Tag Archives: Lynn Ruth Miller

It’s Trump country seen through the cataract-dimmed eyes of a comedian

She’s off on her travels again!

85-year-old London-based US storytelling comic and occasional burlesque performer Lynn Ruth Miller.

She has just returned from a week working in New York and having meetings in Washington DC.

I have just received this from her…


Here is my new view of Trump country seen through the cataract-dimmed eyes of the elderly…

I landed in J.F.Kennedy Airport where I was being picked up by Val, a Russian man whom I had never met.

Suddenly there he was: a zaftig Russian man with a bouquet of flowers waving at me. The trip to my hotel with him was not just eventful, it was a lesson in pessimistic politics.

Val evidently has been studying historic trends since he came to the United States thirty years ago and he alone has figured out the source of world’s problems. No one else in the universe knows the answer to all the unrest we are experiencing. But he does.

It is those damn Russians causing all the trouble.

No one dares admit this, but all these little countries that SAY they are independent, are not. They are ruled by Russia. In fact, it turns out that the Soviet Union still exists and controls us all. Every world power is in collusion with the KGB.

Angela Merkel? A Russian ally. Theresa May? A Soviet cipher.  Jeremy Corbyn? Trained by the KGB.  

“Have you seen what is happening in Venezuela?” said my omniscient driver. ”Well, thirty years ago, they swore they were a peaceful country, immune to Islamic forces and look what is happening there today. And what about Sri Lanka? Who do you think instigated that attack on that church there? Right! The KGB.”

Notre Dame? Syria? Islam itself? Even Israel! All Russian controlled.

And would I mind if he stopped and got his wife some tea?

By the time I got to my hotel I was so depressed, I thought I would have been better served to simply jump out of the moving cab and throw myself into the traffic. It is a matter of moments before the Russians invade Britain and confiscate the EU because who do you think instigated Brexit? Right. Those damn Russians. My mother would have commiserated with Val. It was back in 1957 when the Asian Flu swept American that my mother swore it was the Russians infecting us all. Nothing could convince her that the virus had no nationality.

I wandered around the streets of New York the next day trying to revive old memories of the time I lived here in 1965. I lived next door to the United Nations Building then and spent my time going to matinees in the afternoon and writing freelance stories no magazine wanted at night. The face of the city has changed since then. It is busier, louder, angrier, more crowded and far more impersonal than it was when I was here. People shove you and push you. They are on their way to somewhere important and evidently they are all late. My toes and shoulders were impediments they are determined to demolish.  

That night was my first comedy show at Dangerfield’s. The first thing I noticed when I arrived there was that everyone spoke with my accent. I now realize that I must stop blaming my inadequate hearing aids for squishing sound together into unintelligible speech. Evidently, I have not learned to decipher an English accent. It could be because there are at least twenty different dialects spoken in London, all purporting to be the King’s English, whatever that is.  

In New York, everyone talks just like I do and I understood every word. At Dangerfield’s, a man named Quentin hosted the show. I realized then how very different New York comedy is from what we do in London. First of all, the host chats with the audience in a very different way than our British MC’s do. He does not ask anyone’s name or what they do for a living.  

Instead, he asks random questions and riffs a bit before he goes into his own set. There were only three comedians besides me and the host and each had a fairly long set. Each one got up on stage and told involved stories with no set ups, no punches and very few big laughs. All three had a least ten years experience so they knew what they were doing and the audience responded to them, even though I did not.  

The format of the evening was very different from the shows I do in the UK.

There was no interval. They had a man named Joey doing a long set in the middle of the show and he was evidently the headliner because he had TV credits. His comedy reminded me a bit of Ken Dodd’s. It went on and on and on. He had lots to say about young men and the unpredictable and embarrassing reaction of their dicks. I found this fascinating. It is obviously a guy thing. I do not remember my vagina surprising me like that. Of course, now, the poor thing is dead. 

My set seemed like an encore for the show. I finished the evening with a ten minute set.  To my surprise, I did very well despite a sharp difference in my style of comedy compared to the others on the bill. Everyone stopped to chat with me and tell me how wonderful I am, which was very gratifying.  

The next evening, I was booked as the headliner at a Comedians Over Sixty event at Stand UP NY, one of the major clubs in the city. There were nine comedians on the bill, all experienced. Each one did 10+ minutes of the kind of comedy I was used to hearing when I did the clubs in California.  

They had short set-up-punchlines peppered with funny stories. Again, this MC was not anything like those in the UK. He was more in the style of the MCs at The Punchline in San Francisco. He did his own comedy set to warm us up and then reappeared throughout the show to introduce each new comedian. Once again, there was no interval and all I could think of was OMG, these people will not be drunk enough to laugh at nothing when I get up there. 

The comedians that night were sharp and funny. Most memorable for me was a guy named Joe who did brilliant comedy about his autistic son, Theo. He made us laugh and at the same time, he endeared himself to us all. I knew I could not possibly follow anything that professional and profound. Thank goodness there were three more comedians before it was my turn.  

I did about 25 minutes and got a standing ovation. Both managers have invited me back. The audience all wanted pictures with me and who am I to say no?  Sadly, I am so short I came up to everyone’s waistline so all you can see in those photos is the top of my head. You cannot have everything.  

I am writing a memoir,  so I went to Washington DC to discuss it.

Diane Nine, the agent, is from Bloomfield Hills, Michigan just outside Detroit. It felt very comfortable to be with someone who talks like I do and has a Midwestern background. 

Just as people in the UK from the north have a different mind-set from those in the south and London is unique in its attitudes, so it is in the United States.  

The Southern personality is directly opposed to the rushing, killer attitude in New York City. Midwesterners are very hospitable and kind. They will bring you a casserole if you move next door and will be there to help you find the right stores and supplies. They will invite you over for backyard barbecues and treat you like family… as long as you do not want an abortion, are not gay and you are the right color.  And should you knock on their door unexpectedly, you would be shot. Guns are standard household equipment.  

Diane Nine has been involved in politics all her life. She worked for Jimmy Carter in the White House and met both Clintons. She said that Hilary Clinton was a charming, gracious woman, not at all the bitch the press painted her to be and that Jimmy Carter used to take her to church with him when she was his intern. He was and still is a very religious man. The Obamas actually live in her neighborhood now that they have left The White House. Her mother’s best friend was Helen Thomas, the Washington correspondent who was banned from that press corps because of her offensive remarks about Israel and Jews. 

For lunch the next day we met Lora who works for the Department of Agriculture. She is part of a team that monitors plant imports and plant diseases.  She was saying that they work with the EU on imports and, when Britain leaves the EU, there will have to be a whole new set of standards for agricultural products shipped between the UK and US; just one more complication caused by our Brexit upheaval. 

Life never stops, does it?

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Filed under Comedy, Politics, Sociology, US

Comic Lynn Ruth Miller in Amsterdam meets a man she stimulated 12 years ago

The unstoppable 85-year-old London-based US comedian Lynn Ruth Miller continues her travels. Last time it was Glasgow. Next time, it is New York. This time it was to perform for a week in Amsterdam… where she met a man from her past… Here she tells all…


Amsterdam is a fun city and this trip was even more rollicking than ever.

The local food is execrable which makes it more amazing that all of the natives are tall, blonde and exceptionally healthy.  When I walk down the street dodging between the bikes, I feel like all of them are Snow Whites and I am the dwarf.

The typical foods are things like deep-fried meatballs with a mustard dip, gooey pancake sandwiches and thick greasy Dutch fries. The Dutch actually hunger for raw herring and deep-fried sweet dumplings. Their comfort food is stewed mashed potatoes, cabbage and kale topped with a fat greasy pork sausage. I cannot believe any of them have a waistline much less any teeth. Evidently their metabolism considers these delicacies to be the equivalent of sprouts on whole grain toast.

In addition, Dutch people are very reserved.  When they hear a joke they nod approvingly and say: “That is funny” (in Dutch of course). But they do not laugh. That type of uncontrolled reaction is reserved for the tourists.

As is getting stoned.

Dutch people do not do marijuana.

They are very smart business people. Pot is good money. Their motto is: “Let the tourists get high. We need to keep our wits about us so we can make a profit.”

“It was a beautiful experience, but quite a challenge…”

On my first night in Amsterdam, I headlined at The Comedy Cafe. I have worked there before and it was a beautiful experience, but quite a challenge. The audiences were at least 70% native Dutch which means that English was their second language. They got the jokes all right, but they needed time to process the punch lines. This meant that I was two jokes ahead of them. I had to adjust my pace so they could absorb what I said.  

It was a huge challenge and an exciting one because, when you succeed in making them get the humor, you have overcome a huge hurdle in your presentation. The last time I managed three times out of five and the truth is that it is those two failures that have haunted me ever since. I guess that is why I call comedy an art instead of a craft. You have to have that instinct that knows the pace, the emphasis and the time to pause for each individual audience.

I was very, very worried about this new performance because of the mixed reactions I got the last time, but this was a very different crowd. The show was run by Tim van’t Hul who has joined several other comedians to form a troupe called The Comedy Embassy. They put on English shows at comedy venues on their empty nights.

And the Comedy Cafe has become an all-English club. It was founded by Bob Maclaren who is a magnificent comedian. When I was there two years ago, he presented both English and Dutch language shows. Thursday night was his only all-English show. Now, Tim and his group fill in the extra nights with their own comedians. They are all young, upcoming performers and, although the quality varies, the enthusiasm is wonderful and the shows are always a delight.

Because all the shows are now in English, tourists make up most of the audience. On the first night, there was a group of about 20 men in the audience who were there on a training weekend to learn internet marketing techniques. They had evidently decided to take in some comedy after their dinner. They were from all over Europe, but most were from England. 

When I saw them, I was terrified. My comedy makes fun of men and there were hardly any women in the audience. Those I saw were obviously on a date and were unlikely to encourage emasculating humor. It destroys any hope of a happy ending (so I am told, of course).

But I had forgotten that there is nothing the British like better than to excoriate themselves. The more you insult them, the more they love you. I think it is a male thing. You cannot get a British man to admit he has one good quality. To do that is in bad taste. And this self-flagellation seeps into the rest of their lives. 

They celebrate the people who defeat them like Guy Fawkes. They gobble up fish and chips and complain that they have horrid teeth and bulging bellies. They do not know how to express disapproval. They shrug their shoulders and roll their eyes when you do something they think is gauche, like laugh out loud or rattle a newspaper. They are the prototype of up-tight. And this audience was very British.

I got on stage with the help of a pulley and a rope and discussed my views on male inadequacy, blaming men for the state of society and all my personal failures in life. I was greeted with thunderous applause so loud I actually heard it.

The man who didn’t want to be a comic at one point…

After the set. I went to the bar for a drink. A man named Kees van Amstel said: “I have something to show you.”  

Naturally, my first reaction was to explain I wasn’t interested in seeing his, but then he bought me a drink and explained that, back in 2007, he was in Edinburgh at the Fringe, having a terrible time getting audiences for his comedy show. (And who among us cannot relate to that?)

He was terribly discouraged and ready to give up the whole project when a friend of his took him to see a late night show to take his mind off his troubles. I was in the line up for that late night show.  

He said: “I watched you having so much fun up there on stage and I thought If that old woman (I was a young chick of 74 at the time) can have so much fun AT HER ADVANCED AGE and be that funny, why am I complaining about low attendance and huge monetary losses?  I have plenty of time to create my dream.

So, that night, he went back to his Edinburgh flat and wrote a blog (HERE it is, in Dutch) about the ancient hag who inspired him to continue has career and not give up too soon.

(BLOG EXTRACT: “Old School kicks ass! Ze sluit af met een liedje over hoe sex is als je man net een niertransplantatie heeft gehad en krijgt het grootste applaus van het festival. Ik sta perplex. Lynn Ruth Miller. Om 2 uur ‘s nachts. Fucking hell, ik ben eigenlijk helemaal niet oud. Find of the Festival.”)

That incident was twelve years ago.

Now, he has his own shows and is on the board of directors of Toomler, the other major comedy club in Amsterdam. He decided to take a night out to see what the competition was doing. He did not know I was on the bill.   

“When you got on that stage,” he told me, “I said to myself I KNOW that woman. And then I remembered that time so many years ago when you changed my life.”

When you are at the Edinburgh Fringe, slogging from one open mike to another, you never think that you are accomplishing anything more than getting a couple of bums on a few seats for the show you are doing. It certainly never occurs to you that someone might actually remember you twelve years after they hear you perform.  

I cannot even remember something that happened twelve minutes ago much less twelve years ago. I assure you both my husbands instantly forgot everything I ever said within seconds of their departure from my life.  

And here I was talking to a man who remembered everything I said twelve YEARS ago.

I have always believed that I do comedy because I love it and that is all the reward I really need. But that man gave me something far more valuable than 20 Oscars and 50 Nobel prizes. He made me feel that I was actually part of a bigger picture, one that tells the world they can do whatever they want to do if they just get out there and do it.

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Lynn Ruth Miller on being stalked in Glasgow and the homeless in London

Lynn Ruth Miller in Glasgow last week

In yesterday’s blog, I was talking to a man who had decided to see what it was like to be homeless for one day on the streets of Manchester.

Now 85-year-old London-based American comic Lynn Ruth Miller gives her own views on homelessness and being stalked in Glasgow…

Here she goes…


I was so successful using my college Spanish in Barcelona (blogged about here) that I decided to give myself the acid test and go someplace where I REALLY could not understand anything anyone said.

Last week I went to Glasgow.

The Markee de Saw (left) and Miss Innocence Bliss in Glasgow

I headlined at the Allsorts Cabaret in Katie’s Bar. This is a burlesque cabaret hosted by the Markee de Saw and Innocence Bliss, both regulars on the burlesque circuit.  

And that was when I got stalked…

It was really very thrilling.

A very young man came into the club while I was waiting to go on stage. He sat very close to me and smiled significantly.

I smiled significantly back.  

What else could I do?  

I couldn’t SAY anything because there was a show going on.

At the interval, I left to put on my costume and his eyes followed me right into the dressing room. This was a brand new experience for me. I found it very awkward to get down to my undies knowing his eyes were right there in the room. After all, we had not even been introduced.

I returned to my table and there he was looking more significant than ever!!!!! 

I managed to haul myself on stage and he was right there with a hand up (to the stage, not my costume). I finished my song about being old just in case no-one noticed (but I think they all did). I sat down next to my stalker and he spoke his first words to me.

I think he said: “Would you like a drink?” 

But it was hard to catch what he said because, by this time, he had had several shots himself and the music was very loud and he was having a difficult time forming a coherent sentence.  

I think that’s a Glasgow thing.

In seconds, a large glass of white wine appeared as if by magic and the young man fastened his eyes on my bodice. I think he was trying to find my cleavage, which resembles an elongated pleat these days. But his brain couldn’t process what that was.  

I finished my wine and I think he said: ”Would you like another?”

So I nodded (significantly, of course).

I was obviously right because another glass of wine appeared before me.  

And then my stalker took my hand in his and looked even more significantly into what was left of my eyes. 

He tried to stand and failed.  

I was having a bit of trouble focusing myself, but I took his arm to help him up and that was when the bartender threw him out of the bar.

I was still glowing from this romantic encounter when I boarded the train the next morning to return to London Euston.  

My hosts and I walked to the station. It was supposed to be a 30-minute stroll but, partly because my legs are now approximately the size of a chihuahua’s and partly because my thoughts were still locked into memories of the sexiest night of life, it took us an hour to get to the station.  

We only had ten minutes to get to the train.  

My host said he would dash to Sainsbury’s and buy me lunch: a banana, a tangerine, a croissant and a small yogurt.  

As I toddled to my coach, he galloped toward me with a huge bag and thrust it in my arms. When I opened it, I realized he must have thought I wanted to feed the entire coach. I discovered a quart of water, a bag of tangerines, a large bunch of bananas, two croissants and a tub of yogurt ample enough to feed 400 starving Armenians during their revolution.

I managed to eat one of each thing and a few spoonfuls of the yogurt and then pondered on what the hell I would do with all this food because I am Jewish and we do not throw out food.

Meanwhile, the discussion in the coach drifted from Brexit to the homeless problem. 

The woman sitting across from me waxed eloquent on the outrageous way people were pretending to be homeless and fooling us by wearing tattered clothing when, as soon as their day was over, they ran around the corner and jumped into their Mercedes to motor to their luxury flat in Kensington.

I pointed out that some of them really do need our help and she said: “Really? I know for a fact that most of them earn at least £300 a day and they spend it all on heroin or cocaine.”

“Perhaps,” I said, “it would be best to give them food instead of money so they do not spend that 20p we thrust in their empty cup on drugs.”

“Absolutely not,” she said. “They won’t take food anyway. They just want to finance their disgusting habits.”

As she waxed eloquent on the sins of the charlatans sitting on our street corners, I remembered my friend Kevin who reminded me that, if I give money to someone, I have no right to tell him what to spend it on.  

“Did you ever think,” he said, “that drugs might be their only escape from a life too horrible for us to contemplate in our warm comfortable homes with our tables laden with food?”

The train pulled into Euston station and I took my huge bag of food and water along with my suitcase and my backpack with me on my way to Kings Cross to catch the Piccadilly line to go to Covent Garden.  

As I trudged to the station, I saw one of these very homeless people we were analyzing on the train.  

He was a young man in his twenties, shivering in the cold, with an empty cup sitting forlornly at his feet.  

I stopped and handed him the bananas, the bag of tangerines and the water but, before I could manage to throw a few coins in that empty cup, he was halfway through the first banana.

I thought of that woman sitting in a comfortable coach sipping her wine and nibbling at her gourmet salad.  

I thought of the comfortable place I go home to every night and the refrigerator stuffed with more food than I need and I wept.  

I wept for that poor man sitting before me so desperately hungry. He could not wait to eat that banana.  

I wept for that woman and all those like her who cannot see the hunger and the extreme need of people forced to subsist on the paltry coins we throw at them as we hurry from our warm homes to our comfortable offices or to the theatre or to a posh dinner that costs more than they will get in a year in that paper cup that sits at their feet.  

One missed paycheck, one lost job, one debilitating illness… that is all it takes to put every one of us on the street, begging strangers for help.

I do not have answers for how we can stop this growing homeless situation.  

I do know that my giving that boy a bit of fruit did nothing to solve the bigger problem.  

But what else could I do?

So I hurried on to Covent Garden to judge an LBGTQ heat in a club.  

I laughed a lot and drank some wine, but I couldn’t get the memory of that hungry boy out of my mind.

When I got home that night, all I could think of was the people I walk past every day on the street and how little we all do to help those who are not as lucky as we are.

And then I ate my dinner and began to plan for my trip to Amsterdam.

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Filed under Glasgow, Humor, Humour, London, Poverty, UK

85-year-old Lynn Ruth Miller tries out her 68-year-old Spanish in Barcelona

And so we continue the globetrotting adventures of 85-year-old London-based American comic and occasional burlesque performer Lynn Ruth Miller


The artful Lynn Ruth Miller in Barcelona

I was in Barcelona again. It is a wonderful place to wander. It has narrow, winding streets filled with art galleries and expensive shops.  

I took Spanish 68 years ago, my freshman year at the University of Michigan, and I was quite good at it.  

All the football players took that class because it was so easy and we had the captain in our class: Señor Perez. I managed to teach him several words because he had trouble reading. (He was a football player; the university did not accept him for his literary abilities.) 

I still remember the vocabulary I drummed into his head but I never got a chance to use those words with real Spaniards until I visited Barcelona. 

When I checked in at my hotel, I said “Hola!” to the surprised young lady at the front desk and it made her smile. 

I explained (in English, of course): “I am a professional comedian and my job is to make people laugh.”  

She laughed.  

“Gracias!” I said.  

“De Nada,” she said (with a very thick accent) and I actually understood her.  

I can tell you I felt very Spanish as I tangoed up to my room in the attic of the hotel.  

It was a small room, just about the size of a telephone booth, but it had an unusual feature. The back wall was actually a skylight. You pushed a button to make the shade come down and block the light.  

When I pushed the button the whole room shook, which helped me get my circulation going. 

I thought that was a nice feature in addition to fresh towels and soap. It made up for the hotel not providing a kettle.

Lynn Ruth and Christine go Catalan

My companion this time was Christine, a superb artist who lived in Barcelona for over two years before she returned to Brighton to remind herself that she was really English. Her Spanish is REALLY good and she said wonderfully melodic things like “Por favor” and “No hablo español”.  She was really a great help to me when I tried to order food at the restaurants while I was in town. 

The first night we were there, we went to a Spanish bodega and I tried to order typical native cuisine. I asked Christine to get me a burger with fries. She smiled at the waiter and said something I couldn’t really decipher but the wine was wonderful.

The next afternoon, we happened into an artist’s studio and gallery. The paintings were huge and reminded me a lot of Picasso during his psychotic period.  

The artist was an elderly man with flowing gray hair and he had tubes of paint scattered everywhere. He offered to show us his technique but I explained that I was very old and my muscles weren’t as supple as they once were.  

Thank goodness he didn’t speak English.

Then Christine and I went to an improv jazz place called JazzSí where musicians rotate on stage and play marvellous, hummable jazz. I sat next to a lovely young man from Brazil who explained that this was the place where students could practice their music. I asked him if he played too. And he said of course he did – but not music.

That night was my show at Craft Barcelona and it was magnifique, as they say somewhere in Europe. Not in Barcelona evidently. I tried it and someone said they didn’t have that kind of tapa.  

On stage at Craft Barcelona after dog food memories

I have performed at Craft Barcelona twice before and each time has been an amazing success. This time, the host was Matthew from Perrysburg, Ohio, which was amazing to me because, during my salad years, I was from that very same place. I shopped at Kazmaier’s, the only supermarket in town. I asked Matthew if he remembered Bro, the son of the owner, and he said actually Bro WAS the owner now which all goes to show that even established grocery stores eventually change management.  

I asked Matthew if they still sold Alpo, the dog food good enough for people to eat. I explained that there had been a man in Perrysburg who used to buy a case of Alpo every week and when Bro said, “You must have a really hungry dog,” the man said, ”It isn’t FOR my dog.”

Matthew said: “That was my father.”

Ohioans have very strange taste. That is why we both left.

In Barcelona, the other comedians and the audience were mostly expats and I was the headliner. I did just short of an hour and everyone stood up and cheered. I was thrilled that they enjoyed my performance so much but Vinnie (the man who booked me) explained that wasn’t why they were cheering.  

They were just amazed that I had stood that long.

I always say you take your accolades any way you can get them.

The next day we ‘did’ Barcelona which is the most do-able city ever. I saw a woman sitting at a sewing machine sewing people’s names into cardboard for souvenirs and a shoe shop where the shoes had slogans like I LOVE TO DANCE and I AM CUTE and TRUTH CAUSES INDIGESTION.  

Christine and I indulged ourselves in very expensive Piña Colada’s and then we hurried over to Spank the Baby which is not what you think it is.  

It is a dance studio and my hero Pablo teaches the Lindy Hop there. It has become a tradition that I go there and Pablo dances with me.  

The long and the short of it for Lynn Ruth Miller in Barcelona

The problem is that, each time we dance, I get a bit shorter and Pablo gets a bit taller. 

This time the poor fellow had to go into traction after we whirled around the floor to Tea for Two 

I was not in very good shape after the dance myself. One of my lungs collapsed at the second chorus and my foot slammed into my ankle at the finale.

I wanted to thank Pablo properly in Spanish so I said, “¿Dónde está el baño?” and he said, “Adios, muchacha.”  

Which I thought was very sexy.

We wandered down some dark alleys on our way to a real Catalan restaurant and stumbled on another artist’s studio.  

This artist was Isabella and she was from Ecuador.  Her husband was an actor and she worked with glass and metal to make interesting goblets and rings. She created whimsical necklaces and earrings as well.  

We chatted about the importance of creativity and the joys of being an artist and I praised her work with one of my Spanish phrases, “Amo a mi perro,” and she smiled and said, “Tengo un gato.”  

“You are so welcome,” I said and we hurried to the restaurant where we met Vinnie and his new wife Dana.  

Vinnie is from Manchester and has a thriving internet business as well as a production company that books musicians and comedians.  

He took us to Los Caracoles, which is an old-established Catalan restaurant. The place was filled with antique paintings and happy people. We loved the food, especially after the fourth glass of wine.  

The next morning we said a sad goodbye to this lovely city.  

A drunk at the hotel front desk asked me if I knew what a homosexual was and I said: “Darling, I lived in Brighton for two years.”  

I thanked the girl at the desk with another of my Spanish phrases: “Hable despacio!” 

She replied: “All you owe is the room tax.” 

Christine and I stopped for a quick coffee and we both got a hug and kiss from an Argentinean who said he lived in London for six months. That was when I realized that you get a lot more than coffee at a Barcelonan coffee shop.  

As we boarded the plane to Gatwick, I shouted ”Muchas Gracias!” and off we disappeared into the bright blue skies.  

As soon as the sky turned dull and gray, we knew we were back home again. 

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Filed under Comedy, Humor, Humour, Spain, Travel

The Museum of Comedy’s Monday Club – “London’s best ‘new material’ night”?

In London, there are loads of free ‘new material’ comedy nights. This often means inexperienced comedians turn up with half-written, half-baked half-ideas and the evenings can sometimes be more endurance test than entertainment.

One exception is the (in my experience) consistently good and – amazingly – free Monday Club show, held in The Museum of Comedy on – well – on Mondays.

The Museum of Comedy is a random collection of comedy memorabilia and a well-designed performance space in a crypt under St George’s Church in Bloomsbury.

It (The Museum of Comedy not the church) is owned by the Leicester Square Theatre and this coming Monday is the 1st anniversary of The Monday Club.  

So yesterday I chatted to David Hardcastle, who (with Tony Dunn & Patch Hyde) organises The Monday Club and runs comedy competitions for the Leicester Square Theatre and the Museum of Comedy.


David Hardcastle and (top) Tommy Cooper

JOHN: The majority of new material nights in London are – well – not very good but you always maintain a high quality. Genuinely.

DAVID: I hope so. It’s mostly invitation only – some people get in touch, but they have to be of a certain level. Because a lot or some of the acts know each other, there’s a sort of support group AND competitive element in it: they HAVE to write something new for it, otherwise people will know they’ve been lazy. 

JOHN: What is your actual title at the Theatre and Museum?

DAVID: Artist Development. 

JOHN: And comedy competition supremo…

DAVID: Well, originally, at Leicester Square, we just ran the one competition and now it’s the Leicester Square Theatre AND the Museum of Comedy AND the Great Yorkshire Fringe – and there are four competitions within them, so I’ve sort-of invented my own job.

One of the reasons for The Monday Club is we used to have people coming in through competitions but then we had nothing else to give them; no way of supporting them by giving them stage time unless they came back and rented the space to do a preview. So it’s hopefully a way of keeping those people in the loop and involved in the venue.

JOHN: You have a New Comedian of the Year competition, but you no longer have an Old Comedian of the Year competition.

DAVID: Now it’s called the Not So New Comedian of the Year.

JOHN: And the title was changed because…?

DAVID: A lot of people refused to enter a competition that had the word ‘Old’ in it. It is for comics over 35 years old and people argued 35 is not old enough to call anyone old!

JOHN: I say just give it to Lynn Ruth Miller every year: she’s 85!

DAVID: Well, she MCs it every year now.

JOHN: You sometimes MC at The Monday Club yourself, but not always.

DAVID: I quite enjoy it when I do it, but I never particularly want to do it.

JOHN: You’re not frustrated by putting acts on but you’re not one of them?

DAVID: You perform comedy and you reach a stage where you are sort-of competent but, if you’re not aged 23, it’s very hard to get further than that.

My full-time job is comedy admin, so I don’t have the time to perform as well, really. And I’m too lazy to perform. I’ve not written a joke in four years.

JOHN: Before comedy, you were doing what…?

David’s poster for US comic Doug Stanhope

DAVID: Graphic design, which I still do. I still do the design work for here and Leicester Square Theatre.

JOHN: Graphic designers and stand-up comics surely have a different mind-set?

DAVID: I think, if it’s a creative thing, that’s… Well, weirdly, there are a lot of comics from an art and design background. They start popping up online at this time of year saying Do you want poster designs for your Edinburgh Fringe show? 

I did fine art originally, at Bradford College of Art.

JOHN: You are from Bradford.

DAVID: Yes. Then I did an MA at Camberwell in London. There is no money in doing fine art, but you can make a living doing graphics. So I started doing that by accident.

JOHN: You used to run a night called Get Happy in Farringdon.

DAVID: My girlfriend at the time and I had both done Logan Murray’s comedy course and running Get Happy was an easy way to get stage time.

JOHN: You did Logan Murray’s course because…?

DAVID: I think stand-up comedy is one of those things where you always fancy giving it a go.

JOHN: Not me.

DAVID: I had always fancied doing stand-up.

JOHN: So you started in…?

DAVID: Around 2007, I think.

JOHN: And now you are in theatre management and Artist Development… So do you get a hard-on by finding new talent? I will think of some better way of phrasing that when I transcribe this.

DAVID: I’m spunking my pants even as we speak.

JOHN: Perhaps I will leave it in, then, if that’s the phrase.

Behind The Scenes at the Museum… of Comedy

DAVID: I know what you mean, though. When I first started running my own comedy night, I actually found that there was more satisfaction in putting an entire night together that works than there was going up myself and performing. I just found there was something really nice about the fact that people would come into a pub and watch something for an hour and a half and go away happy.

JOHN: Because you had structured it well.

DAVID: Exactly. There are so many comedy nights that aren’t structured and are just a shambles and then they wonder why they don’t work.

JOHN: I think club owner Malcolm Hardee’s rule-of thumb was you end with the best act, start-off with the second best act and have a good solid act at the end of Part One. So what is your template structure?

DAVID: Don’t let people bang on too long and let the audience know what’s happening.

JOHN: The acts all get 5 minutes.

DAVID: Yeah. It’s all about keeping it in manageable chunks, I think. And proper lighting; proper sound.

JOHN: Have the nights got better over the course of the first year?

DAVID: Yes. Because we have started to get some regulars in the audience. People don’t come back every week but, if we ask at the start, usually at least half of them have been before, which means we now have an audience that knows what’s going on and are on-board with the concept. Which is nice. You start with a warm audience, so it’s better.

We want it to be relaxed for the audience AND the acts. One of the reasons we start at 7.00pm and finish by 9.00pm is it leaves time to have a chat afterwards.

Crypt-ic comedy under a Bloomsbury church

JOHN: The acts you have on are good solid acts but not ‘TV names’ or mega names. Are the Big Names too big to play The Monday Club?

DAVID: I think audiences generally are more aware of the concept of new material now. I think once you reach a certain level, you can do a whole hour of new material rather than rock up and do five minutes. The Big Names can do an hour and sell tickets to it. Michael McIntyre has been here at the Museum of Comedy doing new material. Alexei Sayle is on for a week with a new show.

JOHN: When they’re Big and more experienced, they can try out entire shows rather than five minute chunks, which is the Monday Club format.

DAVID: Yes. But Josh Widdicombe has done a Monday Club. Rachel Parris did one.

JOHN: Next Monday is going to be a special show to celebrate your 1st anniversary?

DAVID: Yes, we are going to have on exactly the same people we were going to have on before we realised it was our birthday.

JOHN: But with added free cake, I heard.

DAVID: Oh yes. We’re having cake.

JOHN: Then I’ll be here.

DAVID: We have started describing it as “London’s best new material night” purely on the grounds it is difficult to prove any different.

JOHN: I like your way of thinking.

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Comic Lynn Ruth Miller in Stockholm on why her father disappeared for a year

Incorrigible globe-trotting 85-year-old London-based American comic Lynn Ruth Miller has just returned from a performance in Stockholm… This is her story…


I flew Scandinavian Airlines to Stockholm and those people REALLY respect the elderly. I was assigned a middle seat and when I got on the plane I asked the senior flight attendant if there was an aisle or a window seat available. She actually kicked a middle-aged woman out of a seat so I could sit on an aisle. That is a real first. Usually the elderly are relegated to the toilet to sit it out until the flight finishes.

When I got to Stockholm, I could not believe how clean the city was – and everyone spoke AMERICAN English, which meant I could understand them – a change from Britain where they all talk like they are trying out for a Noël Coward play.  

Fredag nights are kvinnor nights

Magdalena Bibik-Westerlund, the woman who booked me for the Stockholm show, warned me to dress really warm because it was going to be bitter cold. However, I hail from Ohio where cold means that your breath forms a cloud so dense you cannot see your hand in front of your face and your nose is in danger of falling off if you do not protect it. This cold was comparatively mild, with no wind to intensify it.

My hotel room was very Scandinavian: it was about the size of a disabled toilet but it had everything you could possibly need in it, including a microwave, a refrigerator and a giant bed made for people who are at least 6 feet tall, which they all are in Sweden. I had to stand on a chair to get into it.

Small as the room was, the shower was huge. It was so big I could do a wild erotic dance between the drops of water. Not that I did. But it was comforting to know I COULD if I really wanted to.

The night manager Abraham had lived in Cardiff but, from what I could gather, his wife and two children decided they needed to get away from him and from Cardiff, so they emigrated to Sweden. Abraham refused to be parted from his children and followed them to Stockholm.  

This attitude is totally unlike my own father’s, who could not wait to get the hell out of the house the minute I arrived.

He disappeared within seconds after inhaling the pungent odor of a new baby in the place. 

According to my mother, he wrinkled his nose when he was introduced to me and said: “This kid stinks.” We didn’t see him again for over a year.  

When he did return, he asked: ”Is she toilet trained?” 

My mother, who had put a plug up my you-know-what, said: ”Of course she is. What would you like for dinner?”

Back to Stockholm.

The morning after I arrived, I went down to meet Magdalena, the woman who made it all happen.  

She and her husband, comedian Janne Westerlund, founded the Stockholm Comedy Club. They do several shows a week, but Fridays are their all female shows and they are always a sell out: Female Fridays at the Gröna Lund-teatern where the Beatles, Abba and all the Swedish greats performed.

Zero Mostel as Max Bialystock (sic) – no relation – in Mel Brooks’ film The Producers

Magdalena and I had lots to talk about because she had lived in Bialystok, Poland, until she was seven years old.

My grandparents were from that very city and were such prominent citizens at the time that my grandfather’s name was Joseph Bialystotsky. However, when he arrived at Ellis Island in New York, the immigration officer asked my grandfather to spell his name and, as a result, he walked out of that office as Joseph Miller.

Civil servants cannot spell worth a damn.

That evening in Stockholm was the Big Show and it was very big indeed. There were five of us booked plus the most amazing MC ever.  It was all in Swedish so I have no idea what anyone said, but every woman on that stage brought down the house.

I had been terrified. What if they didn’t understand me? What if they didn’t like me? And this is the worst: What if they did not laugh? 

I walked on that stage feeling like it was the guillotine. But it was not. It was heaven. Everyone clustered around me after I finished and told me I was wonderful (in English of course). All I could think of was: Why didn’t I record this and send it to my first husband so he could see what he missed?

While all of us had been making the ladies (and about five men) in the audience laugh, the elements had been at work swirling around the buildings and trees like whirling dervishes.

When we emerged, it was a winter wonderland. Everything was covered with snow and the wind felt like it was 100 miles an hour. But this is Sweden where men are men and 30 below is balmy.

Magdalena and I had about 75 miles to drive to get to her home in Skebobruk, nestled in the Swedish countryside.  When we got there, I met Janne, her husband and Zumo their magnificent Border Collie/Labrador mix baby.  

It wasn’t until the next day however that I got a glimpse of how beautiful winter can be in the Swedish countryside. All the houses in the little cluster of homes the Westerlunds live in are bright red and they stood out like jewels against the white of the landscape and the tall evergreens  that surround them.

We drove into the village for another one of those Swedish buffets with sufficient food to nourish a refugee camp overlooking a shimmering frozen lake. And then we came home to watch the Swedish Eurovision finals.  

John Lundvik sings Sweden’s 2019 Eurovision song entry

Evidently every single person in all of Sweden watched that show and called in their votes. There were two telephone numbers on the screen: one where you voted for free and one where you added a contribution for charity. That program alone raised thousands for charity and John Lundvik, a former sprinter, won hands down. He will represent his country in Tel Aviv singing the winning number Too Late for Love.

I listened to this young man’s lyrics about the danger of waiting too long for romance and I thought: You do not know what procrastination is, darling. Try waiting 85 years before you start shopping for a bit of nookie. I would have better luck snagging a hippopotamus than I would getting a date on Tinder. And at least a hippo wouldn’t be able to out-run me. 

And there is always the problem of which body part to put on Tinder.

Now I am back in London.

My next stops are Barcelona and Amsterdam.

I do not let the grass grow under my feet, but then I personally have not seen my feet in 20 years.

… CONTINUED HERE

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Stand-up comic Lynn Ruth Miller looks forward to Viagra and back to Leicester

In recent blogs, 85-year-old London-based American comic Lynn Ruth Miller has been sharing her experience of performing in exotic places like Hanoi. Recently, she was closer to home…


I really love the Leicester Comedy Festival because it does not cost an arm and a leg for me to participate. I have already lost a hip and a knee and I am in no mood to barter with any more body parts. 

Before Leicester, I had to convince a promoter or a venue that, if I pay lots of money, they will give me space to perform for an hour.  

Not any more. No sir.  

Now, I have a venue that wants ME.

OK, so it’s not a fancy one. It doesn’t even have a stage. There are no bright lights and no-one ever reviews shows that appear there. But it is my little venue and I love it just as much as the big showy ones that make the headlines and get the reviews.  

Bike shop: “a wonderful place for me to shine.”

It is a bike shop.

Things could be worse. I could be crammed into a refuse shelter among all the flotsam and jetsam which people recycle. I could even stand on top of an automobile in a showroom or fight my way to the top of a chest of drawers in an antique shop.

But my bike shop is a wonderful place for me to shine. 

Bicycle people are not judgmental. They all love to laugh. It was bike enthusiast and promoter Andy Salkeld who figured that out. He got the idea of transforming a commercial establishment into a comedy performance space several years ago because he wanted to amuse a healthy, outdoorsy type of audience. 

Though, sadly, that is not me.  

I am so uncoordinated that, the last time I tried to pedal my way to the grocery store, I mistook the hand brake for a horn and somersaulted into an intersection.

Andy is the Cycling Co-ordinator for Leicester City Council. (Yes. They really have someone like that, right up there with Public Safety, Public Health and Emergency Planning.)

Andy has created a bicycle comedy show – The Red Light Comedy Club – that has been part of the festival for several years. The challenge for Andy was to find someone who had nothing better to do than host his unusual shows. Any performer already creating his own production at that festival would never risk dampening his reputation by standing among a lot of axles, chains and rubber tyres.

Andy Salkeld “has a unique taste in comedy”

I was that someone.

What else do I have to do but take my medication, attend my dialysis and locate my dentures?

Andy has booked me to host his Red Light events for the past three years. And I love every ego-boosting moment.  

He has a unique taste in comedy. In the years I have hosted these shows, there have been comedians who sing wild, improbable songs, those who throw things at the audience and those who insist the audience throw things back at them. The events are unique and don’t involve deep thought, but there are all those different bicycles to look at if the person at the microphone does not appeal.

This year, I met some very unusual people who revealed things about themselves on stage that I would not even tell my proctologist, much less my mother.  

For example, Kevin Hudson, an accountant by day and observer of the idiosyncrasies of life by night, went into great detail about his prostate examination. His account was so graphic I thought we might get a hands-on demonstration but, sadly for me, he kept his trousers on. It has been a long time since I have viewed that area of the male anatomy and I kept hoping…

The most interesting part of that evening was meeting an accomplished comedian who is 75 years younger than I am. Ian Hall who introduced us to the real star of the show: his daughter, Niamh Hall. She is ten years old. She manned the audio for her father and stole the show.  

Niamh Hall (left) was “the real star of the show”

But that is what happens when you let a real woman take over, isn’t it?

I realized then how limited my own upbringing was.  

When I was ten, my main activity was bouncing a ball (rubber… not what you are thinking;  that didn’t happen until I was sixteen) and stroking furry creatures (FOUR legged ones).  

I certainly did not have the courage to stand on a stage with a bunch of strangers staring at me, while I took charge of my father.

It is a new world and Niamh is a shining example.  

I see her, when she is my age, appearing  at the O2, her tattoos crumbled into a kaleidoscope of unidentifiable colors, her confidence mesmerizing an audience amazed at her ability to balance on one leg while she operates ten turntables filling the room with musical cacophony.  

She will be able to do a thing like that until she is 100.  Unfortunately, all I can do is talk dirty to young people.

I was sorry to see the festival end. It was an education for me this year and I cannot wait to return to the bike shop again next year to find out why Viagra is such a success. I have always avoided it because it squanders four hours of your day. I don’t have that much time left to waste. Not anymore.

Next stop, Sweden.

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