Look, I only plug people and things I believe in on this blog so, with that in mind, read on…
British Prime Ministers have been sucking Rupert Murdoch’s corporate cock since the 1960s. It’s nothing new. Nor is amorality.
Lance Price was a special advisor to Tony Blair. In 1998, he became deputy to Blair’s Communications Director, Alastair Campbell; and he was the Labour Party’s Director of Communications from 2000 until the General Election of 2001. Price says Blair was under Murdoch’s thumb from the beginning:
“I started working for Tony Blair a year after he became Prime Minister. I was shocked to be told by one of those who’d been closely involved with the talks in Australia, and subsequently, that: ‘We’ve promised News International we won’t make any changes to our Europe policy without talking to them’.”
But – hey! ho! – political pragmatism, like journalistic amorality, is good news for some…
My elfin comedian chum Laura Lexx is staging her first straight play Ink at the Edinburgh Fringe in three weeks time.
The play is actually about the London 7/7 terrorist bombings and the media intrusion into victims’ lives but, of course, the subject of where the journalistic tipping point lies between investigative illumination and amoral intrusion is timeless.
Laura’s press release (written months ago) says: When reporting the news is business, is there space for truth and a conscience?… Will we accept hack journalism as a necessary evil for swift information?
It could have been written last week about the phone hacking scandal and the closure of the News of the World. It is a subject, as the red-tops might themselves say, RIPPED FROM TODAY’S HEADLINES – but of eternal relevance.
The play’s billing reads: “Ordinary man blown up by terrorists – he made jam and had a son. Nothing special. The media made that clear as they conjured headlines from victims and sprinkled them between crosswords.”
My elfin chum Laura Lexx was both a Chortle and Paramount Student comedy finalist in her first six months of live stand-up performance; then she went on to reach the semi-finals of both the Laughing Horse and Funny Women competitions.
I saw Ink when it was a student production at the University of Kent.
It was impressive then.
With the number of actors in the cast cut back for financial reasons and the writing sharpened up even more, it will be interesting to see how it fares at the Edinburgh Fringe, given its accidentally up-to-the-minute relevance.
Now.. if only I could see some RIPPED FROM TODAY’S HEADLINES angle for my own two spaghetti-juggling events at the Fringe…
My head is spinning.