet found out what is wrong.

So this strand of the blog will now become a more general diary until I get bored with it or it meanders even more pointlessly than normal like a dildo lost in a jellyfish.


A typical 1888 cough syrup (courtesy of Stephen O’Donnell)

SUNDAY 14th JUNE

I had a bad, hacking cough: probably nothing to do with coronavirus.

I took a Tyrozet tablet.

Stephen O’Donnell in Glasgow reminded me of the type of cough linctus they had in 1888 with alcohol, cannabis, chloroform and morphia “skilfully combined with a number of other ingredients”.

Presumably, if that didn’t cure your cough, at least you would be unaware you had one.

Forget the telephone consultation – It’s a face-to-face meet…

MONDAY 15th JUNE

As is now normal, overnight I woke up about six or eight times – basically, at least once every hour – with my throat parched dry, desperate to drink water.

When I left hospital just over a fortnight ago, the Kidney Man told me he would treat me as an outpatient. Then, a week later, I got a letter saying it would be a face-to-face consultation at the local hospital.

Forget the face-to-face consultation – It’s on the phone…

Then, another week later, I got a text saying that, because of the COVID-19 virus, they were changing the face-to-face appointment to a telephone consultation. I joked to a couple of people that, as the NHS is a vast bureaucracy and all vast bureaucracies are a mess, they were bound to phone me up today and ask why I was not at the hospital.

Today, after over an hour waiting for the call, I phoned to check that all was OK.

The appointments people told me: “He’s not actually ringing absolutely everybody. Some patients he’s looking up on the system and, unless he feels he absolutely has to speak to them, what he’s doing is dictating a clinic letter which will go to your GP and you will get a copy as well… It’s a little bit of a grey area.”

Fair enough.

About half an hour later, the Kidney Man phoned up because he had been expecting me to go in for a face-to-face consultation and wondered why I hadn’t turned up.

Fair enough.

He told me that the Petscan I had about two weeks ago showed nothing abnormal and they still didn’t know what was wrong with my kidneys. So a blood test would be arranged and I definitely had to come in for that, even if I got a letter or text saying I should not.

After that, I went out (perfectly legally) to South London to see my Eternally Un-Named Friend. It was the first day when face masks HAD to be worn on public transport in England. So I wore a face mask on the mostly empty trains.

We walked along the River Thames from Greenwich to the O2 Millennium Dome – a long walk on what (I had forgotten to check) was a Very High Pollen day. I felt hot and sweaty and slightly light-headed and, for my feet, the walk became a plod.

Nothing to do with the pollen or the company. Something to do with the kidneys, I think.

View of Canary Wharf from near The O2 Dome (Photograph by My Eternally UnNamed Friend)

The south (well, really east) bank of the Thames between Greenwich and the Dome has become mostly a post-industrial wasteland which is being flattened or is already flattened for high-rise flats, with some already built. My Eternally UnNamed Friend found some sort of Wordsworthian Romanticism in the open spaces and vistas. I thought it just looked more like a post-apocalyptic landscape.

At 11.15pm, back home in Borehamwood, as I was about to go to bed, sniffles, sneezes and an itchy right eye started to kick in. Over the last few years, I have tended to get hay fever fairly late at night and almost always after dark. What is that all about? What on earth are the flowers doing at 2315 at night?

Well, the news took me a bit by surprise…

TUESDAY 16th JUNE

The man whom I called ‘George’ in my hospital diaries died yesterday. I know this because my friend Lynn spotted his obituary in various newspapers today and – very impressively – guessed it was the person whose identity I had (I thought) disguised in my posts.

I then (perfectly legally) went to East London by train to see writer Ariane Sherine and her daughter in their back garden (well, back decking).

On the way there and back, I wore a face mask in the mostly empty train carriages. There were some other passengers. But we all seemed a bit half-hearted about it as we were all seated so far apart.

The government’s figure for total coronavirus deaths in the UK is now 41,969… Up 233 in the last 24 hours.

Me in my lost hat – Maybe not a great loss…

WEDNESDAY 17th JUNE

I went to Tesco’s in Borehamwood in the afternoon to buy a hat to protect my bald head from the sun. I lost my previous hat two days ago, somewhere by the post-apocalyptic River Thames.

I was hot and sweaty (despite having had a bath at lunchtime) and light-headed.

Ariane Sherine texted me:

“I’ve made a few jokes about you in my new book. I thought I should run them by you to check you’re OK with them.”

I replied: “I will be OK with them. You can say anything you like about me. I fancy being described as a dishevelled, shuffling, shambling mess. I would quite like to be described as a Dickensian character rotting slowly in my wrinkly skin as the dust gathers in my ears. I always think it is better to be laughed at rather than be laughed with… It is much more memorable. People forget jokes but remember OTT characters… Perhaps you could say something like: He was having a mid-life crisis at least 30 years too late, with fantasies of Baby Spice in a bikini rolling around in tiramisu.

Alas, the book is a serious – though populist – non-fiction work and the reply I got was:

“We are at the proofreading stage, so I can’t add anything, but thank you for being such a good sport.”

My heart sank. I quite fancy being a badly-dressed Dickensian character. But I have never aspired to be a sport.

The government’s figure for total coronavirus deaths in the UK is now 42,153… Up 184 in the last 24 hours.

The ever-admirable kick-ass vicar Maggy Whitehouse

THURSDAY 18th JUNE

Last night, in bed, I had about an hour of feverish hot temperatured forehead and a hacking cough.

I think I may be turning into a paranoid hypochondriac. Or is that tautology? Who cares?

Meanwhile, admirable kick-ass vicar Maggy Whitehouse (I blogged about her in 2018) posted on her Facebook page:


Well that’s a first… I’m on the prayer line this morning and the first caller was a man who said he was in social isolation and lonely. He turned out to be calling from his bath… and was making somewhat too-enthusiastic noises during the prayers. He did say, “Thank you,” and that he was feeling a lot better now afterwards. Obviously, I have to report him to the boss… but I think I should have charged him a very large amount of money… and fortunately, I’m just trying not to giggle.


This seemed bizarre and unique to me but apparently not. Comments on Maggy’s post included:


– I had a fair few of them while on my Samaritans hotline 😉
– I used to work for a crisis helpline similar to the Samaritans and we had many a call along those lines…
– I used to be a Samaritans listener… we had similar calls…
– Sounds like the time I was a Samaritan on duty on Christmas Day. The tale was different – at the end he learnt it was seen through and it was good he had opened his ‘Christmas Present’ quickly!!


The government’s figure for total coronavirus deaths in the UK is now 42,288… Up 135 in the last 24 hours.

FRIDAY 19th JUNE

Original edition. Lots of good advice.

In 2012, Ian Fox published his excellent book How to Produce, Perform and Write an Edinburgh Fringe Comedy Show which was edited by fellow comedy performer Ashley Frieze.

Now, with the coronavirus pandemic causing chaos in comedy and entertainment generally and the Edinburgh Fringe effectively cancelled this year, the dynamic duo have published a follow-up:

How to Write, Perform and Produce a Cancelled Edinburgh Fringe Show: A complete guide on how to not write, perform and produce a show at the Edinburgh Fringe.

A new book for the new COVID-19 era.

The book is a must-read. Handy tips include:

  • When and how to cancel things

  • How not to travel to Edinburgh

  • Writing a show that is cancelled

  • How not to get a review for a show that isn’t happening

And it’s all in aid of a good cause… The authors have suggested, for every copy purchased, a donation to the Trussell Trust which supports a nationwide network of food banks.

The book was free until yesterday and may be free from tomorrow in one form or another.

Ashley Frieze says: “The ongoing pricing seems to be some random mystery concocted by Amazon.”

Ian Fox: “Truthfully, we didn’t realise you couldn’t just do free Kindles anymore.”

The government’s figure for total coronavirus deaths in the UK is now 42,461… Up 173 in the last 24 hours.

If something is worth doing, it’s worth doing in triplicate…

SATURDAY 20th JUNE

As of today, I now have three letters – all confirming my Monday face-to-face appointment at the hospital.

It is to have another blood test, so it is unlikely it will get changed to a telephone call.

But never say never…

Never underestimate bureaucracy…

An article in The Guardian yesterday suggested that, at the height of the current coronavirus pandemic, deaths in the UK may have been 64% higher than reported because, part of the way through the current run of the pandemic, the government changed or, at least, the bureaucracy was able to re-define the type of deaths included in the statistics.

But the worst news of the week is that today I discovered – who knew? – that Tyrozets have been discontinued following a challenge from the UK’s Medicines and Healthcare Products Regulatory Agency (MHRA) over whether the use of an antibiotic in throat lozenges is “clinically relevant”.

Who cares? They worked.

Does anybody know where I can get hold of some 1888 cough syrup “with alcohol, cannabis, chloroform and morphia skilfully combined with a number of other ingredients”?

… CONTINUED HERE

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Simon Munnery on his first exhibition, buying vegetables and a new form of art

Simon Munnery with Tazzy, his over-large lap dog, out shopping for vegetables in Bedford…

It’s Tuesday today.

Last Wednesday, I went to Bedford for a chat with ever-original comedy performer Simon Munnery. He travels about 11 miles to Bedford every Wednesday to buy his vegetables.

Since then, I’ve either been busy or lazy or I’ve been waiting for the coronavirus panic to settle in some way to find an angle. Take your pick.

But there is no angle. Simon’s first solo art exhibition What Am I? has opened in Bedford at Andy Holden‘s suitably quirky Ex-Baldessarre Gallery. It runs from noon to 6.00pm every Saturday until 9th May, coronavirus allowing.

Yesterday, Prime Minister Boris Johnson suggested everyone in the UK should avoid pubs, clubs, theatres and cinemas and that people who did not absolutely have to go out should stay at home – an end to “all unnecessary social contact.”

London theatres have already started to close. Who knows if smaller, intimate exhibitions like Simon’s will close? As of this morning, the art exhibition continues but his Alan Parker Urban Warrior ‘Farewell Tour’ comedy show is pausing, with luck recommencing in April, perhaps later. Just a week is a long time in a virus pandemic. This is what happened last week…

Simon’s first solo art exhibition is taking place in the character-filled Queen’s Park area of Bedford


JOHN: You live in a village in the countryside. I thought you were a city boy.

SIMON: Born in Edgware, raised in Watford, died all over the place.

JOHN: So why are you living in a village?

SIMON: It’s cheap. 

JOHN: This is billed as your first art exhibition? Surely not.

SIMON: I had stuff in Arthur Smith’s art gallery at the Edinburgh Fringe one year. He turned a house into an art gallery. That was it. 

JOHN: So this is your first solo exhibition.

SIMON: Yes. 

JOHN: I’m surprised you haven’t been approached by a major London gallery before this. I mean, you’re a ‘Name’. The Scotsman described you as “The closest that comedy gets to modern art.”

SIMON: Well, a jacket of mine is in the Museum of Comedy in London: the jacket with cider cans all over it. And this art exhibition is booked to go to Edinburgh.

JOHN: During the Fringe?

SIMON: Yup.

JOHN: If there IS a Fringe this year because of the coronavirus…

SIMON: Well, we don’t know at this stage. If there is, I’m doing a show called Trials & Tribulations.

JOHN: Because…

SIMON: Because you have to think of a title. I think the art exhibition may also be going to Stroud. Maybe it might go to London after that… The idea of a show that can tour without you is good.

JOHN: This sounds like a rounding-off-your-career type of exhibition.

Simon Munnery, in his youth, billed as “The Next Shakespeare”… though with an interest in science

SIMON: Not really. It was Andy Holden’s idea. He’s an artist; he uses some of the space he has in his studio for a tiny gallery and he said: “I shall do you.” So I said: “Alright.” And that was it.

JOHN: There’s something in the exhibition which you did when you were nine years old.

SIMON: There’s a poem. Something about The Fog.

JOHN: The Fog?

SIMON: I can’t remember it. I got a text from a neighbour that Mrs Nunn, my primary school teacher – there was some dispute at the time – says: “I still think you cheated on that poem.”

JOHN: How?

SIMON: I don’t know how. I didn’t. But it’s been following me round for 40 years.

JOHN: What’s in it?

SIMON:
Just things that rhyme with fog, I think. The fog lingers… I can’t remember.

JOHN: I can’t remember what you studied at university.

SIMON: Science. Well, “Not much,” is the real answer. In the last year, I ended up doing ‘The History and Philosophy of Science’.

JOHN: Is that actually Science? Or is it History and Philosophy?

SIMON: I don’t know. I didn’t go to any lectures, so I have no idea what the course was like. I just slipped through the net and no-one noticed, really.

JOHN: This was at Cambridge.

SIMON: Yes. I met my Supervisor a week before the exam. Because I had never been to anything, he hadn’t written any reports about me saying how well or badly I was doing and I said to him: “Can you recommend one book?” and he recommended Against Method: Outline of an Anarchistic Theory of Knowledge by Paul K Feyerabend.

So I read that and regurgitated all his arguments – which was basically saying there’s no such thing as the philosophy of science, along with some really good examples about Galileo… And I passed on the strength of reading one book.

JOHN: Did you get a good degree?

Simon leaves no stone unturned in his Bedford-based search for originality in Art… soon to tour

SIMON: A third. It goes First, Second, Third, so Third is the best.

JOHN: It’s the best because…?

SIMON: Because it’s the highest number. If you are utterly brilliant, you can get a Fourth.

JOHN: Why did you do science? You’re very arty.

SIMON: Am I? To be honest, in school subjects, I was quite good at everything. But when you got to ‘A’ Levels, at that time, you had to choose one or the other.

JOHN: You must surely have wanted to be an artist as a kid. You’re not usually doing straight stand-up in your shows. You’re always trying to work out some new, original, unique angle.

SIMON: It’s just to keep myself busy, really…

JOHN: But you could keep busy by doing the same old stuff over and over again.

SIMON: Well, I AM touring Alan Parker: Urban Warrior again. It’s billed as a ‘Farewell Tour’. But it has resurrected very nicely. I think it’s funnier played by someone in their mid-50s rather than their mid-20s, when I first did it. He’s still anti-Thatcher. The fact she’s dead now doesn’t make any difference to him. It’s like a bedrock. But there are new bits. Climate change. Extinction Rebellion and all that.

Reflections on a much younger Alan Parker, Urban Warrior, in one of the art exhibition’s videos…

JOHN: You performed for Extinction Rebellion…

SIMON: I played Piccadilly Circus, Waterloo Bridge and Brockwell Park in South London.

JOHN: Anyway, to get back to the exhibition… Andy Holden decided you were going to have an exhibition. So how did you choose what to include in it?

SIMON: I didn’t. I submitted things and he chose what to put up… I did have this massive canvas in my shed, which had been there for years… When I was spray-painting buckets, they rested on the canvas, so there were strange patterns on it. I tried to get that in the exhibition, just to get rid of it out of the shed, but he REALLY objected to that.

JOHN: Couldn’t you claim it was post-modern…?

SIMON:  That’s what I tried. But no, he wouldn’t have it.

JOHN: There must be phrases. ‘Post-modern’ is usually a good one. ‘Meme’ is a good one now. I suppose ‘Zeitgeist’ is a bit old-fashioned.

SIMON: I might have got away with just ‘Abstract’, but I feel it’s destined to stay in the shed.

JOHN: Couldn’t you have claimed it was about the Iraq War or something?

SIMON: A good title might have saved it. But no. He gave me some canvases and asked me to fill them and I printed out some stuff and he selected what he wanted. I did make an Alan Parker from an Action Man doll.

JOHN: That’s the mobile.

Simon addresses Extinction Rebellion in a video while his Alan Parker doll takes flight in the gallery

SIMON: Yes. Did you notice how padded its tummy was?

JOHN: Was it pregnant?

SIMON: No, but your standard Action Man isn’t the same shape as me.

JOHN: But you’re slim…

SIMON: Less so now…

JOHN: There was the wall with lots of quotes on.

A wall of quotes from Simon’s AGM show surround one of his always inventive television videos…

SIMON: That is only two-thirds of one year of my AGM show. I have sacks of those.

JOHN: So you were just trying to empty your house. What’s next?

SIMON: I came up with a format for a new form of Art… Roadside placards.

JOHN: Discuss…

SIMON: You often see an advert at the side of the road but you could put a sentence… then another sentence… and another sentence… and it would build up into a paragraph. Or maybe not even a sentence or a paragraph; just an image and then another image that replies to the previous image. You could prove Pythagoras’ Theorem entirely in images. People could learn as they drove past. Your experience would alter depending on the speed you were travelling at. You could design it for cyclists or car drivers or something to make people slow down. I dunno.

I was imagining green-on-brown so you would have to know it was there, maybe. Secret Art.

JOHN: Pythagoras?

SIMON: Pictorial proof of Pythagoras’ Theorem. It could be done. The format of roadside placards has not been fully exploited.

JOHN: More immediately, what next for you?

SIMON: I’ve bought eggs from the egg lady. She’s not shaped like an egg; she sells eggs. I’ve got my fruit and veg. I was supposed to be getting toilet rolls. We are running out at home. I went to the supermarket – none. Other people’s houses must be full of toilet rolls.

Simon Munnery’s exhibition What Am I? runs in Bedford every Saturday until May 9th, probably.

…Simon about to catch a wreath at a funeral staged in his back garden…

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Paul Vickers aka Twonkey fails to explain next week’s comedy show…

Paul Vickers aka Twonkey performs his latest show Twonkey’s Ten Year Twitch at the Soho Theatre in London next Monday night. He lives in Edinburgh. I live in London (ish). We talked via Apple FaceTime… We both got sidetracked in cyberspace…


JOHN: So your new show is…

PAUL: Last year’s Edinburgh Fringe show. But it’s not been seen in London before… Well, no, that’s not true. The very first early version of it I did at the Bill Murray comedy club in London. But that was a disaster. All over the place. It was the first time I’d ever done a show where I had misjudged it so badly.

JOHN: Yet it was successful at the Fringe last August. What had you got so wrong in the first version?

PAUL: The right bits in the wrong order. I had sussed-out a formula for how to do my shows. The best way to do a Twonkey show is to have loads of short, fast, fun bits to (LAUGHS) lure people into a false sense of security and then, about halfway through the show start telling a longer narrative right through to the end.

For some reason, I decided in that first version to do it in reverse to see what would happen. I started with the story and then went to short, fast bits at the end and it didn’t work because people said: “You were telling a story and then you just completely abandoned it.”

JOHN: So, like Eric Morecambe, you did all the right bits, but not necessarily in the right order… in that first London try-out.

PAUL: Exactly. So I did major surgery on it overnight and, the next day, I did it in Leicester in a completely different way and it worked. Can you hear the dog?

JOHN: What?

PAUL: There’s a dog here. He’s going tomorrow. He’s going to live on a farm, which offers him a more rewarding life than we can… Eric.

JOHN: Eric?

Eric is Paul’s dog, but is not Paul

PAUL: That’s his name. Eric.ou

JOHN: After Eric Morecambe?

PAUL: I don’t know. It was my friend Mary who named him. I suppose it’s a strong name. I’ve written a song about him.

JOHN: How does it go – the song?

PAUL: I remember! The name! It’s because of Lynn Ruth Miller… That’s why he’s called Eric. Because Lynn Ruth always calls me Eric. Whenever she sees me, she yells out (in an American accent): “Oh, my God! It’s Eric!”

JOHN: She has always thought you are named Eric?

PAUL: Yes.

JOHN: When I worked at Granada TV, there was a man who called me ‘Peter’ for two years. I never had it in my heart to tell him I was not Peter. But he was happy and I was happy, so no problem. It’s only a name.

PAUL: Yeah, well, that’s how it goes, isn’t it? After a while, I stopped correcting Lynn Ruth because it seemed pointless.

JOHN: What does she say when she sees the dog? Does she call it Paul?

PAUL: She’s never seen the dog.

Mr Twonkey is cleaning up (Photo by Steve Ullathorne)

JOHN: Just as well, The dog might have developed an identity crisis… You were talking about the narrative story in Twonkey’s Ten Year Twitch? What’s the narrative?

PAUL: It’s about the fact that all the weather in the world has been replaced by fake weather in 1982. 

JOHN: Why?

PAUL: Because the old weather was being repaired and so there is a factory in the Dordogne where the weather is being stored. I travel to the Dordogne and find out who invented the weather originally… That kind of thing.

JOHN: Oh, the old ‘weather factory in the Dordogne’ meme…

PAUL: The previous year’s show Night Train to Liechtenstein had been about inherited wealth. It was a bit like Jack & The Beanstalk because, when I went to collect the inheritance, all there was were some beans but, when I grew the beans, inside there was a pumpkin and inside the pumpkin were diamonds. 

JOHN: But that is not what Twonkey’s Ten Year Twitch is about…

Paul’s head is full of Twonkey ideas (Photograph by Steve Ullathorne)

PAUL: No. But the bit of music I was working on at the time of Night Train to Liechtenstein was like a choral thing and I realised the key it was in was exactly the same as Somewhere Over The Rainbow. So the end of the show had me holding up this pumpkin with diamonds in it and suddenly there was this weird choral music and out of it came Somewhere Over The Rainbow and it almost felt like I was floating out of the room. It was very odd, especially when I got tired.

JOHN: But that’s not the ending of Twonkey’s Ten Year Twitch.

PAUL: No. It’s probably going to end with an advertisement for my next show, which will feature an interview with Maradona, the Argentinian football player. He will be played by Simon Jay, who is also in Twonkey’s Ten Year Twitch. He plays ‘the old hag’ – and he’s also the technician as well. I thought: Well, it’s daft him just sitting there pressing buttons. If he came on and acted a little part, it would be cool as well.

JOHN: So he is going to do a trailer as Maradona for your next show at the end of this show in which he is ‘the old hag’.

PAUL: Yes. He was Leonardo da Vinci’s landlady in Night Train to Liechtenstein.

JOHN: And in your next show he will be Maradona.

PAUL: Yes. My next show is going to be called Twonkey’s Custard Club.

JOHN: It’s about custard?

“I misjudged what a physical mess…”

PAUL: It’s about rival custard shops. I’m still writing it. I’m hoping ‘the custard chef’ will be built in time, but he has very long arms and is difficult to pack. I’ve done one dry run of it, but I misjudged what a physical mess it creates, because there is a bit where I get covered in custard pies and I can’t actually see anything. It was difficult to see my laptop computer and it was not actually good for my laptop computer to be covered in shaving foam.

But it was good in terms of working out the parameters of what I need to do. I realised I will need a couple of towels close-by. And I now know how many custard pies you can get out of one tin of shaving foam. And I have a good Django Reinhardt kind-of jazzy song called The Custard Club, so it seemed like a good idea.

JOHN: But that’s not what happens in Twonkey’s Ten Year Twitch…

PAUL: No. Sometimes you don’t know what a show is about until like five years later and then you sort-of think: Ah! That show was about me! I think it’s impossible to create work without it being about yourself. But you can’t necessarily see it immediately… I had quite a difficult year last year. I had a lot going on in my personal life. Just a lot going on.

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How to write a successful Edinburgh Fringe comedy show… Four ideas…

What comedy shows go down best at the annual Edinburgh Fringe?

Well, serious self-analysis always goes down well with the Awards judges.

My last blog here was about a conversation I had with a chum at St Pancras station in London.

I also started pontificating to her about how to write a one-hour comedy show for the Edinburgh Fringe. I think she glazed over internally but disguised it well. After all, she is a performer.

I am not a performer. So what do I know?

Ignore what follows if you have better ideas.

And, like all generalities, there are exceptions.

But – hey! – this is my blog and, just for the helluvit, this is what I think…

Go write your own blog if you disagree.

The only near-certainty if you follow any advice of mine or any advice of any kind or no advice of any kind is that you will probably lose money at the Fringe…


Expanding a good 20-minute stage act where you meander from one anecdote to another via cleverly obscuring the fact that none of the bits really fit together but you have ‘seamlessly’ Sellotaped over the gaps with clever links… That doesn’t work in a 55-ish minute show at the Edinburgh Fringe (or anywhere else).

You have to write a single unitary show.

BIT OF ADVICE 1

I think all Edinburgh shows need a single relentless theme and 100% should be about that one single theme with a single developing narrative strand.

People talk about the ‘dead dad’ story you should drop in about 35-40 minutes into the duration of a 55-ish minute show. 

The theory of the Dead Dad is that a show can have wonderfully funny stories but, after about 30-35 mins, the audience settles into the rhythm of the performance and they still laugh but ‘sameness’ fatigue sets in, even though they’re still laughing.

An unexpected shock at around 35/40 minutes into a 55 min narrative show pulls the carpet from under the audience’s expectations and shocks them into being 100% attentive again. If you can suddenly mention that your dad died last week, that should do it. But anything unexpected and different.

They are shocked – when it’s successful – into total silence. Of course, in a comedy show, you then have to be a good enough performer to get them back in the last 10 minutes to finish with a climactic laughter fest/orgasm. Then they go out happy and smiling having been on the thrill of a rollercoaster.

BIT OF ADVICE 2

Write an elevator pitch for your own show. For your eyes only. Eight words saying what your show is specifically about. Not generally. No generality. One specific subject.

Anything that doesn’t fit that succinct 8-word description, chuck it out.

It doesn’t matter how clever or funny it is. If it doesn’t fit the description, chuck it out. You can use it in a future show but NOT this show. However funny, however clever, however well-written it is… if it doesn’t fit into your 8-word description of your own show’s specific subject, it will interrupt the flow of the single narrative thread and it will be a distraction to the audience’s attention/involvement in your narrative. 

A good show is a good show because of what you DO NOT include.

There used to be an ad on television, the selling line of which was:

“It’s the fish John West reject that make John West the best”

Follow the fish principle!

But without the smell.

A good show is a good show because of what you DO NOT include, even more than what you include.

BIT OF ADVICE 3

Ask yourself why you alone can do this specific show and no-one else can.

If you can do a show on a general subject, then so can I – so can anyone else.

If you can’t be original, at least be personal. 

Why can you alone do this specific show and no-one else can?

Make it personal.

No-one reads autobiographies for facts.

They want to be voyeurs on another person’s life. Either because they think: That’s just like me. Or they want to experience something they have never and will never experience.

People want to hear about people not ideas.

Or they want to hear about ideas via a narrative involving people whose lives and minds they can become involved with.

No-one except an academic reads books or watches movies or watches comedy shows for abstract facts. That ain’t a show, it’s a lecture. Go perform at Speaker’s Corner in London, not on a comedy stage in Edinburgh.

If you talk about facts illustrated by specific human stories – ideally your own – people will be interested. 

Pretty much the same events happen to everyone. But how the events interact with a specific person is unique.

Ordinary people read books/watch shows for emotional and psychological voyeurism. They want to identify with other people.

BIT OF ADVICE 4

This goes back to concentrating the audience’s minds with a single narrative plot.

The ‘one’ plot is allegedly… A hero (or heroine) sets out on a quest to find something. Things happen along the way. The hero (or heroine) finds the thing (good or bad) – it may be a truth or a revelation.

It is a search for a specific Holy Grail.

In the case of a one hour Fringe show, everything along the way has to progress the journey. No jolly side anecdotes unrelated to the quest. Everything must be relevant to your 8-word definition of the quest.

The Grail – the climax of the show – is a single specific thing.

When you start writing the show, you have to know what the very end is. Otherwise you will inevitably waffle. 

What is the last paragraph, the last sentence of the show?

Anyone can do a show about the quest for an idea. 

What is the specific show only you can write and perform about that quest that I or 2,000 other people cannot do?

Personal.

People.

One single strand.

Keep on the bloody subject!

And now all you have to do is make it funny!!!!!! 

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