When I was a kid growing up, living with my parents, watching television a lot, there were two people who established in my brain the importance of the director.
One was Mike Hodges, who directed some of the ultra-stylish ABC TV Arts series Tempo. He went on to direct movies including Get Carter and Flash Gordon.
I always reckon, if you see an Avengers scene shot through an empty wine glass or with exceptionally arty angles, it was a John Hough episode.
Last night I went to a rare screening of The Legend of Hell House, a movie produced by Albert Fennell and directed in 1973 by John Hough from a script by the brilliant Richard Matheson based on his own superb humdinger of a novel Hell House.
After the screening finished, John Hough was asked which actors he most enjoyed working with in his career.
“John Cassavetes,” he replied, “was really interesting to work with. I did a couple of films with him (Brass Target and The Incubus). He genuinely never read the script. He would ask: What’s the situation? He just wanted to know what the scene was about and how the character was feeling and then he would ad-lib the scene brilliantly.
“But, when I did a picture with him and Sophia Loren (Brass Target) she could not ad-lib so, when I said Action! she was waiting for him to say what was in the script and he didn’t say that. I was in big trouble there. She couldn’t do it.
“So I rang up MGM – it was their picture – and the answer came back: The poster reads SOPHIA LOREN… and John Cassavetes. So he had to learn the script.”