Tag Archives: PR

Comedian Julian Clary and tell-all hack McG linked via sexploitation horror film

I get sent loads of PR bumph (I feel you can never get too much) including the generic PR interviews that are sent out to one-and-all in the media to plug upcoming events. Indeed, I wrote one myself a few months ago to plug a comedian’s UK tour.

The idea is that local papers etc may run the full PR interview as if they themselves had conducted it. Or edit or cannibalise it for quotes, facts and photos.

I never use these PR interviews myself.

Why bother? If I’m interested, I will chat to the person myself.

However here – below – is the exception.

PR man Greg Day is plugging the fact that the Horror Channel in the UK will be screening cult director Pete Walker’s 1976 horror and sexploitation movie Schizo this Saturday. And today Greg sent me his PR interview with the film’s screenwriter David McGillivray who has occasionally turned up in my blog before – notably in 2016 to plug his would-be notorious gay sex film Trouser Bar.

David McG is publishing his inevitably scandalous, tell-all autobiography Little Did You Know in a month’s time and I have already arranged to chat to him the day after its press launch.

But I won’t be asking him about Schizo… So here, as a teaser, in its full glory, is the PR Q&A for Schizo:


SCHIZO – “When the left hand doesn’t know who the right hand is killing!!”

Q: SCHIZO is unusual in your body of work with director Pete Walker because the concept and narrative were not of your choosing. How much of a problem was that for you?

A: Huge. I thought the script that we re-worked was terribly old-fashioned and this led to big arguments with Walker that ended our relationship.

Q: You often play a cameo in the movies you’ve written – You’re ‘Man at Séance’ in SCHIZO. Any particular reason?

A: I liked to write myself parts so that I could observe Walker at work. He was an extremely talented exploitation director who influenced the remainder of my career.

Q: SCHIZO exhibits many Hitchcockian references and Pete Walker cites Hitch as a hero. Is he for you too?

A: Yes, of course. Psycho is one of my favourite horror films.

Q: You’ve written many films for many people in so many genres, but what’s your own personal favourite?

A: My first film for Pete Walker, House of Whipcord. It was very exciting because it was the kind of film I’d dreamed of writing.

Svengali – The Rocky Horror that got away

Q: Just prior to SCHIZO you wrote a pop opera in the Rocky Horror vein for Pete Walker titled SVENGALI based on George du Maurier’s Gothic melodrama. Do you regret that project being shelved?

A: No, it would have been a disaster. Walker realised this and cancelled it almost before I’d typed the final page of the script.

Q: Your autobiography Little Did You Know is published in June. Rumour says it’s not your typical memoir though, so what’s it all about?

A: I don’t want to spoil the surprise. Suffice it to say that after its publication I will never work again.

Q: Your love/hate relationship with Pete Walker is common knowledge. Are there any more scandalous revelations about that in the book?

A: Oh yes…

Julian Clary – Never knowingly understated

Q: You write a lot of the material for a comedian. How did that business relationship begin and is this the nearest you can get to the Golden Era of the British sexploitation film you so brilliantly essayed in your book Doing Rude Things

A: Writing smut for Julian Clary is my day job. I enjoy it immensely. I have written for him for something like 37 years. In Julian’s latest show, which tours the UK before playing the London Palladium on 8th June, unsuspecting audience members are subjected to so-called ‘Heterosexual Aversion Therapy’. If you sit in the front row, you deserve all you get.

Q: You’ve announced your next film project is The Wrong People based on the novel by Robin Maugham. So you have no intention of retiring from the film industry just yet?

A: I love movies. I am fresh from a meeting with a director who bravely has chosen to take on this project. But, in all likelihood, it is so controversial that probably it will finish both our careers. If Little Did You Know hasn’t finished mine already.

Q: Finally, SCHIZO receives its Horror Channel premiere on Sat April 27th. Will you be watching?

A: I’m pleased Horror Channel viewers will get the chance to see it, but will I be watching? Certainly not. I can’t bear to see my own work, which is all dreadful.

David McGillivray – the soon-to-be-autobiographer – never a man to mince his words

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PR Max Clifford and celebrities’ secrets

‘Disgraced PR man’ Max Clifford died in prison yesterday, serving a sentence for sex crimes. But I doubt if we have heard the last of him, because people can tell their stories now. And there is a risk he himself might have more stories to tell.

Stories about him abound.

For example, he used to go along to the after-show get-togethers of at least two major TV broadcasters with two, sometimes three, lovely young ladies and chat to producers, directors et al.

Let’s say he went with a blonde, a brunette and a lady of colour. People have different tastes.

And afterwards, well…

What happens happens.

Sometime later, in the general way of his work, he might invite a TV producer – let’s say one of the people he schmoozed with after the TV shows – along to his office to discuss future prospects.

When the producer arrived, Max would be sitting there in his office chair and, behind him on the wall, there might be framed photos of the producer is sexually compromising situations with one or more of the girls he had met through Max. Alright. having sex in well-shot photos taken without the producer’s knowledge.

The photographs were never mentioned by Max in his chat with the producer but it would come as no surprise if one or more of Max’s clients appeared later in one or more of the producer’s shows.

Part of his job was getting publicity for his clients – as in the (totally untrue) Sun headlines about comic Freddie Starr eating a hamster and MP David Mellor having sex in a Chelsea football strip.

But another job of the top PR man, of course, is to keep his client’s name OUT of the newspapers if there is some scandal or imminent scandal brewing.

And it would be not unreasonable for a worried client to go to Max with a plea to avoid bad publicity and/or get damage limitation.

In such a situation, of course,  it would be perfectly reasonable for Max to ask the client to tell him details not just of what they wanted to keep out of the press in this specific case but of ALL other possible scandals which might also get dredged up by any newspaper.

So he knew not just scandals that the press sniffed around but many of the scandals hidden in major celebrities’ closets that no-one had any idea existed.

Let us hope he only kept these secrets in the back of his mind and never wrote any of them down for future use.

Max Clifford as seen in graffiti on a wall in Battersea in 2014

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Debenhams’ Black Friday discounts = dodgy dealings and PR disasterama

I’ve said it before and I will say it again.

Oh yes I will.

What is the point of having a blog if you can’t have a moan?

UK department store Debenhams are giving 20% off lots of items because it is Black Friday and – if you have a Debenhams credit card, as I do – you get an extra 10% off this week with a SAVE AN EXTRA 10% voucher.

Yippee!! You might think.

Debenhams’ card voucher

But do you get an extra 10% off?

Well, no you don’t.

For the sake of easy mathematics…

If you buy something with a display price of, say, £100 and have 20% + 10% off, you might expect to pay £70.

Not at Debenhams.

Because the “extra 10% off” is actually off the 80% price after the 20% has been deducted.

So, in fact, you don’t get a 20% + 10% reduction off the original price. You get a 20% + 8% reductiion.

This is all perfectly legal because, on the back of the voucher on line 8 of the small print (line 12 of 15, if I’m being pedantic) it says: “An extra 10% will be deducted at the till after any relevant discount is applied.”

The back of Debenhams’ card voucher

The back of Debenhams’ dark and dodgy discount voucher

It does not make any earth-shattering financial difference, really.

But it does mean that Debenhams’ attempt to court a good PR image turns into the PR image of a dodgy second-hand car dealer.

Black marks for Debenhams on Black Friday.

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Three ways to publicise an Edinburgh Fringe show without using a PR person

No 1: THE LEWIS SCHAFFER PRESS RELEASE

LewisSchaffer_poster2016

Jewish comic recommended by a Palestinian

A fortnight ago, Lewis Schaffer sent out a press release:

“New York Jewish comic Lewis Schaffer has landed a Palestinian sponsor for his five star Edinburgh Fringe show Lewis Schaffer: You are Beautiful.”

Yesterday, he followed this up with a press release headed: Lewis Schaffer to crowdfund for his hit Edinburgh Show.

It began:


New York Jewish comic Lewis Schaffer is crowdfunding for his Five Star Edinburgh Fringe show Lewis Schaffer: You are Beautiful.

In yet another attempt to come up with new revenue streams, Lewis Schaffer has entered the world of crowdfunding.

Already this year Lewis Schaffer has accepted sponsorship from a Palestinian-owned freight company that serves the Middle East, now he has set up a crowd funding site.

Benefactors of Lewis Schaffer’s campaign will get the following rewards:

Purchasing one £10 ticket gets you one ticket to Lewis Schaffer: You Are Beautiful at Just the Tonic Community Project, Five Stars in The Scotsman.

Purchasing two £10 tickets gets you two tickets to Lewis Schaffer: You Are Beautiful at Just the Tonic Community Project, Five Stars in The Scotsman.

Purchasing four £10 tickets gets you four tickets to Lewis Schaffer: You Are Beautiful at Just the Tonic Community Project, Five Stars in The Scotsman.

Purchasing ten £10 tickets gets you ten tickets  to Lewis Schaffer: You Are Beautiful at Just the Tonic Community Project, Five Stars in The Scotsman.

Purchasing 100 £10 tickets gets you 100 tickets to Lewis Schaffer: You Are Beautiful at Just the Tonic Community Project, Five Stars in The Scotsman.


No 2: ELLIS & ROSE’S BEGGING LETTER

EllisAndRoseLetter2016

Ellis & Rose gave Copstick a red letter day

This week, I was shown a red letter – literally a red letter – by Kate Copstick, the most influential comedy critic at the Edinburgh Fringe. It read:


Dear Copstick,

We’re writing this letter to try to convince you to review our Edinburgh show this year, because we can’t afford a PR person and our hard-working producer is doing our PR (and everything else) for free – but she obviously has no clout because we’ve had no press stuff in the run up to the Fringe – not that anyone really reads that bollocks anyway.

We have worked really hard on making our show this year and we think we have a chance of impressing you enough to beat the three star review you gave us in 2013.

Love x
and sexy kisses
Ellis & Rose


They added a cartoon drawing of Copstick’s head saying A FLATTERING PORTRAIT OF YOU


No 3: THE LOUISE REAY FORTUNE COOKIE

LouiseReay_QueSera

Whatever will be performed wholly in Chinese

Yesterday was my birthday.

An anonymous letter arrived with my name and address scrawled on the envelope.

Inside the envelope was a sealed red sachet.

Inside the sealed red sachet was a Chinese fortune cookie.

I broke it open.

Inside the fortune cookie was a very small piece of paper with the printed message:

Do not clip your toe nails at night,
in case you are visited by a ghost.
You must enter The Caves,
Just Up The Road at 3.20pm.
It is your destiny. Que Sera 些拉 ?

That was the message in its entirety.

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Available as a comedy show consultant or director or whatever you fancy, really

5Stars

The number of unknown unknowns is unknown

In the immortal words of Max Bialystock: “Flaunt it, flaunt it!”

I am available as a Director or Creative Consultant (or whatever words you want to use) on live comedy shows in 2016 – mostly, I guess, for people who intend to stage a show at the Edinburgh Fringe, although I am open to anything.

This can include structuring a show, giving feedback and show notes on performance and presentation, advice on publicity and marketing; whatever you want short of totally writing and performing the whole bleedin’ thing.

I won’t read scripts, because you are not reading out written scripts on stage. I will only advise people or see their live performances or run-throughs or try-outs – even if it’s in a living room! Me just reading words on paper or on a screen is a waste of your time and mine.

I have been going to the Edinburgh Fringe since around 1985 and been involved in the production of various live Fringe comedy shows including ones by Charlie Chuck, Janey Godley, Malcolm Hardee, Helen Keen and Lewis Schaffer. Since 2005, I have organised the Malcolm Hardee Comedy Awards and, since 2006, staged annual variety shows in memory of Malcolm Hardee in London and Edinburgh, running anything from two to five hours. There will be a two-hour Malcolm Hardee Comedy Awards Show at the 2016 Edinburgh Fringe.

If I give advice on any show that is later considered for a Malcolm Hardee Comedy Award, I will opt out of the decision-making process and will bend over backwards not to show bias. So, ironically, if I advise you on your show, you are much, much LESS likely to win a Malcolm Hardee Comedy Award.

2008-2010 I was UK creative consultant to New York’s Bleecker Street Theater and Green Room venue.

2010-2015 I was UK creative consultant to New York based Inbrook Entertainment, including the Gene Frankel Theatre.

I worked in British TV for around 25 years – including peaktime entertainment shows and series with performers including Jeremy Beadle, Cilla Black, Jack Dee, Jonathan Ross, Chris Tarrant et al – as well as directing/producing/writing promotion & marketing campaigns and press & sales tapes for TV stations in the UK, the Czech Republic, Denmark, Holland, Ireland, Norway and Sweden.

In print, I wrote comedian Malcolm Hardee’s autobiography, edited comedienne Janey Godley’s autobiography and edited an anthology of stories by 19 stand-up comics. My blog So It Goes – mostly about comedy – was posted daily 2011-2015 and continues sporadically, with over 1 million hits.

I have also written for Chortle, the Huffington Post, the Independent, Screen International, Three WeeksWhat’s On Stage and others. And been a script consultant for TV’s This Morning, Tricia, Turner Movies and ITV News etc as well as a researcher for BBC TV News.

In 2014 and 2015, I chaired live Grouchy Club chat shows about comedy at the Fringe with Scotsman comedy critic Kate Copstick. This will continue at the 2016 Fringe. We also post weekly Grouchy Club podcasts and host monthly live Grouchy Club meetings in London.

Quotes about me include:
“The Boswell of the alternative comedy scene” (Chortle)
“Fleming knows a bit about comedy’s extremities”(Fest magazine)
“One of the most influential figures in British comedy” (The Skinny)

My charges are:

£50 per hour + (if outside the London Travel Zone area) travel costs, including time taken.
or
£350 for up to 10 hours. For this, I have to be paid 50% up-front and 50% at the end of the consultation.

I know comedians!

CONTACT: john@thejohnfleming.com

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Edinburgh Fringe. Too late for a review? When is a cunning stunt not cunning?

Sultry temptress Lynn Ruth Miller

The fascinating yet still unquoted Lynn Ruth Miller

Getting publicity and reviews at the Edinburgh Fringe can be just a case of happenstance and luck.

Just to get mentioned in this little blog… Well, lots of conversations at the Fringe are too long or complicated to put in this blog because of the time it takes to transcribe them.

This morning, I had a fascinating chat with Lynn Ruth Miller about the Bergen-Belsen concentration camp – she knew people who were sent to the camp and it is all linked up to why she became a comedian – but it will probably never see the light of blog.

What you read here – or anywhere – does not even superficially skim the surface of what is happening at the Fringe.

At the Grouchy Club yesterday afternoon, there was a discussion about the abnormally high number of performers with – and shows about – physical medical problems this year. Of course, performers with psychological problems is just taken as normal.

Yesterday, I was talking to a performer whose show I had seen and which had a full house of people adoring him/her and he/she was going on about what a terrible show it had been. “I was awful,” he/she said. He/she had not been.

The Edinburgh Fringe: you may have to make your own rainbow

In Edinburgh, you may well have to make your own rainbow

I chatted to another performer who was having full houses every day but who had not yet been reviewed. Unless there is massive word-of-mouth, it is now probably too late to set reviewers’ imaginations alight to the extent that they will completely re-arrange their schedules. To be really effective, the press releases had to be sent out at the point the Fringe Programme was published and just before the Fringe started.

I am seeing around seven shows each day and, as far as I know,  publications like The Scotsman worked out which shows would be reviewed before the Fringe started (with gaps to add-in shows which unexpectedly developed strong word-of-mouth).

A third performer was complaining on Facebook that his audiences were not laughing at his material and blaming the audiences specifically and Edinburgh in general.

Once the Fringe is in full flow (and it is over the halfway point now) there is not much performers can do to change the ongoing flow. Just keep plodding on and build the word-of-mouth and pray.

Meanwhile, one agent/promoter was telling me he had a stunt to publicise one of his acts which he reckoned was going to put all the traffic in Edinburgh into gridlock and he was trying to persuade me this would be worthy of an increasingly prestigious Malcolm Hardee Cunning Stunt Award nomination.

But this would be more likely to get the act thrown out of their venue, him prosecuted and the show loathed by locals rather than an award nomination. For another, if you were to bring Edinburgh traffic to a stop, with a Sky News helicopter filming it all from above, it IS a stunt, but the word ‘cunning’ might not be appropriate.

Possibly a cunning stunt in the streets?

Possibly a cunning stunt in the streets? Depends who did it.

A definitive Cunning Stunt would be Malcolm Hardee writing a rave review of his own show and conning The Scotsman into publishing it because they thought it was written by their own critic….

A stunt but not a cunning stunt would be getting loads of ginger-haired people marching through Glasgow to plug a named show. It is not cunning. It is a photocall.

An interesting publicity stunt this year is the fact lots of cardboard sheets with odd slogans and the hashtag #MBGS have appeared among the general Fringe show posters.

These obviously but obliquely promote Miss Behave’s Game Show and would possibly be eligible for a Malcolm Hardee Cunning Stunt Award on the basis they promote the show without, as such, saying the title of the show or where/when it is. It is a good cunning stunt to get people’s attention.

However, Miss Behave swears blind neither she nor her cohorts are putting these up – that it must be an unknown fan. If this is true (and who am I to gainsay her?) then it is not eligible for a Cunning Stunt Award because it is not a cunning publicity stunt, merely graffiti by someone who gains nothing from the show.

If someone unknown to me does a brilliant cunning stunt which promotes The Grouchy Club shows, I cannot be nominated for doing the stunt. It is nothing to do with me.


My three show highlights yesterday were:

Matt Price: The Boy With Cake On His Face
Matt reckons he will not get onto television regularly because he does not have the right look. I am not so sure. His personality and charisma scream pure TV ‘natural’.

Joey Page: Catastrophe Party
Former Malcolm Hardee Award nominee Joey has the cliché looks for TV and has been on Never Mind the Buzzcocks et al and there is no reason why he is not on more often except the whims of producers.

Wilfredo at the Gala

Stu Turner’s Big Charity Gala
…for Autism Initiatives Scotland. This pulled-off that rare Fringe trick of not just attracting Fringe-goers but also getting-in ordinary Edinburgh residents – I suspect readers of the Daily Record rather than the Guardian.

The fact it took place in the 400-seater New Empire Bingo Hall may have helped.


Oh, by the way, this blog has now managed to get over 1 million hits.

It means nothing, but it is worth a mention because the Edinburgh Fringe mantra is: It’s all about self-publicity. You have to build your own luck, build your own rainbows.

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Lewis Schaffer knocks himself. Cocaine is a Nice Little Earner for Jason Cook.

After yesterday’s blog appeared, Lewis Schaffer – a man who knows a thing or two about effective promotion using ‘self-knocking copy’ – issued a double press release:


LEWIS SCHAFFER TO BE A LEAD IN A PLAY (??!)

One Giant Leap for Lewis Schaffer

Giant Leap – one small step for Lewis Schaffer

In what has to be the most insane move of the year, Lewis Schaffer, the failed old New York Jewish comic now living in Nunhead, Southeast London, has been cast to co-star in a play making its debut at the Edinburgh Festival Fringe.

He will be co-starring with comics Tom Stade and Phil Nichol in the new play GIANT LEAP at The Pleasance. He is in every scene of the 70 page script, has lines on over 60 of the pages and is to be paid money and accommodation.

This is to be Lewis Schaffer’s first live acting gig since he appeared in The Odd Couple as a 17 year-old at Great Neck North Senior High School on Long Island, some 41 years ago.

Lewis Schaffer is to play a failed old New York Jewish comic.

*   *   *   *   *

LEWIS SCHAFFER TO CHARGE ADMISSION AT THE EDINBURGH FESTIVAL FRINGE 2015 FOR HIS SOLO SHOW

Lewis Schaffer’s tour poster

Lewis Schaffer – the current national tour poster

In a shocking announcement, Lewis Schaffer star of the the Free until Famous brand, is to charge admission for his formerly free show, the first time in seven years at the Edinburgh Festival Fringe 2015.

He will be interrupting his unique and amazing Free until Famous tour to ask for money in advance. His tour is at over 45 of the largest and most prestigious theatres and arts centres in the UK. Dates include 23rd July at Exmouth; 24 July in Guildford; and July 25th at Barnsley.


Jason Cook A Nice Little Earner

Jason Cook on to A Nice Little Earner

That is one way to promote a product. Another way is to take the Jason Cook route, which is to buy me breakfast at a cafe in Borehamwood.

Jason is heavily dyslexic yet has just published A Nice Little Earner, his third book in a gangster quadrilogy. Yesterday morning, over bacon & beans, he told me:

“We’re launching a competition for the new book. You have to answer a question about Vinny Jones – all the details are on the website – and you win copies of all three books, signed by me. And I’m going to be doing signings again at WH Smiths and Waterstones in August.

“Five months after that, we will publish the fourth book – Cocaine: The Devil’s Dandruff. And, in the meantime, we’re working on the film scripts.”

“There were,” I said, “only going to be three books?”

Jason - “Elements have been changed to protect ourselves"

Jason – “Elements have been changed to protect ourselves”

“Well,” Jason told me, “the editor looked at the third book and said: There’s two books in here. What do you want to do? So I said: Publish it as two books. So we cut the third one into two books. The four of them can be read separately or as one story.”

“How do I describe these books?” I asked. “Fictionalised reality?”

“They’re based,” said Jason Cook, “on a real-life story, but the elements have been changed to protect ourselves and other people.”

The central character running through the books is called The Cookster.

“Remind me what the four books are about,” I prompted.

Jason Cook’s first two semi-autobiographical crime books

Publicity for Jason’s first two semi-autobiographical books

“The first one,” said Jason, “There’s No Room for Jugglers in My Circus, is about a young boy who grew up in Borehamwood and how he gets involved in criminality – drugs and gun crime – and is used as a chess-piece in an international smuggling ring. It’s set in London, Borehamwood, Marbella, Colombia and Jamaica.

The Gangster’s Runner is about how organised crime works and who’s involved – the trappings – fast money, power, cocaine, guns.

One way to publicise yourself: your own money Jason Cook

One way to publicise yourself: print your own Cookster money

A Nice Little Earner is about the main characters in the drug smuggling, about Mr Niz, his smuggling of the cocaine and about the ‘firms’ in London.

Cocaine: The Devil’s Dandruff will bring it all to an end and how Mr Niz was involved. He was actually nicknamed ‘the milkman’ because he was able to deliver cocaine in any country.”

“So,” I said, “overall, the books are about…”

“They’ve got,” said Jason, “police, gangsters, villains, a grass, prison, plenty of powder and connections to the football and boxing underworlds.”

Say hello to Jason Cook's little friend

Wanna publish? Okay. Say hello to my little friend. 

“Connections?” I asked.

“Organisations,” Jason said, “with regard to boxing promoters and football ‘arrangements’ and bribery and the signing-over of a Premier football club… allegedly.”

I asked: “Not a player? A club.”

“A club,” said Jason. “And there’s a football player who gets blackmailed. The footballer’s being blackmailed by the footballer’s wife.”

“His own wife?”

“Yes.”

“Why?”

Jason has plans to film his books

Jason – plans to turn his books into movies

“Because he’s fixing matches. Obviously, we have protected all the names. A lot of it has already been in the news, but you’ll read about it first hand in the book.

“The Sun newspaper sent a reporter down to talk to me and took pictures three months ago but, after talking to their solicitors, they decided not to do the article because, they said, they ‘didn’t want to open a can of worms’.”

“I would have thought,” I told Jason, “that you should be more worried about the consequences to you.”

“I talked to my solicitors about what I could put in the book and talked to a lot of of the people involved.”

Even so…

If true…

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Filed under Books, Boxing, Comedy, Crime, Drugs, Football