AIM – The end of the Iceman’s live act? + Van Gogh and the boxing kangaroos

The Iceman holds a Christmas card inside the Festival Hall.

Iceman holds a Christmas card inside the Royal Festival Hall. (And why shouldn’t he?)

At the beginning of December last year, I received 10 e-mails and 22 JPEGs of paintings of blocks of ice from my speciality act chum The Iceman. His stage act involves melting blocks of ice. That is his entire act. I blogged about it.

He said he was now calling himself AIM – Anthony Irvine Man – and suggested I should write a new blog entitled:

THE PAINTER FORMERLY KNOWN AS THE ICEMAN BREAKS/DOUBLES VINCENT VAN GOGH’S RECORD, SELLING 2 PAINTINGS IN HIS LIFETIME.

Since then, we have had a chat about it. We met in the Topolski Gallery/Bar under Waterloo Bridge in London.

“You told me the man who bought your painting,” I said, “was going to explain why.”

“Yes. He wrote to me,” said The Iceman, taking out a piece of paper. “He says: The paintings of The Iceman are honest, charming and…”

“Cheap?” I suggested.

One of The Iceman’s acclaimed paintings

“Honest, charming and fascinating” – his faux-naïf paintings

“No,” said the Iceman. “I got him into three figures…The paintings of The Iceman are honest, charming and fascinating. He is an artist whose practice has developed at a glacial rate over a lifetime and each act seems considered but not over-thought. His fixation on ice, the melting process and how that relates to him – his life experience – in a symbolic way – is intriguing and perhaps even deep…

“He wants to buy a second picture. He says: The faux-naïf handling of paint is suggestive of Basquiat or perhaps Dubuffet and art brut. In any case, it is defiantly anti-slick or perhaps anti-consumerist. It is refreshingly populist work, like a kind of ascetically-charged graffiti, piquant piracy, shades of Nolan’s Ned Kelly series.

“So you are at last being properly considered as a serious artist?” I asked.

“Yes. I feel it’s time to do a proper exhibition. I’ve done about 137 paintings now. They need to be displayed en masse. I have finally found my métier. I think I am just going to keep producing. My subject matter is rather consistent.”

“Blocks of ice,” I said.

“Yes,” said The Iceman.

“So are you not going to do live performances any more?” I asked.

“I don’t think so. I never realised I was a painter until this late in life.”

“If Hitler had realised his destiny was to be a painter,” I suggested, “we wouldn’t have had all that trouble.”

The Iceman in his studio earlier this year

The Iceman hard at work in his outdoor English studio in 2014

“I am thinking,” said The Iceman, “of increasing production: doing one in the morning, one in the afternoon and one in the evening.”

“Won’t that devalue your unit retail cost?” I asked.

“You are right,” mused the Iceman. “Maybe I should slow production down instead.”

“All your paintings are based on photographs?” I asked.

“Yes. Stills of my blocks of ice. Or stills of moving pictures of my blocks of ice. I could not paint without the photo.”

“Why not?”

“Actually,” he said thoughtfully, “that might be my next series of paintings. The imagination series. I think I have developed my own style.” There was a long pause. “I don’t know what my style is, but it is recognisable. On my website, I’ve got every painting I’ve ever done. I sold one photo off my website – Block 183 – so, technically, I have sold two pictures: one was an oil painting and one was a photograph.”

“You are on a roll,” I said encouragingly. “How have you survived financially?”

“I work with teenagers,” said The Iceman. “It’s educational work. Helping them realise their potential. But I don’t play football.”

“Ah,” I said.

“I have done some odd things,” The Iceman continued. “I did a boxing kangaroo act. I was the referee in a duo with a live kangaroo. Circo Moira Orfei in Italy. She was a fading film star. I had to go round saying Cugino! Cugino! Her cousin was called Filippo.”

“Did you live in a tent or in a caravan?” I asked.

“I lived in a truck with the kangaroo – there was a partition. We had a kangaroo and then collected a younger one from the airport, so I ended up living in the truck with two kangaroos. The poor young one got a lot of rollicking from the older one.”

“How long were you with the kangaroos?” I asked.

“A couple of months. I had to run away on Christmas Day.”

“Why?”

“I had a fracas in the audience and the acrobats were angry because it was at the moment of their ‘death-defying balance’ and so they were all out to get me because I caused them to stumble. I ran away and they ran after me running away, but they didn’t catch me.”

“It’s not their area of expertise,” I suggested.

“I suppose not,” said The Iceman.

“Tell me more about the boxing kangaroo,” I prompted.

A kangaroo boxing poster from the 1890s

A proud tradition – a poster from the 1890s

“We did the routine in a proper boxing ring and we knocked each other out – the other guy, Filippo, and me – quite a slick physical banging routine. Then I had to get the kangaroo by its tail and drag it into the ring. The first day, one of the roustabouts from Morocco tripped me up and I fell on the kangaroo’s bottom, which got a big laugh. Once the kangaroo was in the ring, I was supposed to give him his mating call and irritate him and dig him in the ribs. Then he gets angry and tries to get hold of Filippo.”

“Why didn’t he try to get hold of you?”

“Because Filippo was teasing him as well and he was more experienced in annoying the kangaroo.  Filippo told me I was too kind to the kangaroo in the ring. The poor thing had boxing gloves on, so it looked like he was boxing but he was trying to grab Filippo round the neck. Sometimes, he would get him round the neck and one of my jobs was to release the forepaws if the kangaroo was really angry. If the kangaroo was really, really angry, he might hold onto Filippo with his forepaws and kick him to death with his hind legs. Kangaroos have very strong hind legs but their forepaws are less strong.”

“You did this job just for kicks?” I asked.

“There was a lot of comedy,” said The Iceman, “because he would kick Filippo and I, as referee, had to tell the kangaroo off.”

“You never got kicked?” I asked.

“Not seriously. His irritation was more directed at Filippo… I have slightly mixed feelings talking about all this. It is quite sad when you think about it. But I was young. The animals I felt sorriest for were the tigers. The circus had elephants who killed some of the people.”

Death defying circus stunts were common back in the day

Death defying circus stunts were common

“In the audience?”

“No, the people looking after them. But the tigers just went round and round. Terrible conditions, really. I’m not really very pro-circus, animal-wise. Looking back, it was all a bit sad, really. That image of the tigers is the one that haunts me most. They had gone mad and were going round and round and round.”

“You toured with this circus?” I asked.

“Not for very long, because I had to run away from the acrobats.”

“When was this?”

“Around 1980.”

“When circuses were circuses.”

“Yes. So many animals. Birds, vultures and incredible trapeze artists. There was a clown who played the saw. Every cliché.”

“Why were you working in this circus?” I asked.

“I used to go to clown workshops at the Oval House in London. To me, to be a proper clown in a big circus was my apotheosis. Is that the right word?”

“I have no idea,” I said. “Why an Italian circus?”

“Because I met the mother of a clown. His father had died in the ring.”

“Killed by an elephant?”

“I have no idea. It seems unlikely.”

“That was your only circus experience?”

“Yes. I moved on…”

“To…?”

“Experimental theatre. In those days, there were a lot of small-scale touring theatres.”

Iceman painting - “I have never painted anything without quite a strong feeling.”

“I have never painted anything without quite a strong feeling.”

“You should paint kangaroos,” I suggested.

“No. Only ice blocks. That’s my genre. To depart from that would spell doom. Each picture I have done is unique.”

“They are all blocks of ice,” I pointed out.

“But they are each unique,” said The Iceman. “I have never painted anything without quite a strong feeling.”

“Quite a strong feeling of…?” I asked.

There was a pause. “I’m not sure,” he replied. “That is a very good question…. Maybe a feeling of bringing something alive long after the event when it existed.”

“Giving eternal life to a transient thing?”

“That could be it,” agreed The Iceman.

“Let’s assume it is,” I suggested.

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Filed under Art, circus, Comedy, Humor, Humour, Painting, Surreal

The £2,500 theft and Copstick in Kenya

Mama Biashara’s Kate Copstick at a happier time in Kenya

Mama Biashara’s Copstick on a previous Kenyan visit

Comedy critic Kate Copstick is currently in Kenya, where her Mama Biashara charity gives sensible sums of money to help locals start sustainable small businesses in the poorer areas of Kenya.

She flew there last Friday.

Last Wednesday, £2,500 destined for the charity’s work in Africa was stolen from the Mama Biashara shop in London. At the time of writing, a donations page for the charity remains open for another 24 days and monies from the first night of promoter Mike Leigh’s new Comedy Happening night in London on 16th March are also being donated to Mama Biashara.

Below is an edited version of Copstick’s latest diary from Kenya. No-one takes any salary from Mama Biashara and Copstick covers 100% of her expenses herself. She takes no money from the charity nor from any donations to the charity. 100% of all money donated is spent on the charity’s projects.

Mama Biashara logo


SATURDAY

Doris at the ferry in Mombassa

Mama Biashara helper Doris at the ferry in Mombassa, Kenya

I am sleep deprived and knackered when I land. But get painlessly through customs and immigration, which is wonderful.

Situation update in Kenya is: there is a serious drought and a State Of Emergency has been announced. However I, although my personal luck is currently waving goodbye as it disappears over the horizon beyond dreadful, have brought the rain with me. Last night and this morning there has been rain – even in Nanyuki (which is impressive). Everyone is happy.

Doris is resplendent in new braids in grey and black (a gift from a friend).

I run through part of my To Do List and Doris says she thinks we should concentrate on things other than business set-ups because business is appalling in Kenya at the moment. Some big companies are relocating, small companies are closing and tiny Mama Biashara type businesses are in a dire state. All food prices have gone up and water has become very expensive.

Also doctors in all government hospitals have been on strike for 77 days and counting. People are lining up outside non-functioning A&E departments to die. Apart from that, everything else is crap too.

SUNDAY

The highlight of my week so far is my new favourite word of all time. Coined by the marvellous Julius, it is ‘grumpling’. Close but subtly different from grumbling. And much friendlier.

We arrange more jiggers treatments (see previous diaries, but it is not pretty), more medical, more shoes and then Julius starts talking about “the well”…

I would love to dig a well. There are 600 people in the community around where Julius lives.

Pro the well: it would bring water to the community and save the women trekking 5 kilometers to get the stuff and, thanks to all the support we have had, if we locate water which is not to deep underground, it is financially doable for us.

Con the well: the cost could be big. If all goes well and the diggers do not hit rock, it would be quite cheap. But rock means big costs. In addition to that, my experience is that, as soon as there is a ‘thing’ here, the heavy mob (there is always a heavy mob in poor areas) appropriate it. My worry is that they would grab the well and start charging the locals. And, when Julius dies, his land goes to his son and his son’s wife who might not be a decent as Julius.

Thoughts, people? Especially those who donated to Mama Biashara.

Without you I would not even be able to consider this.

The alternative is to teach the locals about the Raincatchers I invented for the Maasai.

You create a sort of hammock that you hang from trees, with a hole in the middle which is directly over the opening of a 1,000 litre water tank. The rain is ‘caught’ and collected and pours into the tank AMAZINGLY quickly. Maybe a Raincatcher for every four or five houses would be enough. This can be done at about £50 per raincatcher.

Copstick with Mama Biashara co-worker Felista

Copstick with Mama Biashara worker Felista on previous visit

And now Felista arrives. Her ginormous breasts are in danger of pouring over the edge of the bra (Thank you Sara Mason) she wears and out of her blouse, which is missing a button.

Every time she takes a breath, it is like watching a tsunami of flesh gathering to swamp everything in front of it.

She shows me her skirt, which is similarly missing bits … like quite a lot of material.

“My clothes have all been eaten by a rat,” she announces with hoots of laughter.

As ever, with Felista, there is good news and there is bad news.

She also has been to Nanyuki, (as well as Doris), currently ravaged both by drought and by tribal warfare exacerbated by drought.

“Eh, they are dying like chickens there!” she cries, shaking her head. “Like chickens.”

Back at DECIP (the children’s home she created and runs on a wing, many prayers and a heart the size of a Trump ego), the bus which left in December to take 20 orphans back to their home area in Awendo in December has returned in February with the 20 as well as 49 others. No shoes, hardly any clothes. Forty nine. Because the women in Awendo know Felista will not turn away a child in need. And Awendo and surrounding area is rich in children in need.

So now Felista’s two rooms (bedroom and a sort of sitting room) as well as a store room and the dispensary, are dormitories for the tiny kids while the nursery dorms, as were, house the bigger kids.

Awendo also sent four male teachers, whom Felista has just had to tackle and expel for trying to rape girl pupils. Twelve year olds. When she stopped them and went crazy, they announced:

“But we are teachers. These girls are our meat. This is our culture.”

They have now gone.

The situation is further complicated by the older Luo girls (from Awendo) who are described by a grinning Felista as “crazy for sex”. And so I am going to be teacher for an afternoon at DECIP. Teaching sex education. Oh yes, I know. Dracula in charge of a blood bank and all that, but I will have my sensible hat on.

MONDAY

Some of the Kenyan children helped by Mama Biashara

Some of the Kenyan children helped by Mama Biashara money

I am determined to get some heft behind our campaign to stop teachers and Head Teachers extorting money from the poorest of the poor at government schools by creating illegal charges and then excluding the children when the parents cannot pay them. This is a Big Thing here. And it is the main reason so many of the poorest kids don’t get an education.

Some fat drunk in charge of a school wants an extra wedge so he (or she) creates a ‘sitting on the chairs’ charge or a ‘learning on Mondays’ charge. The parent cannot pay up, so the kid gets sent home.

All these charges are illegal. Including the omnipresent ‘registration fee’.

We spread the word everywhere we can when we are in the slum areas and I have written a leaflet, quoting the relevant bits of the Act and screaming in bold letters: “No child can be sent away from a government school because of money.” 

But the message is not getting out there enough.

Yesterday a lady told me her kids’ school levies a ‘cleaning charge’ twice a week. 200 pupils each pay 50 bob. Twice a week. And the cleaner is paid 200 bob tops. Twice a week. The rest goes in the headmaster’s pocket. Illegal. But kids get sent home if they do not pay it.

So I go to the Education Officer’s office and have a chat. He listens. He nods. And then he says:

“Firstly I must tell you that everything you say is true”.

Marvellous.

Then he says: “…and I must congratulate you on being so bold. These people are volatile.”

“Thieves and those who spend their lives conning money out of orphaned children often are,” I say. He smiles.

They tend to smile a lot, these officer types. Not widely, but a lot.

The upshot was that either the official types are just scared to take on the bastards or the bastards are paying them off so that the larceny might continue.

Whatever, he did say he would support a poster campaign (and have posters all over the Chief’s offices), would encourage me to speak on radio and would help with lists of parents associations to which we could speak.

Probably not me as the whole white thing is not great when push comes to shove.

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The decline of British television comedy. The elitist iceberg of Brexit and Trump.

The Grouchy Club Podcast

Below is a short extract from the 100th Grouchy Club Podcast in which the (yes she certainly is) controversial comedy critic Kate Copstick and I ramble on about anything that takes our fancy, occasionally stumbling into the subject of British comedy. Occasionally, too, we stumble into cyber-trouble.

This may be one such example.


JOHN: There is a sort of bizarre snootiness in comedy where the Oxbridge elite…

COPSTICK: Oh yes…

JOHN: …who, by-and-large, don’t get (big) ratings for their shows – are very snooty about people who do get ratings. For example, Benny Hill.

COPSTICK: Yep…

JOHN: …who at the height – the height – of his fame and his ratings success and his foreign sales for Thames Television – He must have been churning money out like nobody’s business for Thames Television – was dragged into – was it Brian Tesler’s office? Someone’s office… and told they were getting rid of him because he was in bad taste.

COPSTICK: Yes, yes.

JOHN: He was staggeringly popular. I heard that when he died – I dunno if this is an urban myth – Chinese television broke into their broadcasts to announce it as a newsflash.

COPSTICK: I’m sure that’s absolutely true.

JOHN: But I mean he was staggeringly popular. They didn’t like him because they said he was sexist.

COPSTICK: But I think that… I’m going to get a bit political here, John…

JOHN: Oh God! We’re going to be in trouble!

COPSTICK: Only mildly…

JOHN: Oh dear.

COPSTICK: …and fleetingly.

JOHN: Oh dear.

COPSTICK: Just fleetingly.

JOHN: That’s never stopped her before.

COPSTICK: I think that is exactly the same thing – talking about the Oxbridge elite and all that running TV, so they say what gets dumped because they don’t like it – They are the ones whose voices are out there but Benny Hill had gazillions of viewers – I think that’s exactly the same thing we got with Brexit and the Trump vote – because the people at the top…

JOHN: This is Copstick!

COPSTICK: …the people at the top are completely unrepresentative of the mass of the voting iceberg that is underwater. And somehow, when the bottom mass of the iceberg rises up and votes for Brexit or Trump, it’s all Oh! Shock! Horror! How can this have happened? Well, it happened because it was always there. You just weren’t listening to it.

JOHN: Also, I was talking to someone the other day and said that, in my erstwhile youth, when they had sitcoms, they used to have them on at 8 o’clock or 8.30 at night or 7.30 at night. Nowadays, sitcoms are on at 10.30 or 11.00…

COPSTICK: Yes, yes.

JOHN: … because, in my youth, the sitcoms got massive ratings and now the humour, the comedy is not getting big ratings because it’s being scheduled and programmed and decided on by people who don’t like what the public like.

COPSTICK: Which is why Mrs Brown’s Boys is the highest rated…

JOHN: Yes and that’s only on at 10.30 because he keeps saying Feckin’ or something, doesn’t he?

COPSTICK: People are very snotty about it: Ooh! Mrs Brown’s Boys!

JOHN: I saw one episode and thought: Oh, that’s not really for me. But, of its type, it’s well done. I mean, Mrs Brown’s Boys and My Family must be, recently, the biggest sitcoms on…

COPSTICK: Absolutely. And surely somebody somewhere in some television company must see that.

JOHN: There is a lot of Emperor’s New Clothes going around.

COPSTICK: Ooh!

JOHN: I have to say Vic & Bob – sorry – I never ever thought they were funny. There was one pilot for, I think, Granada, which I saw and liked: it never got made into a series because no-one else liked it, but I have never ever ever thought Vic & Bob were funny. They were always in minority slots and, when the BBC I think it was tried them at peak time on a Saturday night they came a phenomenal cropper. With good reason. Because they ain’t funny… (LAUGHS) …in my populist opinion! (LAUGHS) But what do I know?

COPSTICK: I have almost stopped watching comedy on TV because there is very little that appeals to me and makes me laugh.

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Filed under Comedy, Politics, Television

Flying toilets, taking new drugs and having a penis enlargement operation

Comedy critic Kate Copstick and I record a weekly Grouchy Club Podcast. It covers more than gossip about the comedy industry as do the monthly, live Grouchy Club meetings. Inevitably, after this week’s was finished, the conversation carried on. Three main anecdotes cropped up…


Kibera in Nairobi, Kenya (Photo by Schreibkraft)

Kibera slum in Nairobi, Kenya (Photograph by Schreibkraft)

FLYING TOILETS

The podcast is recorded in Copstick’s Mama Biashara charity shop in Shepherds Bush, London.

The charity works in Kenya, helping small business start-ups.

When over in Nairobi, Copstick lives in slum areas and had this description of the ‘flying toilets’ in Kibera, Nairobi, said to be the largest urban slum in Africa. 

* * * * *

The houses are incredibly close together – you can’t really extend your arms in the little rat runs between the houses. It is much better now but originally there was allegedly 2,000 people to every one long-drop toilet.

Now the government have put in some standpipes and there are public toilets but you are still sharing a toilet with a helluva lot more people than you would like to. If you go out into the darkness of the night – and you really can’t see in front of your face – you have no idea what you are stepping on, you creak open the door of the long-drop toilet and have no idea what state it’s in. It’s a bit Russian Rouletty. You may also get killed or attacked on your way there or back.

So, if you wake up in the middle of the dark night and think: “God! I desperately need a shit!” – which people do a lot because there is a lot of diarrhea around – what you do is go outside and take a shit into a plastic carrier bag, then tie the top of the carrier bag and take the little butterfly bit at the top and whirl it round your head like a Scotsman flinging the hammer. When it gets to peak velocity, you let go and it flies away into the night as far as it can.

Obviously, in an ideal world, you aim high and generally what will happen is that somebody a couple of streets or houses away will hear a SPLATT! on their corrugated iron roof and they will think: Oh fuck! Somebody’s flying toilet! I must remember to go up and scrape it off in the morning!

The shit is in a plastic bag but, when the plastic bag lands, it generally splits open. Also, if you are in a big family – my mate Sylverster has a one-bedroom house for seven of them – as the children get older, when it’s not raining, the girls sleep inside the house but the boys sleep on the roof. So that can get messy.


Kate Copstick prepares for a Grouchy Club

Kate Copstick prepares for a Grouchy Club

WHITE BLOOD CELLS

For many years, Copstick has suffered from the painful and debilitating disease lupus. It is an autoimmune disease in which the body’s immune system mistakenly attacks healthy tissue in many parts of the body.

Until 2½ months ago she was in agony most of the time…

* * * * *

Since the lupus struck, I have always had a low white blood cell count – neutropenia. The white cells are the fighter cells and scavenger cells. When you get a bruise, the neutrophils go in and clear away all the damaged blood.

Last June, they put me on this new medication – methotrexate – which I injected into the flub on my stomach. It is a kick-ass drug. It’s used in chemotherapy – for leukaemia and other cancers. Then they found out it really worked for rheumatoid arthritis and, through that, they found it worked for other auto-immune diseases like lupus.

I got put on methotrexate last June/July. Then in August in Edinburgh I got bacterial pneumonia and they thought it might be the methotrexate and I kept taking it and they said: “Oh, your white blood cell count keeps going down.”

Then suddenly, 2½ months ago, I felt great; I felt fantastic. Nothing had been changed in the drugs but I suddenly felt physically great. And the best I’ve felt psychologically for years. I was actually happy. I felt happy. Just wonderful. No pain; no headaches; no tinnitus; no cold sweats; and the white blood cell count had gone down even more.

Then, two weeks ago, the doctors said the white blood cell count had become very dangerously low.

I said: “I’m feeling fine!”

They said: “No no no no no. You’re very dangerously low.”

They kept asking me if I had temperatures and beadaches.

I said: “No! I feel wonderful!”

So, last week, they told me to stop taking the methotrexate because they thought that was lowering the white blood cells. I stopped taking it and I feel like shit this week. As soon as I stopped the injections, I got the pain back – tiredness, pain, headache, dizziness – all the lupus shit.

I mean, everything you take, every normal mainstream medication that you take does something bad to you. I think it should be about what makes you feel good. I’m fucking fed up feeling like shit. I’ve felt like shit for a lot of years, a lot.

Nothing bad seemed to be happening with the low white blood cells and I was feeling great and I reckon for me that’s better than being like this and taking handfuls of tramadol and dihydrocodeine and anything else I can lay my hands on just so I can be functional.


Devils on Horseback

“A bit like Devils on Horseback” which is dates stuffed with almonds and wrapped in bacon

PENIS ENLARGEMENT

In her TV production hat, a few years ago, Copstick developed, wrote and produced a series for the Bravo TV channel called World of Pain.

* * * * *

It was about things like pain for pleasure, sporting pain, all different things. And one episode was called Suffer To Be Beautiful which was about people having plastic surgery and all the crazy shit they do.

So I went to New York to film a penis enlargement operation. It was around the year 2000 and there was nobody in Britain who would allow me to film them. Those who go for penis enlargement tend to want people to imagine that’s how they always have been naturally.

I filmed the entire operation. It was absolutely fascinating. I was the cameraperson. When we sent it to the compliance lawyers, most of it ended up on the cutting room floor not because it was erotic but because there was just so much blood. Somebody was having the shaft of his penis split open with a scalpel and the skin peeled…

What I did not realise was that every man is born with as much penis length as anyone can give you. It just depends if you are a show-er or a grow-er.

If you are a show-er, even when you are flaccid, it is all hanging out there.

If you are a grow-er, there is more to come from inside.

So what they do, when somebody wants more length, is make two cuts in the inguinal area – just above the pubic bone – one on either side – and in there are the ligaments that hold the penis in place and they snip those.

Then – this is true – one doctor or a very strong nurse holds the patient on the operating table while the other doctor grabs the penis and pulls. And I am talking PULLS. We are talking like tug-of-war. And they yank out as much of the penis as they can.

Then they stitch up the little incisions and you are now a show-er.

What surprised me is that men who want more length want it for the locker room. They want it for that moment when the Calvin Kleins hit the carpet and another person – male or female – gets their first look at what you are packing.

This guy I was filming wanted more length. So they did that. But he also wanted more girth.

Enhancement can help a bit on girth with what they call ‘harvested tissue’. Have you ever larded a joint of meat? Where you take strips of fat…

Anyway, what they do is get the penis and slit open the skin down the length of it and then… Have you ever buttered the breast of a chicken before you roasted it?

What you do is you ease your hands in between the flesh and the skin of the chicken and you open it up so the skin separates from the flesh.

So, with penis enhancement, they get little rectangles of harvested tissue, lift the skin of the penis away from the shaft and wrap these bits of tissue around the shaft. Then they sew that bit up and do another bit until… It’s a bit like Devils on Horseback or a beef olive.

Then they stitch the skin back into place and wrap it all in very tight elastic bandage. Then the person goes away with lots of painkillers and hopes that they only think clean thoughts.

Because the single biggest problem with the process is guys who go away from the hospital, take their painkillers and, after a day or so, wake up with a bit of morning glory and burst all their stitches.

As for pee-ing, initially you are catheterised but the answer after that is to pee very very carefully.

How do you get harvested tissue? With a scalpel and a dead body.

So be careful when you sign your organ donor card. You may think you will be giving sight to the blind, but you could end up giving girth to the under-endowed and find yourself wrapped around some tiny-dicked guy’s enlarged penis.

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Filed under Health, Humor, Humour, Kenya, Medical, Poverty, Sex

Sexual perversion or just healthy living? Mud marching in bare feet outdoors…

Anna Smith ignores the BBC in Canada

Anna Smith has her own healthy interests

This blog’s occasional Canadian correspondent Anna Smith, who lives in Vancouver, has sent me a plea from the heart which she found online in the local Craigslist.

I can only presume she was diligently looking there on behalf you, our dear reader.

The listing says, under its headline:

MUD MARCHING IN BAREFEET

hi

i am looking for a mud marching partner who would love to march in the mud in our barefeet every saturday starting in march to the fall. i love mud and i love marching in the mud in my barefeet!! this job is for fun!! we will be marching in the mud in parks in langley and whiterock! you must love mud and you must love marching in the mud in your barefeet!!! serious inquries only as i am serious about this! anyone can apply!! you will be paid $30.00 dollars an hour!

Craigslist adds:

Principals only. Recruiters, please don’t contact this job poster.

Anna says: "Right now there is only snow marching going on here."

Anna tells me: “Right now there is only snow marching going on here.”

So one presumes the demand is so great for barefoot mud marching partners that employment agencies are getting involved.

Anna asks me: “Is this a trend in Britain too? Or is it a colonial perversion?”

I cannot help her. I am a simple soul, raised a Presbyterian.

If you can help, do get in touch privately.

Anna tells me, to add to the advertiser’s woes, there is precious little mud in Vancouver at the moment – just snow.

But maybe cold feet are ever hotter.

 

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The wreck of the Wibbley Wobbley

The Wibbley Wobbley in its original berth at Greenland Dock in February 2014

As a sad PS to several recent blogs about the removal and rumoured scrapping of comedian Malcolm Hardee’s floating pub venue The Wibbley Wobbley, below is a photo taken by Stephen Mccreadie.

Wibbley Wobbley wreck

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Wish you were here: Memories of the Canadian stripper who met a Norse God

Continuing the memories of this blog’s occasional Canadian correspondent Anna Smith…

She writes:

The Coronet Motor Hotel in its prime

A postcard from the Coronet Motor Hotel in its heyday

The only person whose tyres I ever wanted to slash was my agent Jules Rabkin, because he overbooked girls all the time. He would send eight girls to a bar in the middle of nowhere that needed only six and the last two to arrive would get bumped and be out of work for a week.

He ripped off my friend Tiffany for $300 and she did something better than slashing his tyres. She marched into his office and set his desk on fire.

“How did he react?” I asked her, full of admiration.

“He handed over my money through the flames,” she said. “After that, he never dared fuck me over again.”

But we also knew how to be discrete back then …yes we were so discrete.

I can’t  imagine why all those motels had to give us all those ridiculous lists of the rules… like we weren’t supposed to walk through the lobbies naked or tie up the switchboard phoning each other’s rooms and we weren’t supposed to lie down inside the club either. And there was a $20 fine if you got caught ‘taking a man in the ladies room’ at one club. So, obviously, it must have been a terrible problem there. And we weren’t allowed to smoke or drink on stage. One really terrible place said that ‘horseplay’ wasn’t allowed. Anyone would have thought it was a building site.

We were in motels for the same reason rock bands were in motels. Touring.

Did I mention the time I met Thor at the Coronet Motor Inn, in Ontario?

Nothing happened between me and Thor. I don’t really go for the God type. I just crossed paths with him in the hallway and felt a bit sorry for him that he had to dress like that. It seemed like even more work than dressing up as a stripper.

We were often in motels. We were often on the road. We could make more money out of town (Toronto).

The furthest north I went was Elliott Lake, a uranium mining town. I was scared travelling alone to such an isolated place. At the time, the ratio of males to females was 10 to 1, so that in itself was scary, plus I was afraid to drink the water so I only drank juice.

The bustling centre of Elliot Lake seen from the Fire Tower Lookout

The centre of Elliot Lake seen from the Fire Tower Lookout

The motel was on the outskirts of town – strip clubs usually were.

The owner was a really nice woman so I didn’t have to deal with the usual come on we always got from the male managers. And there was a nice painting over the front desk .

It was a landscape, done locally and given to the owner’s father by the artist.

There was another dancer working there the same week as me: a friendly young Jewish guitarist and songwriter from Ottawa. So we spent time in each other’s rooms, watching television in bed, sharing our plans for the future. She wanted to be a famous singer and I wanted to be a famous comedienne in movies. This was in about 1980.

We went for meals together. I remember she was the first person to introduce me to Caesar salad, prepared by the chef at our table in the traditional manner.

The audience was made up of uranium miners who were very rowdy, enthusiastic but not obnoxious. I had so much fun doing my show that I flew off the stage and landed in the audience and broke my foot – luckily it was a Saturday so I only missed one show. I think I was spinning around semi-blindfolded when I went off the stage… I used to often break my feet in those days, but that was the first time I did it while performing.

I met one of the uranium miners years later. He was a little guy from Chile known as ‘Loco Misissauga’. I was surprised he would be in Elliott Lake which is such a remote place, but then he had been a miner in Chile.

Missisauga today

Missisauga today – once a godforsaken suburb of Toronto.

Missisauga was a godforsaken suburb of Toronto. It was one of the places I went to for work. It was where Jules Rabkin, my agent, would send us. I worked there in 1977 when I was just starting out. As I became more experienced I worked in better, more central clubs

The bars in Missisauga were awful, usually run by Greeks. I remember one club called The Oasis which was anything but an Oasis. The small stage was covered in orange shag carpet, with the ceiling done the same. Can you imagine trying to dance in stilettos on that?  Another club out there used to ask the dancers for a $50 deposit to rent a locker for the week. There was no dressing room, just a narrow hallway. So most of the dancers went to sit with the customers between shows and the waitress would take their keys off the table so they would lose their key deposit. Eventually the owner was shot dead, which was hardly surprising.

I don’t have any photos of that time, though I was one of the first adapters of the selfie with my Olympus OM 10 which I bought from a hunky Italian boy stripper I met in a Belgian porno cinema. We had to do a show together because his girlfriend was ill. I became quite close to them and bought the camera and we stayed in touch.

Anna Smith impersonates an Englishwoman in London in 1984. She borrowed the cat

Anna Smith impersonates an Englishwoman in London in 1984. She borrowed the cat

The last time I ever saw them was in about 1985. They were doing a sex show in Soho, London. They invited me upstairs. They were living above a sex shop, with its lights flashing LIVE SHOW. I went upstairs, and was surprised to see the mother of the Italian boy was up there too.

She was tiny and dressed like a stereotypical Sicilian old lady: all in black, with the headscarf and the gold earings.

I asked the boy: “But your mother? Doesn’t she mind that you are doing a sex show?”

He introduced us and the mother was all smiles.

“She doesn’t have a clue,” he told me. “She never leaves the flat. She’s actually a complete moron.”

The mother kept nodding, smiling away cheerfully, thrilled to meet me, but I must have looked worried, because her son then reassured me: “Don’t worry, she doesn’t speak English.”

I thought about my mother. I didn’t tell her everything I did but no way could I have deposited her above a sex shop in Soho for a couple of weeks.

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