Tag Archives: Limmud

The Secrets of The Elders of Zion and daft feminists at the Edinburgh Fringe

Hayden Cohen at the Edinburgh Fringe last year

Hayden Cohen at Edinburgh Fringe, 2012

After I saw Hayden Cohen’s show Age of The Geek at the Edinburgh Fringe last year, he interviewed me for his podcast.

Yesterday, he was passing through Borehamwood and popped in to see me at my home but, this time I asked him questions.

Obviously, the first thing I asked him what he was working on.

“I’m doing Secrets of the Elders of Zion,” he told me. “I can’t decide if it’s for the Edinburgh Fringe or not. I still don’t know what works at Edinburgh and what doesn’t – maybe no-one does. The concept is that I’m trying to become a member of the Elders of Zion, but I can’t find who I need to speak to, so I decide to start up the UK branch myself. The stage show would be like a members’ open day, to get people involved. I don’t know how far I want to take it in the real world. But I’m thinking of contacting the Chief Rabbi.

“I’ve seen Jewish performers do Jewish shows and it’s either Yeah! I’m proud to be Jewish! or I hate Jews!… I want to do something that’s kinda both. I did a free scratch performance of Secrets of the Elders of Zion at the annual Limmud Conference at Warwick University last month and I came out bleeding a little bit from that. But I now know what works and what doesn’t in the show.”

“And after that, it’s…?” I asked.

Feminisn’t,” said Hayden.

Feminisn’t?” I asked.

Feminisn’t,” said Hayden. “That’s the next show after Secrets of the Elders of Zion, if I can find a way to do it without alienating half of my demographic. I get irritated by sexism. It annoys me but, at the same time, I feel there are certain issues that blokes are scared to address… but, if I can do it in a funny way… What I was thinking of doing was going to as many different organisations and to as many different women as possible who define themselves as Feminist.

“A lot of religious women feel empowered even though the Feminist movement would argue the last thing they are is empowered. But they say: Well, it’s my choice to cook and clean and not do all the main praying in the place of worship. I want to contrast that with, say, the Women’s Institute people and the women who say Being a woman is just a construct of society; there is no gender.

“I already know what I want the end to be – I want it to be that anyone who thinks they know what Feminism is clearly doesn’t understand Feminism.

“It annoys me when Feminists say Oh, we want women to be able to choose whatever they want and, when a woman decides to choose to have a family, they then say Oh, well that’s anti-Feminist!

No it’s not. No it’s not at all.

“At the same time, I want to do it a way that’s not quite as ham-fisted as what I’ve just said, because that will end up offending people. I want to do it in a fun way and it’s difficult to get that balance.”

“So you see yourself basically as a comic doing serious material?” I asked.

“I don’t know if I’m ever going to make it with my style of stuff,” said Hayden. “I don’t want to be type-cast. Some people have said You should do Age of The Geek 2 and I did think of Age of The Geek 2: The Cash-In Sequel, but that requires Age of The Geek to be much bigger than it is.

“It sounds weird, but I want to be a guy like Phill Jupitus. Not really categorised as anything specific. Neither is Craig Charles now. They do lots of different things.”

“Well,” I said, “Craig Charles has done Coronation Street on TV and Phill Jupitus has been in Spamalot and Hairspray in the West End after starting as Porky The Poet, so I see what you mean. The money is in TV, though.”

“Money would be lovely,” said Hayden, “but it’s not about the money. You see the same faces again and again on TV panel shows and all the bite’s gone. The bite has disappeared from TV. Where is it? You’ve got Stewart Lee’s Comedy Vehicle, which I love.

“But the style I‘d like to emulate – not emulate, build-upon – is George Carlin. He was brilliant. The fact that he philosophised in a funny way that was never contrived. I still can’t figure it out. I’ve watched it loads of times and tried to think Can I do anything like that? but, every time I try, it just comes out like a rant.”

“But your rant,” I said, “might end up as good as his non-rant. If you copy someone else’s style it won’t work but, if you do the same basic skeleton of a concept in a different way, it can work because it will be you.”

“I don’t know where I fit,” Hayden told me. “Age of The Geek was not really a standard show. It wasn’t yer ordinary stand-up and so I felt a lot of people didn’t know what they were expecting.

“I got very frustrated when some people went Oh, I loved the poetry but I hated the songs and others went The songs were really good; hated the poetry. It feels like you can’t win. This is now my rant. It seems like everyone wants to pigeonhole you. You’re a stand-up comedian. Or You’re a writer. Or You’re a musician… Why?

“You can understand bureaucrats wanting to pigeonhole themselves, because they like the structure and clarity of it. But people in entertainment??? I don’t understand why… Well, I do understand from a practical viewpoint. If you say you’re a comedian, then someone who wants a comedian will get you in. But there needs to be something more – your favourite word – anarchic.

“I’ve done an album of straight music and I feel like I’m doing more comedy because people have said Oh, you’re a comedian! and it’s just too much of a headache to say It’s a bit more complicated than that… People don’t like that.”

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