Award-winning act The Iceman has a new book out… no waffle, but lots of ice

The Iceman with ice in a cup and rubber duck in hand at London’s South Bank Arts Centre…

Occasionally, The Iceman turns up in my blog.

As my avid reader in Guatemala will know only too well, The Iceman’s stage act involves attempting to melt a large block of ice using increasingly desperate methods.

I first met him in 1987 when I auditioned him for Channel 4 TV’s The Last Resort With Jonathan Ross.

I would have booked him.

The powers that be did not agree.

Now, with Robert Wringham, he has a new book out called Melt It! The Book of The Iceman.

It is illustrated, according to publishers Go Faster Stripe, “in thrilling Instamatic colour”.

I met The Iceman for a chat on London’s South Bank and co-author Robert Wringham (see my May 2022 blogs) joined in from Scotland via FaceTime.

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THE ICEMAN: Last year, John, you mentioned my book Thespian Follies in a blog and, about five minutes before I met you today, I got an email from the drama people, saying: “You have been selected to receive an award regarding your publication Thespian Follies and we have an item to post to you.” Isn’t that lovely? It’s a New Author award.

JOHN: And now there’s your new book Melt It! You’re on a roll…

THE ICEMAN: The exciting thing is there’s a lot of fine art in this book.

The Iceman, in London with duck looking on, holds up a near-invisible ice cube to Robert in Glasgow

JOHN: So how did this book Melt It! come about, Robert? You wanted to be put in touch with the Iceman and I gave you his contact details.

THE ICEMAN: I was at the top of the Himalayas, I think.

ROBERT: The thing I knew about the Iceman was that he took a photo of each block and recorded it in a ledger. I thought: Ah! Maybe that would be a nice photo book! and he was amenable to that but he only had 56 Polaroids.

JOHN: How many ice blocks had you melted over the years?

THE ICEMAN: That’s a good question. I used to be meticulous, but… Somewhere between 800,000 and 5 I guess.

JOHN: So basically you’ve done a 184 page book with 56 photographs of different blocks of ice.

THE ICEMAN: There’s a lot of text as well…

ROBERT: I had not known that, as well as taking Polaroids, he was painting pictures of the blocks. I wanted to interview him to get some answers, at last, about his motivations, because there are people that want to know. And I wanted to know. We spent a day together at Battersea Arts Centre and we ended up with a 15,000 word interview with no waffle.

The Iceman book as seen from Glasgow via cyberspace

So I approached some publishers and they all told me to get fucked. But then Chris from Go Faster Stripe saved the day. He’s got the right audience for it. Thousands of people with an interest in niche or fringe comedy and a lot of them know of The Iceman and want answers too.

THE ICEMAN: Rob was very good at glueing it all – freezing it all – together. He is hard-working; he’s a grafter; he works fast.

ROBERT: I’m always worried that I’m going to lose interest or that other people will lose interest.

THE ICEMAN: Rob is resuscitating The Iceman and I’m game for anything. After my retreat in the Himalayas, it’s time to be back. I like working with Rob.

JOHN: You can see royalties on the horizon?

THE ICEMAN: Money is not my main priority.

ROBERT: We may do a book launch in London.

JOHN: Simon Munnery wrote the Foreword to the book and Stewart Lee wrote the Afterword. They are both big fans. Stewart put you on at the Royal Festival Hall.

THE ICEMAN: Yes, and Simon wrote quite an incisive Foreword – He concentrated on an ice block in Sydenham at the Greyhound pub. I think it was Block 126. He said it was “beautiful art”. I was quite touched by that.

ROBERT: Neil Mullarkey described your set with the repetitive music – the one I saw for The Last Resort With Jonathan Ross – as…

THE ICEMAN: …a riposte to showbusiness…

ROBERT: When Neil saw that act, he said the only people in the room laughing were him, Mike Myers and Ian Macpherson.

THE ICEMAN: …and Ian Cognito.

JOHN: I wonder whatever happened to Mike Myers.

THE ICEMAN: He died didn’t he… on stage… like all the greats.

JOHN: Mike Myers?

THE ICEMAN: Ian Cognito. He used to bang a nail into the wall at the start of his shows. The audience was scared from the word Go.

JOHN: He was certainly tempestuous. You don’t bang nails into walls, but you have turned from performance art to fine art painting of late…

THE ICEMAN: I’ve actually got a formal exhibition at the Guggleton Farm Arts – ‘The Gugg’ – in Dorset. It’s on 7th July to 5th August this year (2023). Four weeks of solid ice work. It’s a farm. I’m in the pigsty.

JOHN: Literally?

THE ICEMAN: (LAUGHS) Well, it’s an art community farm now. It’s owned by the Countess Isabel de Pelet. I’m going to have ‘security’ there.

JOHN: What? To try and keep you out? They have specifically talked to you about security? Why?

THE ICEMAN: I used to live on a houseboat on the Grand Union Canal.

JOHN: That’s not an answer.

THE ICEMAN: It was called the Tivoli… It sank… It was a converted lifeboat… I can ask the Countess if she will stock my book. That’s why I need security.

Guggleton Farm Arts – now more tasteful gallery than a pigsty

JOHN: It’s a farm; they’re used to having stock. She’s turned the farm into a gallery?

THE ICEMAN: It’s been going 25 years, but not many people know about it. 

JOHN: They approached you?

THE ICEMAN: I approached them. A friend had an exhibition there. I thought: Ooh! They could exhibit MY art! And they said Yes… You know I worked in a circus? I know all about animals.

ROBERT: …and in a chicken factory.

JOHN: You worked in a chicken factory?

THE ICEMAN: You need to read the book.

JOHN: Long ago I met someone who used to ‘sex’ chickens. It’s very difficult with animals that small to…

THE ICEMAN: …to see?

JOHN: Yes. To see the relevant bits. And it matters because of breeding. It matters if they’re male or female. So he made lots of money travelling the world checking the sex of chickens at speed. If your book doesn’t sell and the ice work dries up, you could look into becoming a chicken sexer.

THE ICEMAN: It sounds a bit intrusive to the chickens’ privacy.

(THOUGHTFUL PAUSE BY JOHN AND THE ICEMAN)

ROBERT: Look! The book is full of The Iceman’s beautiful art.

THE ICEMAN: I’m glad you got the better quality paper.

“This is the book I’m proudest of… It’s so… so pure…”

ROBERT: Yes. This is the book I’m proudest of. It’s so… so pure…

THE ICEMAN: Pure… Pure…

ROBERT: There’s not a single regret in it. 

THE ICEMAN: Pure… Pure… 

ROBERT: When I look at my other books, there’s always some weird phrasing or something I wish I’d done differently. This is just a perfect book.

THE ICEMAN: What more can we say to ‘sell’ the book? I want to be a businessman like Andy Warhol said.

JOHN: He did?

THE ICEMAN: He said “Good business is the best type of art”.

ROBERT: I don’t like that quote.

JOHN: No. Surely art is the best type of business?

ROBERT: Ice is the best type of art.

JOHN: What’s your next project, Robert? How can you follow The Iceman?

THE ICEMAN: By turning the book into a hardback.

ROBERT: Yes. An Iceman hardback. Also, I’ve written a novel.

THE ICEMAN: Is that The Man in The Bath?

ROBERT: Yes. Well, it’s actually called Rub-a-Dub-Dub, but it’s all about a man in a bath. (MORE ABOUT THAT IN A PREVIOUS BLOG.)

THE ICEMAN: I love my rubber duck. (MORE ABOUT THE DUCK IN A PREVIOUS BLOG.)

The once but maybe not future cover…

ROBERT: There was going to be a rubber duck on the cover of Rub-a-Dub-Dub, but I’m not sure now.

THE ICEMAN: What about your James Thurber thing? You were going to go to the States.

ROBERT: That’s a long way away…

JOHN: …about 3,000 miles.

THE ICEMAN: He’s very keen on James Thurber.

ROBERT: Things like that generally. I like short humour.

JOHN: Charlie Drake?

(A LONG, LONG PAUSE, THEN…)

THE ICEMAN: Poor… Poor…

JOHN: I did Latin at school. Now I’m reduced to this…

(THE ICEMAN’S WEBSITE IS HERE…)

(…AND THERE IS A BOOK TRAILER ON YOUTUBE… )

Cult creative performer/painter The Iceman turns children’s book author…

Anthony Irvine – The Iceman – appears occasionally in this blog.

I first auditioned his stage act – melting blocks of ice – in 1987.

In a later incarnation – AIM – he added painting to his creative output. Some of his fine art can be bought from the Saatchi Art website.

For example, a painting of his first ice block – Crazy Larry’s Painting – is currently on offer at a bargain price of £4,280.

And now Anthony has become an author…

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JOHN: So you are now an author as well as a performer and painter…

ANTHONY: I have a literary background. When I was a young man, I studied literature at a very ancient institution.

JOHN: Bedlam?

Debbie’s fantastical adventures with Antarctic animals…

ANTHONY: It’s a children’s book called Lockdown Melter.

JOHN: And you presumably wrote it during the Covid block-down…

ANTHONY: Yes. I thought of everybody suffering. It’s a fantasy where a young child – Debbie – is frustrated with the situation and escapes with the aid of Lappy, a polar bear – a small polar bear – who she meets in her bedroom and she goes on this adventure to Antarctica.

To facilitate this adventure, Lappy instructs her to get some ice cubes from the fridge freezer. The ice cubes are put on her head and there’s a magical transformation and she goes on this journey.

The idea is that Antarctica is a pristine, beautiful, relatively-undamaged place that we can all go to; the animals are in harmony and, in the story, the penguin says…

JOHN: The penguin?

ANTHONY: Yes, the penguin… There’s a penguin… As I wrote it, I thought: This is an amazing parallel to my Iceman stage act. It retains an ice theme. In a sense, I melt blocks of ice to achieve purification. Similarly, Debbie is finding something away from this world really – saṃsāra and all that.

JOHN: Saṃsāra ?

Anthony Irvine – his self portrait…

ANTHONY: The Buddhist concept of suffering. Do you chant?

JOHN: Not as far as I know.

ANTHONY: Lockdown Melter was a very simple story but I quite liked it, so I approached a publisher, Olympia, who have an imprint called Bumblebee who have published it.

JOHN: Well, if you write a good children’s story that doesn’t date – it’s a fantasy – it’ll sell forever and internationally.

ANTHONY: You can get it from WH Smith, Foyles, Browns Books, the Book Depository, Waterstones, Amazon, the lot…

JOHN: You should tell Waterstones you will do a signing of the book AND melt a block of ice the same time. That should get people in. Does JK Rowling melt blocks of ice in a bookshop? No. She’s just not trying hard enough.

ANTHONY: Perhaps I should go Banksy-style and sell a book that melts. You know his picture that shredded itself? 

JOHN: Yes. The water from your melted book might be worth a fortune.

ANTHONY: Is it technically possible?

JOHN: I dunno. You are The Iceman. Why become an author?

ANTHONY: I used to tell stories to my young son and I guess I’d always had the thought I might write a children’s story. It is really for young children. The idea is young children could read it themselves or parents could read it to them; it’s more like a picture book. So then I realised I had to get the pictures.

The illustrator is actually Greek: Sofia Stefanis Pons. She did some nice – I think dramatic – illustrations. My pictures were declined as being too ‘rough’. But hers are great.

Debbie meets Lappy for the first time… illustration by Sofia Stefanis Pons…

JOHN: So do you have an idea for a second book?

ANTHONY: Yes. I like the innocence of Lockdown Melter.

When I was a child, I was very unhappy at one point and I built an arch with stiff cushions. I went through the arch and discovered I was happy. So the Lockdown Melter idea is simple but it is like going somewhere and attaining awareness. It’s the same principle.

Debbie goes on a journey. She meets animals who are nice to her and she finds the Antarctic world all very beautiful and something happens at the end which I can’t give away. But I think the idea of the story is the idea that human beings – the human race – need help and in this story it’s the penguin who gives that help.

JOHN: The penguin?

ANTHONY: Yes, the penguin… There’s a penguin… Next time I think Debbie might go to the Sahara.

JOHN: Difficult to work ice blocks into that story.

ANTHONY: An ice block could bring irrigation to the Sahara… I think if this first book is successful I WILL continue with the writing idea.

Anthony Irvine’s educational Thespian Follies, coming soon

I have already written 13 little plays for drama classes in schools. That book is due to be published soon. It’s called Thespian Follies.

It’s an educational resource; I’m going quite mainstream, aren’t I?

Ice blocks were my life and still are my life to some extent but I feel I have to do a bit more. My next ambition is to write a Channel 4 type series: a bit like The Outlaws but based on car rental. When I was in debt at one point, I did a job at Hertz car hire, cleaning cars and taking them out to the Army and so on: that’s a ready-made situation comedy.

JOHN: You could call it Hertz of Darkness.

ANTHONY: I was thinking of calling it Hurts… That’s my next project.

Maybe writing will displace painting in time, but at the moment my main activity is still painting. I’m trying to sell Bill Bailey a painting; I’m playing tennis with his accountant this afternoon.

I sold a painting to Mark Thomas at the Electric Palace in Bridport recently. He was on tour and I hadn’t seen him for about 40 years. He gave me his book and I sold him a painting in which he appears.

JOHN: You are a born entrepreneur. JK Rowling will have to start learning how to melt blocks of ice…