Noel Faulkner, outspoken comedy club owner, quits London after 40 years

Outspoken Noel Faulkner, the veteran (he will hate me using that word) club-owner is leaving London after about 40 years  (though with an interlude of about 18 years of that in the US). He started and ran London’s Comedy Cafe venue and, through his management agency, helped establish acts including Jimmy Carr. Last night, I met up with him to ask why he is leaving.

I had been seeing a comedy show and we met outside the venue after the show finished. That was his choice.

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Noel Faulkner in London yesterday

JOHN: So you’re leaving in around 9-10 days. Do you have a set date for departure?

NOEL: No. I’m out of my house in London in about a week, then I’m going back to Galway. I’m from Galway. I’ve got a house there; I’m buying a boat – 40 or 45ft – and I’m going to sail six months of the year in the Mediterranean.

JOHN: I thought you were from Killarney.

NOEL: My parents moved a village in Connemara when I was a teenager. I was only there for a few years. Galway’s my home town.

JOHN: So why are you going back?

NOEL: Mainly because everybody I know in London is working. I never see anybody. All my friends are comics and I don’t want to hang round in comedy clubs. There is nothing more boring. I’d rather watch a proctologist operate.

JOHN: But you ran comedy clubs for…

NOEL: It’s all gone. After the Comedy Cafe closed, we tried it in a hotel but the people there were fucking idiots; they kept wanting to change the opening times. It’s done.

JOHN: Aren’t you going to feel pangs of nostalgia?

NOEL: I never want to see another comedian perform. I could have gone to this show you went to today. But I thought: I’m not going to sit in that. I just can’t be around comedy. You know the punchline and then the fuckers don’t hit it and you go: Oh! Fucking hell! I have no interest in comedy now. None.

JOHN: But you have an active mind. Galway is lovely. But you will get bored after six months, just sitting around.

NOEL: I’ll have a sail boat: you are permanently fixing something on a sail boat. I can fuck off anywhere I wanna go.

JOHN: And you are going to finish your autobiography in Ireland?

NOEL: Yeah. When I started writing it, there was only one Panama Canal. Since then, they’ve built a second one.

JOHN: Is it basically your 2005 Edinburgh Fringe show Shake, Rattle & Noel?

“…a Tourette-fuelled Helter Skelter ride through three decades” (New York Times)

NOEL: Yeah. But longer. More facts and craziness.

JOHN: What’s the last page? Leaving the Comedy Cafe?

NOEL: It doesn’t matter. Who’s going to buy it?

JOHN: You have amazing stories – Robin Williams, the drug cartels, being on the FBI’s Most Wanted list, the…

NOEL: Yeah, it’s a great book but I’m nobody, so I won’t get a publisher. I just wanna finish it for me. I have no ego any more about anything. I don’t give a fuck. 

JOHN: That’s age.

NOEL: Yeah. My mates are dying all around me. My brother’s girlfriend just died. I just want to get up every day and for it to be a good day and joyful.

JOHN: Paul Sinha has Parkinson’s Disease.

NOEL: Yeah. He’s a sweet man… Ian Cognito just died last month. I knew Paul (Cognito’s real name). He was a lovely man. Very sad.

JOHN: His death must have had an effect on you.

NOEL: Scary.  That’s why I realised… Just get the fucking boat… I might be dead in five years time.

JOHN: He was 60. But he had lived a fair old bit…

NOEL: A brilliant singer. I saw him sing with Peter Graham’s orchestra at the Hackney Empire… white tuxedo… beautiful. Highly talented but totally self-destructive. Permanently on self-destruct.

JOHN: I’m amazed Keith Richards of the Rolling Stones is still alive.

NOEL: It’s in the genes.

JOHN: Do you have long-living relatives?

NOEL: I have a great-great-great-grandfather who lived to be 125.

JOHN: Was he fairly compos mentis?

NOEL: I don’t know. I wasn’t born then.

JOHN: Comedy moves on. Jo Brand got into trouble. People in the UK have been throwing milk shakes at politicians. She joked on a BBC Radio show: “Why bother with a milkshake when you could get some battery acid?” Nigel Farage complained; the police investigated but decided it was not an incitement to violence.

“We can’t start censoring. You’ll have Dialogue Police.”

NOEL: It was just a fucking joke. Listen, we can’t start censoring. You’ll have Dialogue Police. When I had the Comedy Cafe in Shoreditch, they were doing a test attaching microphones to lampposts. If someone was murdered, they would hear it and the CCTV guys could start looking at the… That’s how fucking… So we could be sitting here outside a cafe having a conversation and you swear 12 times and say this word and… We are right up to that!

JOHN: 1984.

NOEL: We can’t have it! If I was doing stuff on stage now, I would fucking tear into everybody and go: Fuck you all! It’s like “Good evening ladies and gentlemen and everyone with a sexual preference from A to fucking Z”… Now I haven’t offended anybody, ya cunts. It’s fucking ridiculous. I don’t even know what the initials LGBTQ… Does ANYbody fucking know what they stand for? NO. But some guy’s got a penis transplant to his forehead and a vagina in his ear… For fuck’s sake!

JOHN: You should seriously think about doing an Edinburgh Fringe show where you just go up and rant.

NOEL: I don’t want to spend a month up there. It’s depressing. Really depressing.

JOHN: But, if you don’t give a shit, it’s OK.

NOEL: You’re still depressed. I’ve been up there with money in my pocket. Hated it.

JOHN: When you did your show in 2005? But you probably cared then. The trick is not to care.

NOEL: Yeah, but you’re spending fucking £10,000. Edinburgh, for a comic, is the greatest illusion ever.

JOHN: In what way?

NOEL: That you’re gonna make it.

JOHN: Are you gonna have a farewell ‘do’?

NOEL: No.

JOHN: Oh go on… A farewell rant.

NOEL: No, I’m not. I don’t want to stand round in a bar having to talk to people. They can fuck off. I’m gone.

Comedy Cafe owner Noel Faulkner reviews my first stage performance

Publicity shot for my first ever show

Last Wednesday night I took to the stage for the first time.

I appeared doing a 10-minute spot in a Valentine’s Night special at Martyn Sadler’s new comedy club in East London.

It was, perhaps, a rather rowdier audience than I would have preferred.

But, sitting in the audience, was comedy promoter Noel Faulkner, who founded the Comedy Cafe – now at its new venue in Shoreditch.

He was kind enough to share this review of my act via social media the next day.

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Noel Faulkner is a man of exquisite taste

Well I have to say John Fleming – who has seen more comedy than anyone in the business – is definitely a dark horse of the stage. He was amazing in his performance last night. First of all, nobody told me he has such a great falsetto voice. I thought he was miming!

His performance from the moment he stepped on stage just blew everyone away (John is good at blowing). And, at his age, to come on to what must be one of the most difficult tap dancing routines since Fred Astaire and still have the energy to do two songs – one with an audience member on his shoulders – was both a treat and a feat.

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Martin Soan (pictured) introduced German act The Short Man in Long Socks in 2016 wearing short socks to avoid confusion

I have hopes that Noel may book me at his Comedy Cafe Theatre in the summer but, in the meantime, Martyn Sadler has re-booked me to perform at his new East London club at the end of March.

Also on the bill will be that extraordinary German variety club act The Short Man in Long Socks – Der kleine Mann mit langen Socken – who has not been seen in London since his appearance at Pull the Other One in Nunhead in 2016.

I blogged about it at the time.

Tickets for the March show at Martyn Sadler’s club are available online now at £10 full price; £15 for students.

This admirable pricing system is based on a model the late Malcolm Hardee once used for his show at the Edinburgh Festival.

The Comedy Cafe re-opens in London and Oslo but not yet on a Greek yacht

Yesterday, I talked to comedy club owner Noel Faulkner via FaceTime. It was raining heavily. He couldn’t be bothered to go out. I did not blame him. I was getting drenched coming back from Iceland. The supermarket, not the country.

Noel ran the Comedy Cafe club in London’s Shoreditch for 27 years. It closed in January this year but, next Saturday (16th September) it re-opens in Shoreditch in a different location.

“We talked to a lot of venues,” Noel told me, “but most of them didn’t understand what the fuck it was we wanted to do. Most of them wanted hundreds of pounds in rent every night. They just didn’t understand that comedy is not the big money it used to be.”

“But now you have,” I said, “found somewhere.”

The new Comedy Cafe – at the Miranda Room in Shoreditch

“Yes. The Ace Hotel in Shoreditch High Street – in the Miranda Room, a nightclub basement room with a nice atmosphere for comedy – it’s a lovely room. Holds 100 people. Lovely restaurant upstairs; great food.”

“Are you going to make money on it?” I asked.

“We’re not going to make any money,” said Noel. “We just want to keep it going because we enjoy what we do. And I have a really good promoter working with me. His name is Steve McCann. Us Irish have to stick together.”

“What have you been doing in your time off?” I asked. “Writing your book?”

“Shake, Rattle n Noel? The famous book I’ve been writing for twenty years? I’ve done 40,000 words so far.”

Noel Faulkner’s 2016 Christmas present brought consolation

“So what were you doing?” I persisted.

“I’ve been sailing on a chartered yacht in the Greek islands.”

“You could be the L.Ron Hubbard of your era.”

“More like the Howard Hughes of comedy. I spend all my time on my yacht and in my penthouse with the curtains drawn. That’s the image I want.”

“So did you miss comedy?” I asked.

Noel laughed.

“I can’t tell you the truth coz you’d fuckin’ print it!”

The bar at the new Comedy Cafe in Ace Hotel, Shoreditch

“Can I print that?”

“You can print that.”

“Did you miss comedians?” I asked.

“Yeah. Like the time I had fuckin’ herpes.”

“Do you want to re-phrase that?”

“I missed comedians like I miss haemorrhoids”

“I will,” I told him, “add in that you were laughing when you say that.”

And he was.

“But I can tell you,” he continued, “and you can put this in too – that I WAS very impressed by the amount of serious and good comics who called me up or came up and talked to me and asked me if everything was OK and how I was doing.

Posters at the old Comedy Cafe, including one for Noel Faulkner’s autobiographical show

“The opposite side of that is, since we said we were opening again, I’ve been getting hundreds of Facebook requests. To me, Facebook is for friends. Becoming my ‘Friend’ on Facebook will certainly not guarantee you a gig at the Comedy Cafe. There’s a lot of shallow people in the business, like all businesses.

“But a lot of people have been very good and kind to me and very concerned, like Alan Davies and Ed Byrne. Alan Davies is kicking off the new Comedy Cafe on opening night. With Jimmy James Jones and Lauren Pattison – and Greg Faulkner is MCing.

“Is Ed Byrne playing the Cafe soon too?” I asked.

“He wants to, but he’s a bit busy at the moment. He asked me before I asked him.”

“Are the shows going to be monthly or weekly?”

“Weekly. Saturdays and Tuesdays, at first… Tuesday is the ‘new act’ night. We used to have the best new act night in the country.”

“Why was that?”

“Because we always had 100 people in the room. You didn’t have to bring a friend and you didn’t have to buy two drinks if you were a comic. We really had the best new act night in the country and nobody ever gave us that recognition.”

“So,” I said, “a new start in Shoreditch.”

Comedy Cafè opening night in Oslo – (L-R) Greg Faulkner, John Fothergill, Bjørn Daniel Tørum, Jimmy James Jones

“We have also opened a Comedy Cafè in Oslo,” Noel told me.,“in Norway. Same logo and everything.”

“Really?”

“Yes, Last week was the first one. We were approached by Bjorn-Daniel Torum. It’s once a month right now, so we can see how it goes.”

The Facebook announcement of the new club read: “One of London’s most iconic standupklubber through 27 years is coming to Oslo.”

Noel is clearly the unsinkable King of Standupklubbers, which made me think…

“You should,” I suggested, “open a comedy club on a yacht sailing the Greek islands. You would have the best of both worlds.”

“I thought about that when I was out there,” said Noel. “There was fuck all to do in the evenings.”

“I’m going to send you a decent picture,” Noel said. “You always take shit pictures of me.” This is his.

“Frenzied tit grabbing in Wetherspoons” after throat-slitting at the Grouchy Club

Yesterday, performer Samantha Pressdee posted in Facebook: “Frenzied tit grabbing in Wetherspoons, all in the name of feminism, is where last night’s Grouchy Club wound up.”

Critic Kate Copstick and I run The Grouchy Club. This was originally conceived by me as a one-hour chat show for the Edinburgh Fringe where I would not have to do any advance work – boring things like booking guests and thinking up subjects – and would not have to do anything on the day because the guests would be the audience and the audience would be comedy industry people self-obsessed enough to witter on for at least 55 minutes while I sat back and listened to the audience gossip and self-promote and Copstick got irate about something and ranted and raved.

It is the reverse of a normal show.

At the Grouchy Club, the audience performs and I do nothing.

Job done.

Copstick and I are back at the Edinburgh Fringe this year 14th-27th August with a daily 2.15pm Grouchy Club show. It is not listed in the main Fringe Programme because heaven forfend that I should have to fork out money or that ‘real people’ should turn up. It IS listed in the Laughing Horse Free Festival programme because that does not cost me money. Our shows are genuinely free – No collection bucket. Free to enter. Free to leave. Free to say what you like. May contain nuts.

It does not get vast audiences but does OK by Fringe standards and, as I said in a recent blog, at the Edinburgh Fringe, what is important is not the number of bums-on-seats you get but whose buttocks they are.

This original Fringe idea turned into a monthly Grouchy Club in London and a weekly podcast which I stopped in February this year after 100 editions but which may re-start around Fringe time, as Copstick likes to hear the sound of her own voice.

The latest monthly live London Grouchy Club was two days ago. It is always the second Tuesday of the month. Why? I have forgotten. I am old, bald and my grip on reality is loosening.

Anyway, semi-regular (in attendance, not in bowel movements) Siân Doughty observed yesterday on Facebook: “It was an eventful evening and the most fun I’ve had on a Tuesday in years”.

I billed it in advance as being about “the General Election; the upcoming Edinburgh Fringe; advice on writing, structure, performance and how to get publicity and reviews… Plus an insider’s description of the London Bridge terror attack… a 10 min excerpt from an upcoming Fringe show… and slanderous gossip.

Copstick – Her bark is worse than her bites

“Kate Copstick will be on painkillers,” I continued, “and have jet lag from Kenya. I will probably have had a tooth extracted a few brief hours before. Copstick will almost certainly be bad-tempered. I will gibber and dribble. Usually, we end up talking about dubious sexual practices and who the cunts are in comedy. And there are free biscuits.”

When it came to it, almost none of this happened except that Joe Palermo did describe being in the middle of the London Bridge terrorist attack (with a description of slit throats and all) Edinburgh Fringe/Eurovision Song Contest podcaster Ewan Spence had some unprintable gossip and there were free biscuits. Copstick was the healthiest I have seen her in about two years (but then, inevitably, she went in to hospital yesterday) and I still retain my tooth, at least for the moment.

At around 9.00pm, as often happens, everyone decamped to the nearby Wetherspoons pub and I went home, thus missing the bit Samantha Pressdee mentioned: “Frenzied tit grabbing in Wetherspoons, all in the name of feminism.”

Samantha is one of the studio psychics on and an occasional presenter for Psychic TV. Last night, she did a TED style talk on Maslow’s Pyramid and the Law of Attraction. But that is too up-market for this blog. I asked her to expand on the tit-grabbing. And she has:

“The tit-grabbing was a great relief to me,” she says, “as, earlier in the evening, I had found myself sandwiched between Noel Faulkner, former owner of the recently gazumped Comedy Cafe and David Gersch, new promoter of what was the Comedy Cafe. Noel (in effect) threatened he would set the comedy Illuminati onto Gersch.

“This time I had remembered to bring a bottle to the Grouchy Club. I was glad of a drink, having lugged my fat bin bags around London in the heat that day. The bin bags  contained some clothes and bedding that will shortly be off to Aleppo in Syria via the Mama Biashara collection point.

Samantha reads Gersch’s uncertain future in the cards

“With the threat of Illuminati forces in the air, I thought I should channel some positive energy so brought out my tarot cards. I began reading for Gersch who was wearing a a baseball cap backwards embroidered with his catchphrase CLASSIC GERSCH. Noel wished the death card on the 25 year old. And it was the first card to come up.

“Are the Illuminati real? I wondered. Noel, as if psychic himself, nodded and explained they have a secret way of winking.

“He calmed down a bit after a beer and the angel cards brought some laughter to the room. The angels suggest Noel and Gersch take it outside when they both pulled the ‘fresh air’ card. They left the party early (but separately).

“Comedian Siân Doughty was given confirmation from the angels that her decision to opt out of our Prosecco drinking was the right one. Her calm energy had a taming affect on our debauchery but, still, she did not escape a tit grab later.

“Copstick is a well of a wisdom – we learned the most wonderful cure for a hangover. Which, like most of the best things in life, involves nudity.

Joe’s story, reported in the Evening Standard

“I made a new feminist friend called Sarah – on her arrival she lobbed a bag of bras across the room that are bound for Kenya, via Mama Biashara.

“She and I bonded over our mutual hatred of another feminist and found we both support The English Collective of Prostitutes in their bid to decriminalise sex work.

“When we went to Wetherspoons, we discussed the virtues of Chris Dangerfield and the problems with third-wave feminism before the conversation moved on to the wonders of tea tree oil. We shared our experience of using this magic potion as a natural cure for vaginal thrush.

“Socially conscious Sarah interjected: What if a woman is not privileged enough to own a douching kit?

“Copstick immediately swung in her seat, both legs erected up in the air, and jiggled. The Wetherspoon community, of course, did not bat an eyelid but it may have been too much for sweet Simba, a street musician I had befriended on my fag break. He was considering entertaining us at the next Grouchy Club on July 11th but, after the demonstration of how to achieve a healthy vagina using the upside-down method, he made his excuses and vanished into the night.

“What an adventure!

“Earlier, the angel cards had verified that John gives trustworthy guidance and Copstick is loved by many, bringing joy to those whose tits she touches.”

Samantha added to me:

“If the blog goes up, could you link to my Edinburgh Fringe crowdfunder at the end? I am offering my Tarot readings as a perk! Perhaps at the bottom it could say: Would you like a psychic reading from Sammie? As a mystic she regularly appears on Psychic TV, has featured in It’s Fate and has over 200 5 star ratings. For a £25 donation to her Edinburgh fund, you can get a 20-30 minute reading in person or on the phone.”

The appealing Samantha’s Edinburgh crowdfunding video

I told her No – it is too blatantly commercial for this blog, because the whole point is to plug me and the Grouchy Club.

If she is psychic, I wouldn’t need to tell her this and she wouldn’t need to tell anyone anything.

I asked if she had any pictures of the tit-grabbing.

She said No.

Life is a never-ending frustration.

Noel Faulkner closes the Comedy Cafe. He’s not on drugs. He’s got Tourette’s.

Say goodbye to the laughter after 26 years.

I got a message late last night from Noel Faulkner: “I will call you tomorrow to talk about losing the club.”

London’s Comedy Cafe is closing at the end of this month, after 26 years.

“We have been negotiating this for the last fucking year,” he told me. “I thought the comedy could stay, but the guy is a prick.”

“So why is it?” I asked. “The lease has ended on the building?”

“Yeah. They bid £80,000 more than we did and we can’t meet those figures, because comedy is not doing that well, you know?”

“So when exactly,” I asked, “does the Comedy Cafe close?”

“New Years Eve.”

“With a big party?” I asked.

“There will be a party on Tuesday 3rd January?”

“Where?”

“In the Comedy Cafe, because we have nine days to pull out all the equipment.”

“You have,” I asked, “been looking round for other places?”

“Yeah, well yes. But you might as well be looking up your own fucking asshole. Everyone is a fucking idiot – except me, of course.”

“Why is that?” I asked.

“Well, people go: Oh yeah, yeah, great. And they want to rent me rooms. And I tell them: Comedy costs me £600 a night to put on, not counting PR. I can’t afford the rent. You are going to take the bar money. But they don’t understand it and Shoreditch is up its own ass.”

“You would prefer to stay in Shoreditch?” I asked.

“Well, that’s where we are known. I can’t move to fucking Tierra del Fuego, you know? You need to stay around where people know you cos, y’know, 26 fucking years.”

“And the landlord,” I said, “is just interested in the money – obviously.”

“Of course!” said Noel. “What do you think he’s interested in? Comedy?”

“And the new leaseholder?” I asked.

Noel – smiling in the face of adversity

“The new owner wants me to stay in, because he can’t get people in his bar early – he owns 10 pubs in Shoreditch. But he doesn’t want to pay us anything for the fixtures and fittings. We re-wired the building. We put in new floors and toilets And he has already gazumped us, so I’m not going to turn round and say: Oh! I’m going to help you do good business now, even though you fucked me over and given me nothing for goodwill. So it doesn’t look like it could work with him.”

“Is there,” I asked, “a slight possibility it might?”

“It doesn’t look good. He hasn’t got back to me in two weeks. So it’s probably the end of the Comedy Cafe, unless I can find something else. I can’t really talk about this. I’m so fucking wound up, John. It’s so really annoying. The whole thing is fucking annoying. It’s 26 years. Boom! Whoom! Bang! Nothing I could do. We never made the big money. Big names play your club once and then, after that, they’re too busy to come back to you.

“There’s very little support in the comedy business. A bunch of cunts. No better than the fucking City Boys, to be honest. An awful lot of wankers in the business.”

I laughed.

“But there are,” Noel re-emphasised. “Like (he named a promoter). And the other fuckers. They’re just fucking horrible people.”

“Why are they horrible?” I asked. “They’re just trying to make a living.”

“Well,” suggested Noel, “it’s screwing comics out of their fees to make a living. Is that OK? That’s a ridiculous statement, John. The judge asks: Why did you rob a bank? – Oh, I’m just trying to make a living, yer honour! – Oh, OK. No problem there! So, no, that’s a terrible argument, John.”

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NOEL HAS POSTED A NEW MUSIC VIDEO ON YOUTUBE:

 

The Grouchy Club Live – What is killing comedy. Why men wash. £1,000 a week.

Ada Campe – magical at the Grouchy Club Live

Tonight, I went to the Grouchy Club monthly live meet-up for people in the comedy business and anybody else who is interested. Well, I would do, I chair it with comedy critic Kate Copstick.

Often, comics come along and perform ten minutes of material – tonight it was the extraordinarily charismatic Ada Campe – but mostly it is just a case of the audience chatting about the business.

It can last two or three hours – as long as feels natural – with people arriving and leaving when they want, although arrive late and you’ll probably miss something outrageous.

Matt Price reacted to a comment by Kate Copstick tonight

On this occasion, we kept mostly to the subject of comedy and this brief conversation ensued between Copstick, storytelling comic Matt Price and Comedy Cafe Theatre owner Noel Faulkner.

Noel had arrived late, so Copstick explained to him what had just happened.

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COPSTICK
Matt evinced the opinion – which was met with a distinct murmur on the floor here – that ‘new material’ nights are killing comedy.

NOEL
No, they’re not.

MATT
What I meant was that I believe incorrectly billed ones are.

NOEL
I would agree with you 100%. Shit venues are ruining comedy. Bad set-ups. Look, you’re a young guy, you’ve got a date, you think: Oh! I’ll take her to comedy. She’ll be happy. she’ll laugh. That’s why, when you have a lot of couples in the audience, the room is stoic – because the guys are thinking: Well, I can’t laugh at that, because she’ll think that I’m this kind of person if I laugh at that joke, because that joke sounds homophobic, racist or whatever other PC shite.

Bad venues are killing comedy. There are venues that are horribly, badly run with dirty, smelly promoters who wash once a year.

COPSTICK
Comedy now is getting a television audience. It’s not really getting a comedy audience. The comedy audience that used to be there is still there, but it’s not big enough for the massive tsunami of quite shit comics that just keeps coming and coming and coming and coming. So the audiences they’re getting on all these nights are television audiences – I want to see him or her off the telly – They’re not really interested enough or have any feeling enough for comedy to sit and watch real newbies or new material.

NOEL
Most people want to go to work on Monday morning and say: Oh we were at the O2 Arena and saw ‘im off the telly! Oh, it was great! We was this close to the screen, we saw everything!… And they’ve paid £80. I mean, for fuck’s sake. Seriously. What? £60? £80? Jesus Christ! you could do things with that kind of money, besides sit and watch (the equivalent of) a DVD. What’s that I see way down there? Oh, great!

Also, things change. The whole comedy scene is changing. Young people, they wanna go and watch movies outdoors – that’s a great fucking idea. An uncomfortable chair, some shit movie from 20 years ago. I mean, OK if you’re gonna cop a feel off the girl beside you OK but, otherwise, who would have ever thought outdoor movies on rooftops is a great idea?

Guys will go anywhere where the girls are. If it wasn’t for women, we wouldn’t wash. Guaranteed. What would the point be?

The whole thing has changed and we can’t get used to the idea. We came through the era when comedy was like The Beatles – the new rock ’n’ roll. It was taking off; it was great; you opened a club above a room and people were getting paid £300 for a gig.

COPSTICK
Really?

NOEL
From Eugene Cheese. He always did a door split. Comics were making more money 15 years ago than they are now. A mate of mine who was in the mainstream in 1973 was taking home £300 a night. Working men’s clubs. Milo McCabe’s father. He was a mainstream comic. He would stand in the middle of the floor at a working men’s club – a stag do or whatever – and he would do the jokes, take the piss out of the guys – bang, bang, bang, bang, bang – I’d say Let’s have a beer and he’d say No, let’s get out of here. There’s a stripper coming on in a minute and the place is probably going to get busted and I can’t have that happen to me. Because he was doing a little telly at the time.

They would have a stag show, the comic would get up, then a stripper would come – big, big money. The average comic was making £1,000 a week, no problem, in the early 1990s.

COPSTICK
We are now going to hand out tissues to all the working comics in the room. I didn’t do stand-up, but I did comedy cabaret and you’re right: there were go-go dancers on before, then comedy, funny songs and a bit of chat and then a stripper – and that was in Edinburgh!

So… (TO MATT) what you were saying about new comedy nights today…

MATT
This is no offence to anybody, because we’re all part of the same circuit, but I think you sometimes now get nights that are billed, for example, as “eight professional comics trying out new material” – It’s free entry and you go in and you think: Hold on! None of you are pro comics. What are you talking about? You’re all moaning about your day job. First thing they say (off stage) is: Who’s your agent? How do you get an agent? Who do I speak to?

And I think: Why are you doing that? Don’t put that on the poster! Because it’s killing everything long-term.

15 years ago, I went to the Comedy Cafe and saw Geoff Boyz. He is, to me, the consumate pro. He said to me: It takes you ten years to be a professional. That’s before you start to get good at it; and then probably another ten to master it.

Yes, you can make it in three years if your dad works for the BBC. But you’ve still got to deliver the middle-aged men’s material they’re writing for you. This is an art form and people are fucking it up by lying about what they can do. I know people who can’t do 10 minutes who are doing a one-hour show at the Edinburgh Festival – the most prestigious arts festival in the world – and they can’t even stand on stage at a proper comedy club and deliver 10 minutes of jokes to an audience who are there to be entertained.

NOEL
It’s become a social life for some very sad people. They go up to Edinburgh and they do their hour and their hour is not ready. I had somebody ask me: Come and see my show. And I said: There’s no way I’m spending an hour of my fucking life in Edinburgh when I can be watching Chinese acrobats swinging from the ceiling with large breasts. Forget it! You’re not ready for an hour! I was very rude and very blunt and it was just water off a duck’s back. I had to be that blunt with this person, because they really were thick-skinned.

That’s ruining the business. TV has saturated the business. And we need to find a new road for live comedy.

---

Some after-show chat at the live Grouchy Club earlier tonight

In 2016, there will be live Grouchy Club comedy industry meet-ups held in the performance space at the back of Kate Copstick’s Mama Biashara charity shop in Shepherd’s Bush, London, at 6.30pm on the following dates. Anyone can come. Entry is free. Exit is free.

Tuesday 12th January
Tuesday 9th February
Tuesday 8th March
Tuesday 12th April
Tuesday 10th May
Tuesday 14th June
Tuesday 12th July

Details on http://www.grouchyclub.co.uk

After tonight’s show, for some incomprehensible reason, I mentioned to London-based Glasgow comic Martha McBrier that, as I am originally Scots, I tend to pronounce the grocery store chain as the Co-per-aytive rather than the Co-opp-rative. This triggered a 20-second duet between Martha McBrier and Kate Copstick…

The Grouchy Club Podcast: “The Clintons are pure evil. Pure evil.”

With Kate Copstick away in Kenya, I talked to Comedy Cafe Theatre owner Noel Faulkner today for the weekly Grouchy Club Podcast. We talked about Jeremy Corbyn, capitalism, socialism, drugs, free comedy shows, Ireland, the BBC and much more, including the upcoming US election.

Among other things, Noel said:

“The electronic age is destroying us… America is a Third World country… How come there are very few right wing comics?”  

Here is a brief extract from elsewhere in the podcast:

---

Noel Faulkner, after recording The Grouchy Club Podcast at the Comedy Cafe Theatre

JOHN
Hilary Clinton’s going to win, isn’t she?

NOEL
The Clintons are pure evil. Pure evil.

JOHN
Bill?

NOEL
Oh yes. I don’t mind where he puts his cigars. He doesn’t use ashtrays. I don’t mind that.

JOHN
You were one of the ten most wanted men in America, weren’t you? Was that under Clinton?

NOEL
I was on the FBI’s most wanted list, but more than ten. That was because of my association with undesirables. So I was put on the list.

JOHN
Who was president?

NOEL
Ermm.. 1980s?

JOHN
Probably Reagan, was it?

NOEL
Yeah, Reagan, because I remember all the drug dealers used to vote for Reagan, because they knew he’d never legalise drugs.

JOHN
Really?

NOEL
Yeah. they had bumper stickers on their cars: VOTE FOR REAGAN. People would think they were Rednecks. They were going: Well, we don’t want drugs legalised, otherwise we’ll be out of a job… I have to say the drugs were (only) marijuana…

JOHN
Not proper drugs.

NOEL
… which is now legal (in parts of the US).

JOHN
You should go back to America. You’d make a fortune.

NOEL
No. It’s a police state. I do not want to be back in America. I do not want to be some MOFO accident as I’m stepping out of the car – Assume the position. Put your hands… BANG! and you’re dead. Aw! It was an accident!

JOHN
I suddenly thought… There’s an irony here, isn’t there? Are you allowed back in the US?

NOEL
No.

JOHN
And you’re not allowed back in America because of drugs…

NOEL
I’ve been deported twice.

JOHN
… but drugs are legal (in some states). So, if you wanted to go back to America to deal drugs in a legal way, you can’t do because, in the past, you’ve dealt drugs. That’s a bit ironic. the Americans don’t understand irony.

NOEL
It’s a bit like being a Catholic. It used to be a sin to have a wank or to murder somebody: it’s the same sin. That’s a bit much, isn’t it? It was. It was a sin to murder somebody and it was a sin to have a wank. Now the Pope, the other day, said: Oh! It’s all OK! You don’t even have to believe in God as long as you’re a good person. We’ve been trying to tell the fucker that for the last fucking forty years.

JOHN
I don’t think he said you’re allowed to murder people, did he?

NOEL
No. But I think wanking’s OK now… I hope so.

JOHN
Murdering all the little unborn children?

NOEL
Yes, yes.

JOHN
Oh! I see what you mean! That sort of murder. Not actually going round shooting people randomly in a supermarkets.

NOEL
Nah.

---

You can listen to the full podcast HERE.

Russell Brand supports Comedy Cafe owner Noel Faulkner’s ‘secret’ charity

Russell Brand supports Ghar Sita Mutu

“So you have Russell Brand,” I said to Noel Faulkner yesterday.

Noel owns London’s Comedy Cafe Theatre.

“Yes,” he told me. “He’s going to celebrate the 25th anniversary of the Comedy Cafe by doing a gig on Wednesday 3rd June for the orphanage in Nepal.”

“This is the charity,” I said, “that you’ve always refused to let me mention in my blog in case it makes you look too amiable?”

“Yes. You can say it’s a Comedy Cafe friendly charity.”

“What is a Comedy Cafe friendly charity?” I asked.

“One that we fuckin’ support,” replied Noel. “Whatever. The show’s also got Trevor Lock, Andrew Maxwell, Jimmy James Jones and Kate Lucas.”

“What’s the orphanage called?” I asked.

“House With a Heart (Ghar Sita Mutu).”

The charity’s website says it provides a home for abandoned children, an education center for impoverished women and children and an outreach program for needy families.

“How long has it been running?” I asked.

“I don’t want to go into all that,” said Noel. “I like people to think I’m a bit of a cunt… Alright, the charity has been going for thirteen years. In Kathmandu, Nepal.”

“Oh bloody hell!” I said. “Is it actually in the city itself? Was it affected by the earthquakes?”

Some of the House with a Heart ‘family’ by one of the tents

“At the moment, they’re living in tents in the front garden because the building is cracked. We are flying an engineer out from America to look at the building. He’s going out there with the founder of the charity, Beverly Bronson.”

“How many people are living in the garden?” I asked.

“Thirty one plus neighbours,” said Noel. “We’re taking care of neighbours. A lot of poor people live around it.”

“Is 31 the capacity of the orphanage?” I asked.

House with a Heart – as it was before quake – in Kathmandu

“Well,” said Noel, “25 kids in the house and 6 adults – there’s a gardener, a maintenance guy, a manager and so on.”

“What age are the kids?”

“From 4 to 22. The 22-year-old is just getting ready to go to college and move into outside accommodation, which we will still… We will see these people right to a career.”

“How do you choose the kids?” I asked.

”There is no way you choose… If you’ve got room and somebody dumps a baby on your doorstep… you take it in. There’s going to be a lot of abandoned kids with this crisis. People can’t feed them, so they dump them on your doorstep. We’ve only had one that was abandoned so far. Well, actually, a few of our kids were abandoned by their parents – neighbours who were very poor were looking after them.”

“How often do you go out to Nepal yourself?”

Beverly Bronson + Noel Faulkner (right) & Dr Mark Rogers

“I used to go once a year. Beverly goes twice. She lives in New York. She has a little retro antique shop in the Village. She founded the whole thing and the Comedy Cafe just stepped in with a little finance. She keeps an eye out that every kid is being taken care of, has got their needs, got their dental care. Young girls turning into women go to a doctor and are told how it all works. We have an outreach programme that trains women to sew and we pay them $20 a month and, at the end of six months, they’re qualified and then we buy them a sewing machine and then they can make a few bob.”

“How,” I asked, “did you get Russell Brand for the show?”

“I bumped into him on the street. He reminded me about the time I threw him out of the Comedy Cafe for being a cunt.”

“What,” I asked, “was he doing?”

“He was walking on the tables.”

“When was that?”

“About 23 years ago.”

“Have you seen him since then?”

“No, I just bumped into him this week.”

“What else is happening?”

“I’m working on my Touettte’s song I’m Not On Drugs, I’ve Got Tourette’s.”

“When will that come to fruition?”

“Probably two months.”

Noel Faulkner has Tourette Syndrome.

He is not a cunt.

But don’t tell anyone.

His rap song Comfort Zone with Jimmy James Jones is on YouTube.

Comedy club owner turns badass rapper

Here’s an extract from a new rap video featuring George W Bush, Barrack Obama, Tony Blair, Bill Clinton, a London comedy club owner and a young stand-up comic:

I know the human being and fish can co-exist peacefully. Yes we can. He has existing and active military plans which could be activated within 45 minutes. I did not have sexual relations with that woman.

Paedos on the telly, looking like stars
Paedos in Rome and the House of Lords
Paedos in the pockets of all the police
Hope the dirty buggers don’t have their eyes on my niece

Football on the telly to convince you you’re a winner
When the price of a shirt could buy the whole family dinner
Children in the world all starving and alone
Wishing they could be in the Comfort Zone

“It’s got something, hasn’t it?” he asked me.

“It’s visually fascinating,” I said. “That bit with you in the Taj Mahal and the faces on the wall. And an older man in a purple suit and a young black guy.”

“There’s something there, isn’t there?” he said.

“You should go up to the Edinburgh Fringe with it,” I said.

“I fucking hate Edinburgh,” he told me. “Standing around surrounded by multi-millionaires who pretend they don’t have any fucking money with their fucking Caribbean tans. Fuck them, the rich bastards. I’m just jealous. I wanted to launch it on your blog first,” he told me at his club yesterday. “I wanted to support you.”

“At my age,” I said, “I need support. Maybe a zimmer frame.”

In the increasingly prestigious Grouchy Club Podcast a month ago, Comedy Cafe Theatre owner Noel Faulkner said he was about to release a rap video called The Comfort Zone. And now he has.

“Why?” I asked him yesterday. “You are over 25 years old. Why are you doing it?”

“Why am I rapping? I just had something to say and I wanted to say it, but I had to do it in a character, otherwise it just didn’t work for me. Maybe cos I was an actor. It all started as a joke and then I got some good words out.”

“What was the joke?” I asked.

“Just me pretending to be streetwise. The group… we call ourselves A and I – Artificial Intelligence… or African and Irish… Jimmy James Jones is of African descent and I’m Irish.”

Noel Faulkner and Jimmy James Jones outside the Comedy Cafe Theatre in Shoreditch and well out of The Comfort Zone

“And,” I asked, “why did you have to say things?”

“Cos these are the things that are in my head,” Noel told me. “You gotta get your message out. I do rants on Wednesday nights at the Comedy Cafe, except I take out the comedy. I just tell the audience how fucked the system is and talk about fractional-reserve banking and shit like that and they just stare at me and then I tell them they’re a bunch of cunts because they didn’t pay to get in anyway, because Wednesday night is open mic night. So they just stare at me in disgust and think: Oh well, it’s warmer here than in our apartment, so we’ll stay.”

“How,” I asked, “did you persuade Jimmy James Jones he should play second fiddle to an older man in a purple suit?”

“Well,” replied Noel, “I manage him. He is going to be one of the hottest comics in Britain: just watch this space.”

“It’s a really well directed promo,” I said.

Noel Faulkner at the Comedy Cafe yesterday

“I had a very good cameraman and film  maker – Max McCabe – so we directed together.”

“What do you want to get out of it?” I asked.

“Ahm gonna get ma bitches,” said Noel. “Ahm gonna get ma hot tub, get cheaper crystal meth off the boys cos I’m cool in da hood.”

“Ah,” I said.

“And there’s another song to follow,” he continued, “called I’m Not on Drugs; I’m on Tourette’s”.

Noel has Tourette Syndrome.

I’m not on drugs. I’ve got Tourette’s
I’m a mover and a shaker. That’s as good as it gets

If you see me twitching on the dance floor
Don’t come up to me and ask me if you can score
The girls look at me and my dancing feet
They think he looks kinda crazy, but he’s kinda neat

I’m a mover and a shaker. That’s as good as it gets
I’m not on drugs. I’m on Tourette’s

Let’s twitch!

“You and Jimmy James Jones look visually good together,” I said.

“There’s a great TV show there, surely?” said Noel. “Jimmy and me. He’s the struggling young black comic. I’m the crazy fucking Irish manager. That’s a TV concept.”

“Called?” I asked.

“A and I,” said Noel.

You can see A and I – Noel Faulkner and Jimmy James Jones – singing Comfort Zone on Vimeo.

https://vimeo.com/124253992

Paying publications to review your show is like having paid-sex with a famous wit

Chortle piece on pay-to-be-reviewed

Someone told me about this yesterday.

I said: “Are you sure it’s not an April Fool prank?”

“If it is, it’s a day late,” the person told me.

And this is no surreal joke.

Just like my Frank Sanazi blog yesterday – which included Jesus Christ flying in from Glasgow for Hitler’s birthday – this is true.

I was more than a little surprised to see on the Chortle comedy industry website these words:

“This year we make explicit what we’ve always tried to do anyway, and promise to review any show that spends at least £250 on advertising on Chortle. To avoid any Daily Telegraph-style conflicts of editorial interests, we won’t make any promises as to which reviewer will see a show, when it’ll appear – or most crucially whether we’ll like it! And you’ll have had to have settled your bill before the Fringe, so you can’t back out if you don’t like what we’ve written.”

Each to his own, but I think once you allow people outside the publication (the performers themselves) to dictate which shows will receive reviews (by, in effect, paying to be reviewed) you have lost editorial control.

There is a story which is told about George Bernard Shaw or Winston Churchill or a variety of other fairly witty people in various versions…

There is a dinner party. The conversation turns to the concept that ‘Everyone has their price’ and the famous man turns to a lady sitting at the table and says – purely as a matter of intellectual theory, in order to spur the debate along – “If I offered you £10 million to sleep with me for one night, would you accept?”

George Bernard Shaw in 1925, when he was awarded the Nobel Prize in Literature

“I suppose,” the lady says, laughing, “for £10 million, I would.”

“In that case,” says the great man, “here’s ten shillings. Sleep with me tonight.”

“What kind of woman do you think I am?” the outraged lady replies.

“We have already established,” the great man says, “what type of woman you are. We are now merely haggling over the price.”

There is no actual moral or logical difference between saying: “If you pay me £250, I will guarantee to review you rather than another show which I could have chosen to review” and “If you pay me £500 I will allow you to veto what I say in my review” or “If you pay me £1,000 I will let you write your own review as a press release which I will print word-for-word.”

By receiving payment to get reviewed, we have already established what type of editorial judgment a publication has. We have established the principle. We are merely haggling over how much it might cost to influence the content.

If an act pays £250 (for whatever reason) to guarantee a review, the publication has relinquished editorial responsibility by letting an outsider decide which shows (among so many others) will be reviewed. If a publication had time and space to print 500 reviews at the Edinburgh Fringe and 500 acts were happy to pay £250 to get reviewed, then that publication would not be deciding to review any shows on the basis of merit or perceived interest. It would be merely selling space to acts to advertise their wares via reviews. Even if the act has no control over the content of the review, it has still turned an objective review into a paid-for advert.

Over the years, as reported in Chortle, some comedy venues have attempted to charge performers a fee to perform in their clubs or to have the act guarantee that a certain number of their friends will pay for tickets to their show – this has rather sniffily been described as ‘pay-to-play’.

There is no difference that I can see between ‘pay-to-play’ and ‘pay-to-get-reviewed’. In both cases, the result may backfire – the audience may hate the act or the reviewer may hate the act. But the principle of payment-to get-exposure is the same.

On Facebook, performer Richard Vranch has pointed out that the Chortle idea of being paid by acts to review their show is not new. In June 2012, Chortle ran a news item headlined:

Caimh McDonnell’s jokey PR stunt has became true

COMIC TO PAY FOR REVIEWS
£100-a-Time ‘Bribe’ to Win Fringe Coverage

Comedian Caimh McDonnell was pulling a publicity stunt but interestingly called his scheme ‘undoubtedly a new low for British journalistic integrity’. In fact, to avoid actual bribery, Caimh said he would not pay the £100 to publications but – up to a maximum of £3,000 – he would pay the money to the Macmillan Cancer Support charity. Fair enough.

In May last year, Chortle ran this report:

He has been vehemently opposed to competitions in comedy, calling them a ‘malignant and destructive influence’ on the artform. Yet last night, The Stand comedy club owner Tommy Sheppard welcomed the Deuchars Beermat Fringe competition to his venue in Edinburgh, with heats in Glasgow and Newcastle to follow next week. And, unlike most competitions that keep the commercial side separate, this one insists that all acts must ‘weave’ the name of the sponsor into their set. But Sheppard told Chortle he saw no conflict as the Deuchars competition was across all performance genres: ‘We’re convinced it’s not a comedy competition,’ he said. ‘The majority of people taking part last year – and so far this year – are musicians.’ And the winner of last night’s heat? A comedian, Ross Leslie.

Paying £100 for a review… or paying £250 for the publicity of a review even though you don’t control content… or saying you don’t believe in competitions then hosting competitions which force acts to include brand names in their performances…

It all seems much of a muchness to me.

But, then, who am I to quibble? On my Facebook pages yesterday, I posted:

I am not one to take base bribes for publicity in my blog

If anyone would like to give me £251 in cash, I promise to print the name of your 2015 Edinburgh Fringe show in my increasingly prestigious daily blog.

For a further £251 in cash I will print the name of your venue.

And for a further £251 in cash I will print the days and time of the show. Only cash. Only sterling. Only current notes.

In the spirit of Kickstarter enticements, if you give me a further £53.96p in cash, I will also give you a free Mars Bar on the final day of the Fringe. And, as an extra gift from me to you, if you pay me an additional £2,373 in cash, you can also appear (naked) in the Increasingly Prestigious Malcolm Hardee Comedy Awards Show on Friday 28th August in Edinburgh.

I am awaiting offers.

Noel Faulkner truly does not give a shit

Meanwhile, also on Facebook, iconic Noel Faulkner, the ever-outspoken owner of London’s Comedy Cafe Theatre, says:

There are a lot of talentless fucks worming their way into the business. When a comic sends me a list of credits and reviews and they list Broadway Baby, The List and all the other rags that send 20-year-old reviewers out to review, my first thought is You’re probably shit. I would pay these reviewers not to review my show.