Tag Archives: London Palladium

Famous two-faced showbiz pond scum + dancing in urine and the near-fatal ‘accident’ on live TV

I recently wrote a blog about The Downside of Being a Dead Celebrity.

Scots comedian Stu Who commented that he had had the “pleasure …of meeting, and socialising, with an astonishingly wide range of musicians, actors, comedians, writers, and celebrities with no discernible talent other than being ‘well-known’.”

He said: “Some of TV’s funniest and most charming are utter pond-scum, whereas many of the more obnoxious, grumpy, outrageous, aggressive, and tough-nut celebs are actually cuddly, sweet, and rather charming behind their rough-cast exteriors. This experience led me to suspect that there was a distinct corollary to be learned – i.e. the nicer they are on-screen, the bigger a bastard they are off-screen and vice-versa.”

I had come to exactly the same conclusion as Stu.

There are some interesting reversals, though. Stu mentioned in his comments at the bottom of my old blog that, the first time he met Shakin’ Stevens, he thought the Welsh singer was grumpy and rude. But, when he worked with him again, says Stu: “I mentioned that he’d been an obnoxious prick on our previous meeting, we established the date of the occasion in question and Shakey then recounted the rather horrible personal events that had led up to that day in Edinburgh when I’d met him and I totally understood why he wasn’t very chummy or affable under the circumstances.”

Before I worked with her, I had seen children’s and TV gameshow show presenter Sue Robbie on-screen and thought off-screen she was probably a slightly stuck-up, head prefect sort of person. Totally wrong. She turned out to be absolutely lovely. No ego. A wonderful person to work with.

I also presumed the late Marti Caine would be up-herself, as she was a talent-show-to-stardom person and looked a bit damaged on-screen (therefore dangerous off-screen). I could not have been more wrong. I don’t normally gush, but…

Marti was, I think, the most wonderfully warm, modest, lovely “star” I have ever met. She was an absolute joy to be with. Talking to people who worked with Marti Caine is a bit like talking to people who own Apple Mac computers. They go on and on and on about how wonderful, marvellous, friendly etc etc etc… She once told me – and I totally believe it is true – that, although she’d liked the showbiz glitter to begin with, all she really wanted to do was be a housewife. She told me she really enjoyed hoovering and cleaning the house, but people would phone her up with offers of ludicrous amounts of money which she felt she’d be mad to turn down, so her career continued.

She was everything you could hope for.

Like Stu, I have found performers’ on-screen personas are often the opposite of their off-screen ones. If I fancy some star or think they seem great, the last thing I would ever want to do is meet them, because they will probably turn out to be shits.

Having said that, I have only ever worked with one awful “star” who, alas, shall be nameless because I don’t want my arse sued off and the English legal system is a gambling pit of shit-juggling.

Some stories you can never be certain of.

James Cagney never did say “You dirty rat” in any film.

Michael Caine never did say “Not a lot of people know that” – well, not until it became an accepted ‘truth’ that he did say it and then he said it as a joke.

Word of mouth always spread untrue stories and now the internet spreads urban myths in seconds like politicians spread bullshit.

Several people have told me the story (also on the internet and apparently printed in a national newspaper) that, in the 1980s, during the London Palladium run of Singing in the Rain, Tommy Steele would dance the climactic title song in the rain while water poured down onto the stage from giant overhead tanks and the rest of the cast and backstage crew watched (as he thought it) admiringly from the wings. What he didn’t know was that he was so disliked that many of them routinely pissed in the water tank before every show and watched to see the resultant mix of water and piss pour down on Tommy’s head.

In my previous Downside of Being a Dead Celebrity blog, I mentioned how veteran TV producer Michael Hurll went for the late comedian Charlie Drake’s throat in a Chortle interview. My mad inventor chum John Ward, after he read the blog, reminded me about Charlie Drake’s ‘accident’ in 1961.

John told me: “I was having tea last year with somebody who ‘was there’ at the time and had quite a lot to say about that ‘bloody awful little man’…”

I remember as a child seeing the ‘accident’ when it happened. Because I’m that old. And because it happened on live TV.

Charlie – a big big star at the time – appeared in BBC TV’s The Charlie Drake Show every week. It was live and he was known for his physical comedy. On this one particular night, as part of a slapstick story called Bingo Madness, he was pulled through an upright bookcase and thrown out of a window on the studio set. There was then a very long pause when nothing happened and then the credits rolled. The next morning’s papers reported that Charlie had been knocked out by going through the bookcase and was unconscious when thrown out of the window.

The story was that someone had ‘mended’ the breakaway bookcase between rehearsals and the live TV show. John Ward tells me this someone he knows who was there at the time says balsa wood had been replaced by real wood, though this is not quite the story  Charlie Drake himself told (here on YouTube). The implication (not shared by Charlie, of course) was that he was so disliked (which he certainly was) that the bookcase had been intentionally ‘firmed up’ to injure him. He fractured his skull, was unconscious for three days and it was two years before he returned to the screen.

The moral?

Don’t piss on the backstage crew or they may piss on you…

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Comedy, burlesque and going OTT at PTOO with a naked Irish Riverdance in Peckham, London

There seem to be two separate ‘circuits’ in London at the moment: the amorphous alternative comedy circuit and the burlesque circuit. The latter seems to meander from stripper-type-tease to glimpses of old-style variety to fetish-style stuff with more than a nod to Berlin cabaret between-the-Wars.

Most of the straight comedy shows nowadays are a just a string of stand-ups with maybe, occasionally, an odd act thrown in. Vivienne and Martin Soan’s monthly Pull The Other One club in Nunhead (that’s Peckham to me and you) is clearly not burlesque; but it is not one of the amorphous straight comedy nights either.

It is old-style variety mingled with comic performance art plus usually one big-name straight stand up. It is never short of the unexpected and bizarre, so it’s no surprise that Pull The Other One regulars Bob Slayer and Holly Burn both appear in the April issue of Bizarre magazine as New Alternative Comedy Heroes.

The average Pull The Other One show does not exist and it is a sign of how unusual it is that it has always attracted comedians to its audience. Last month Boothby Graffoe was there in the audience just to enjoy it; this month it was Stephen Frost.

The Big Name stand up on the bill last night was multi-talented Omid Djalili, a man who can move with nary a blink from appearing in Gladiator, The MummyPirates of the Caribbean and James Bond movies to club gigs on the London comedy circuit to playing Fagin in Oliver! at the London Palladium and having his own TV series on BBC1. His career is almost as variety-filled as a Pull The Other One show.

I missed most of last night’s show because main speciality act Paul Morocco had got cut down earlier in the day with a very serious stomach bug and couldn’t appear – well, it’s a tribute to his professionalism that he would have appeared if Vivienne Soan had not been able to find a fill-in sharpish. But Paul’s amazing act includes juggling, a lot of bopping around and blowing/juggling multiple ping pong balls from his mouth. This is not ideal if you have a serious stomach bug and just want to lie in bed and die with the pain.

So I missed most of last night’s show because I was picking up and driving my chum Melbourne-based Irish fiddle-playing comic vagabond Aindrias de Staic from the West End to Nunhead after he appeared in two performances of Woody Sez at the Arts Theatre in London’s West End. Aindrias is not so much jet-lagged as show-lagged. He is over in London to appear in Woody Sez until 2nd April – another two shows today – and tomorrow he performs his one-man show Around The World on 80 Quid at the Pleasance Theatre in Islington.

So last night, at 9.35, we were legging it to my car to get to Pull The Other One in time – parking mid-evening on a Friday in the West End had not been fun.

Aindrias decided in the car on the way to the venue what he was going to do: mostly stand-up stories with an inkling of fiddling… but, when he actually got there and realised the measure of the audience, changed it all.

He gave them a bit of a foot-stomping fiddle, then a bizarre story and a couple more musical items.

Well, that doesn’t quite do it justice.

He had had a 20-second chat with Martin Soan before he went on and they ad-libbed what then happened.

Aindrias was interrupted during his second diddly-aye foot-stomping Irish fiddly piece by Martin Soan – totally naked, of course – Riverdancing in from the wings behind him and, trust me, Irish dancing in the nude is a particularly visual entertainment.

There’s a lot of flopping up and down going on.

When this went down very well with the audience, Aindrias called Martin back on stage to do a reprise “bollock dance” to the Jew’s Harp accompanied by a rather dubious song which Aindrias improvised.

Aindrias called what was happening “gyp-hop” – a musical combination of gypsy and hip-hop.

Watching this, Stephen Frost said to me: “If only Malcolm (Hardee) were here to see this.”

Indeed.

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