Tag Archives: mother

I watched my father die for over ninety minutes with a look of horror in his eyes

This is rather long but, if you can’t be selfish in your own blog, where can you be?

We are in coronavirus lockdown at the moment and yesterday was VE Day, so death is in the air.

A photograph taken on my parents’ Wedding Day in 1946

Yesterday I posted a photo on Facebook – of my parents on their wedding day in 1946. 

A couple of people said  I was the living image of my father. I always think I look nothing like my father but loads of people say I do.

They were very good parents. They did everything they could to be kind to me and to bring me up well with Calvinist morality. We were Church of Scotland in Aberdeen but, when we moved to Ilford in London, the nearest Church of Scotland was about 3 miles away, so we went to the local Presbyterian – very low –  church. All my character flaws and faults are mine, not theirs!

My Scottish father was bizarrely born in Liverpool. His father was a Scots merchant navy captain and was based in Liverpool. He died when my father was 3 years old, at which point the family moved back to Wigtownshire in SW Scotland, 

When my father was 15, he ran away to join the Royal Navy. I am a bit vague about his exact age but, whatever it was, it was one year before the age he could legally enlist so they rejected him. A year later, he re-applied and was accepted, just in time for the Spanish Civil War in which – allegedly – the UK was not involved. Although my father remembered his ship dropping men in civilian clothes off the Spanish coast who were then taken in small dinghies to land.

In the Second World War, he was based in Malta on the cruiser Aurora, whom the Italian press nicknamed ‘The Silver Phantom’ because it would attack then disappear.

Me (aged 1) with father near home in Campbeltown, Scotland

My father was a very calm and quiet man but, after he died, my mother told me he had once, in Clacton, where they retired, had a panic attack in the small toilet in their bungalow. They had a small self-contained toilet room next to a bigger bathroom.

He had been a radio operator during the War and, on one occasion, the Aurora was under attack. He was down in his radio room in the bowels of the ship, totally isolated, with no way out if the ship started sinking and all he could hear was the sound of explosions magnified in the metal ship and all hell breaking out unseen around him. He re-lived that terror, isolated in his tiny toilet room in Clacton.

After the War, he serviced marine radar on fishing vessels around the Scottish coast. In the mid-1950s, he had been isolated in a tuberculosis sanatorium in Aberdeen then got employed by a company called Kelvin Hughes.

We moved down to Ilford when he got employed at their main factory in Hainult.

Me, at home in May 2020, looking, I think, unlike my father…

In the early 1960s, because of the places he had to visit, he had to be ‘positively vetted’ – after the defection of Kim Philby. I remember him telling my mother they had interviewed his masters at secondary (and possible primary) school.

He died of cancer, alone, in the gloomy-lit back bedroom of a nursing home in Clacton-on-Sea. I was there and watched him die in 2001. I spoke to him, but I don’t think he knew I was there.

I posted the blog below in June 2014.


In recent weeks, I have been posting extracts from my 2001 diary about the period when my father was dying from cancer.

I previously posted a shorter version of what follows in November 2011, when Apple boss Steve Jobs died. I think this one has a better ending.

Edvard Munch’s Der Schrei der Natur (The Scream of Nature)

Der Schrei der Natur (The Scream of Nature) painted in 1893 by Edvard Munch

Saturday 23rd June

My father’s mind was on another planet. He did not recognise the nurse when she came in. He could not recognise words said to him. It was not that his ears could not hear them; it was that his brain did not recognise their meaning.

Sunday 24th June

When we visited my father this afternoon, he was unable to communicate, staring blankly into the middle distance.

Monday 25th June 

My father told the nurses he felt pain this morning. So he will now be given an extra daytime tablet with a morphine-element in addition to the one he is given in the evening. His eyes stared, as if at something faraway and long ago. As I left and put the trolley tray by his bed, he looked at me and said: “There’s something not at all right with me.”

Tuesday 26th June

I had a 2-hour medical check-up in a BUPA building near King’s Cross.

London was sweltering in extraordinarily hot weather, but inside the building it was cool and relaxing. Later, I sent an e-mail to my friend Lynn, saying:

They say I’m getting into the start of being dangerously overweight and VERY slightly too cholesterolly. I do wonder if it was really necessary for the short Chinese gent to put his finger up my bottom to test for Prostate Cancer. Surely there must be another way to do this or was he just ‘avin’ a larf?

I phoned my mother around 6.00pm and she told me that, when she had visited my father in the afternoon, there had been no response to anything she or my aunt (his sister) said. His eyes were open but staring ahead. “I think he was drugged up to the eyeballs,” she told me. “I don’t think he’s in any pain.” (Later, the matron told me the medication he was on was not that strong and that they had not given him a daytime tablet to avoid making him zombie-like.)

At around 8.30pm, I was mowing the grass on my front garden. The matron phoned me on my mobile phone to tell me my father had deteriorated very badly and I arranged to leave at 10.00pm, to get to the nursing home around 11.30pm, telling my mother I was getting to her home in Clacton at 1.00am and not to wait up for me. I was going to see how he was at 11.30pm and decide what to do.

The matron rang back at 9.30pm to tell me the doctor had just been and said my father only had four to five hours left before he died, so I went immediately, told my mother I had been phoned by the matron and asked if she wanted to go to the home to see my father.

She said (quite rightly) No, with a sad, tired, tone to her voice, and I phoned her just after 11.05pm when I had gone in and seen my father briefly. I suggested my mother take her two nightly sleeping tablets and go to bed and I would stay with my father all night and phone her at 7.00pm when she got up. She knew it was terminal because she had told me where the undertaker was. There was some surprise in her voice when I phoned her:

“Is he still here?” she asked.

When I arrived, the nursing home’s night sister warned me he had deteriorated a lot since my mother had seen him this afternoon and warned me “his eyes are open”.

The first thing that shocked me when the door was opened, though, was the sound. I had never realised the phrase “death rattle” was anything more than a colourful phrase. It is an exact description. I had also thought it was a brief final sound rather than an ongoing sound.

It was a rhythmic, rasping sound.

His face was side-lit in the darkened room by a yellow-cream glow from a bedside table lamp sitting not on a table but on the floor of the room with old-fashioned floral wallpaper. It was bit like a Hammer horror movie of the late 1950s in slightly faded Technicolor.

His bed was behind the door and when I saw him lying there on his back in bed I was shocked again because his face was like Edvard Munch’s painting The Scream.

His false teeth were out, so his mouth was abnormally small considering it was open to its fullest extent, the skin between his upper lip and nose seemed wider than normal; and there was an indented line on his nose between his nostrils which, in profile, made him look like he had two noses.

He was lying on his back staring straight up at the ceiling with wide open, unblinking eyes as if he was shocked by something he saw on the ceiling. His head was tilted back slightly from his torso as if his head had been dropped into the soft pillow from a great height.

This tilted-back head, the shocked eyes, the open mouth all combined to make it look like he was frozen in a silent scream yet the sound coming out was a death rattle from his throat, as the air mattress beneath him made discreet little isolated cracking sounds presumably caused by the slight movements as his body made the rattling rasping breathing and his distended stomach rose and fell under the bedclothes.

The rattle was like a machine breathing through a very slightly echoey plastic tube partially blocked by air bubbles in water. I wondered if he was dead already, inside. It was as if his brain or heart must be telling his throat and chest to desperately gasp for air even though they knew it was pointless.

Towards the end, the rattle became less pronounced as the sound of the breaths within the rattle became slightly more human.

Towards the very end, the rattle slowly died out and human light breathing returned, getting gentler and gentler as his life ebbed away. When the breathing ended, I pressed the buzzer for the night sister.

When she arrived, there was some slight breathing again, but only for 40 or 60 seconds. For perhaps the last 15 seconds of his life, his mouth – until now rigidly open – partially closed then reopened three times, then his eyes slowly closed, his mouth partially closed and reopened twice more and he was dead, his eyes closed and mouth open. It was 00.35am and 22 seconds on Wednesday morning. I had arrived at about 11.03pm.

After he died, I went downstairs to the nursing home office with the night sister, whose father-in-law had died in the same room – Room 11 – of the same disease. I then went back up to the room where my father lay for 15 or 20 seconds during which time there were a couple of tiny surreal flashes through the window from the outside world.

When I went outside to my car, the black sky was flashing white with lightning. Every few seconds, the whole night-time sky was silently flashing white with increasing – but still silent – violence. On the drive back to my parents’ bungalow in Great Clacton, the flashes became whiter and more frequent and the thunder sound arrived. On the drive beside their front garden, small surreal white specks were being blown across the tarmac. When I got out of the car at my parents’ – now my mother’s – house, there was a neon-like flash of vertical lightning and a sound of rustling which continued for 60 or 90 seconds.

I took my bags inside the bungalow and then the rain started. Torrential rain thundering on the streets and windows and roof. Violent and angry rain.

It all struck me as unfathomably dramatic. My father’s death… then immediately the heavens in turmoil… then strong winds… then thunder crashes and angry, violent rain… As if the heavens, in turmoil, were protesting.

It reminded me of the death of Julius Caesar in Shakespeare’s play.

I looked up the quote later:

There is one within,
Besides the things that we have heard and seen,
Recounts most horrid sights seen by the watch.
A lioness hath whelped in the streets;
And graves have yawn’d, and yielded up their dead;
Fierce fiery warriors fought upon the clouds,
In ranks and squadrons and right form of war,
Which drizzled blood upon the Capitol;
The noise of battle hurtled in the air,
Horses did neigh, and dying men did groan,
And ghosts did shriek and squeal about the streets.
When beggars die, there are no comets seen;
The heavens themselves blaze forth the death of princes.

My father was a very ordinary man. Yet it was like the heavens were protesting.

Wednesday 27th June

In the morning, my father’s dead body lay on an occasionally cracking air bed in Room 11 of the nursing home.

People were talking about the dramatic overnight storm. The telephone lines had been cut at Weeley Crematorium but the fax line was working, so the funeral director could only talk to the crematorium by fax.

Thursday 28th June

The curate who will lead the service at my father’s funeral came round to chat to my mother.

“What was Harry like as a person?” he asked my mother.

“He was very placid,” she told him. “But if he was riled he would go through a brick wall. It would take an awful lot to get him riled, though.”

My mother partially broke down later in the day saying of the funeral: “It’s only his family that’s going to be there – only his family not my family.”

Almost immediately – within 15 seconds – the phone rang. It was her cousin Sybil ringing from Edinburgh to say she and husband Osmond (who is dying of cancer) would be coming down to the funeral.

Friday 29th June – Clacton

My mother partially broke down again in the evening.

“I’ve been worrying about this all day,” she cried to me. “When I said yesterday I had no family……. I’ve got you……. That was a terrible thing to say!”

Of course, when she had said there would be no members of her family at my father’s funeral, I had taken it the way she had meant it.

Her parents were dead. She was an only child. Almost.

She had had a brother. He died when (I think) he was aged 16 and she was 11.

Her parents had adored her brother. He was the perfect son.

My parents after their wedding

My parents married in 1946. My mother died in 2007, aged 86

My mother was born with no left hand – only a rounded stump. When she was a small girl, her mother told her: “Keep your left hand in your pocket. Don’t let anyone see.” She always hid her left hand from strangers.

Once, in the 1930s, she saw a man in a Glasgow street – she still remembers him clearly – leaning on the wall by an office doorway and she saw he “had exactly the same as me”. But he didn’t care if people saw it; he just behaved as if it was natural. “I wanted to talk to him but I didn’t,” she told me. “I wish I had.”

Before my mother married my father in 1946, my aunt (my father’s sister) told her: “I wish Henry could marry a whole woman.”

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Filed under Death, Family

A funny thing happened to IKEA’s image at yesterday’s shambolic public relations disaster

If you don’t like long moans about incompetent ad agencies, PR people and IKEA, progress no further, gentle reader.

The words “piss-up”, “brewery”, “a”, “organise”, “couldn’t” and “in” spring to mind.

I am not going to name the top-notch comedy warm-up man and four excellent featured stand-ups who were employed to make IKEA’s next TV commercial yesterday, because it would be counter-productive to link their names to this shambolic PR disaster for the normally stylish and efficient Swedish company.

I got invited to be in the audience because a friend and I both have IKEA “Family Cards” despite having no family (look – it gives discounts and I am a Scot brought up among Jews).

The promise was a “live stand-up comedy TV production… The fun starts at 1.30pm… There’ll be plenty of refreshments and breaks provided, plus entertainment while you’re waiting for the filming of our TV ad to start.” It would last from 1.30pm to 6.00pm.

Bear in mind, dear reader, the phrase “plenty of refreshments and breaks provided”. We will return to this. It is up there high in the ranks of hype along with that jolly interview in which Colonel Gaddafi said that all his people loved him, anyone who didn’t love him was on hallucinogenic drugs jointly provided by the Americans & Osama bin Laden and no-one had demonstrated against him anywhere in Libya.

The IKEA fiasco started badly. There was supposed to be an audience of 250 or 300 (the publicity seemed uncertain which).

Instead, at 1.30pm, waiting in the icy cold outside the Riverside Studios in Hammersmith, was a queue of under 30. There was no-one from the production team to be spotted anywhere. Eventually, someone left the freezing queue outside the Riverside Studios and, with trouble, found a couple of people inside the building. They told her they had no idea when it would start but the crew were “about to go to” lunch.

At 1.45pm, freezing, after someone else had asked, the audience was taken inside the building to stand for another 20 minutes in a line by the open-plan restaurant, watching the cast and crew eating their hot lunch. About 15 minutes into this 20-minute wait, an Australian came along asking everyone to sign ‘release forms’ (no explanation of what they were – yes, I do know).

Then, at 2.05pm, it was into the studio to… yes… wait another 25 minutes while the crew finished their lunch and drinks and, by 2.45, things had been got-together enough to start… ish.

We should have known there would be a problem when the warm-up music for this family-centred comedy ad included the punk anthem “No Future” and the Australian with no microphone inaudibly explained what was going to happen to the bemused audience while loud music continued to play, drowning his words out.

At this point, I just sat back and wrote everything down, secure in the comfort that the ad agency ‘organising’ this destruction of IKEA’s public image to its loyal Family Card members was so incompetent and so unused to staging live shows to a live audience that comedy gold could only follow – entertaining for me, though annoying for the until-then IKEA-loving but now freezing and starving audience. Yup, only around 30 of them, but word of mouth is a powerful thing.

Sure enough, having employed four good comics whose daily professional job is to create situations in which audiences laugh uproariously, the show started with the four hapless comics standing in the background on the IKEA comedy set like enforced lemons while the French floor manager stood in front of them and told the audience to “laugh” unmotivated while cameras shot reactions. Sitting there, cold – both in showbiz terms and in temperature – the audience was instructed to give belly-laughs, laugh louder etc etc. Someone sitting near me said: “Maybe they think we all went to drama school.”

The ad agency had employed an experienced and excellent warm-up man (a comedian whose London circuit work and hour-long Edinburgh Fringe shows I have seen – he’s top notch). He was not, of course, used in this surreal show-starting scenario of asking the audience to laugh at nothing. The French floor manager just stood there and told people to laugh.

Lack of direction was what characterised the entire afternoon.

During the long hours ahead the warm-up man succeeded in the near-impossible task of keeping the audience responsive and the four on-set comedians did sterling work in getting audience laughs from a misconceived sexist cliché of an idea with some occasionally godawful lines.

The ramshackle concept was to mix straight-to-audience stand-up with the TV series Friends in an IKEA-built set under a large neon sign saying MAKE STORAGE NOT WAR. The misconceived and yawningly old-fashioned premise was to look at Which sex is messier at home – the guys or the girls? The gags, I think, were partly supplied by the four comedians but also, with fatal consequences, obviously also partly written by some faceless ad agency copywriter who thought he knew what jokes are. Well, OK, maybe not faceless. I’m guessing it was the young guy skulking around in the Ayatollah-like beard.

The comics tried their best with some occasionally deadly lines. The famous laughing automaton on Blackpool Pleasure Beach would have had difficulty laughing but the audience were pros. Or, at least, they did their best to pretend they had been to drama school.

The ad agency seem to have assumed they could get steady laughs over four hours from an audience for the same series of jokes repeated perhaps (I’m guessing) seven times over that four hours. The audience tried their best but it’s hard, at best, to laugh convincingly at a joke when its repeated twice or three times. The ad agency should have put together an audience from members of the Alzheimer’s Society.

Though the one thing even an Alzheimer’s audience would not have forgotten was the key phrase in the e-mails they got: “plenty of refreshments and breaks provided”.

See? I told you to remember this.

It is a key phrase because some of the audience members I talked to had left home at 11.30am to get to Riverside Studios in Hammersmith at 1.30pm, then wait until 2.45pm (with no refreshments) until the show started.

During the recording, which ended at 6.00pm, there was one break in which the audience discovered the phrase “plenty of refreshments” involved around ten apples and ten pears plus Twinings Tea, Nescafe Coffee and an unknown brand of milk. What would have happened if the expected 250-300 punters had turned up I don’t know. Perhaps the ad agency used its fee from IKEA to have Jesus on standby with loaves and fishes.

My reason for mentioning Twinings and Nescafe by name is that these are not products on sale in IKEA, so they were presumably bought by the advertising agency. The irony is that IKEA sells and provides very cheap good food and drink and would presumably have given free food and drink to the ad agency to give to their IKEA “Family Card” members.

To be honest, there wasn’t just one break, there were two. On the second one, the break in which the audience was told to go eat, drink and wee in the toilets was interrupted after three minutes (I timed it) and the audience urgently called back to their seats (abandoning half-drunk cups and apples with one bite taken out of them) “to line up cameras”. They were then not needed for 17 minutes during which time, for a brief period, all four comics were visibly eating and drinking on set in front of the seated, unfed and unwatered audience. (Not the comics’ fault; they didn’t know the audience wasn’t being given food, but the production crew should have seen and twigged what was happening.)

The whole somnambulistic shambles came to an end just before 6.00pm with increasing audience grumbling around me about not being given any of the promised food. One person said to me, “At least a ham sandwich would have been something. They are all getting paid and had food. We get paid nothing, we have to perform and we get starved for four hours.”

Despite an out-of-control production, the comics and the warm up man succeeded in the amazing, near impossible task of keeping the audience on-side and responsive for four hours. With good editing, there was more than enough material shot yesterday to create maybe five good 20-second commercials. I will be interested to see the uproarious final comic ads with the roaring audience reactions (‘sweetened’ in the sound edit suite) and happy audience faces.

The agency behind yesterday’s farrago was Mother Advertising.

They were certainly being thought of as a bunch of mothers by the IKEA Family Card-carrying audience members I was sitting among.

Except, of course, that’s not true. I thought that myself.

Ordinary punters did not think the shambles was mis-organised by an ad agency and presumably had not, as I had, checked on the release form they signed at the beginning of the afternoon to see who the ‘producers’ were. They saw it as an afternoon organised by IKEA.

So, yesterday afternoon, IKEA’s reputation was tarnished to around 30 of its most loyal customers and, as I say, word of mouth is a powerful thing.

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There are later blogs by me on this subject, including this one about the audience. You might also want to follow me on Twitter  – @thejohnfleming – or Facebook.

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Filed under Ad industry, PR, Television